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Peggie BlizardIris 42025
2025
$1,440
£1,092.85
€1,258.80
CA$2,057.77
A$2,258.39
CHF 1,164.71
MX$26,978.05
NOK 14,759.07
SEK 13,829.94
DKK 9,400.87
About the Item
ARTIST STATEMENT:
Realism as a style has basically remained unchanged since the Renaissance. Realism as a technique, however, has definitely been altered and heavily influenced by technology. Most artists have given up “eyeballing” a subject as a drawing technique and have come to rely on photographs instead. Turnaround time for photographs is now virtually instant because of digital cameras and computers. Photoshop can actually “paint” a picture for you. Artists have always used the tools at hand and of their time …. Camera obscura, compass, protractor, calipers, rulers etc.
The challenge has always been and still is the same: How do you make a work of art and not just an artwork? How do you infuse poetry into what you are doing and give the work meaning and beauty? One of the things I try to achieve in my work is the creation of a feeling of three dimension through the objects I paint, whether they are flowers or boxes or antique kitchen appliances. The space between the objects and the viewer is usually somewhat shallow. However, behind and around the objects, there is the illusion of great depth. An artist friend of mine once said that the object of painting, whether realistic or abstract, is to make a two dimensional space appear to be three dimensional. Maybe it’s just that simple.
- Creator:Peggie Blizard (1942, American)
- Creation Year:2025
- Dimensions:Height: 16 in (40.64 cm)Width: 12 in (30.48 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU183217082372
Peggie Blizard
Peggi Blizard is an American artist best known for her meditative realist paintings of interiors and still life's. Drawing on the techniques of Dutch Realism, Blizard captures the emotional significance of everyday objects and spaces. Peggie Blizard was born in Rockingham, North Carolina in 1942. After receiving her BFA from East Carolina University, she moved to New York where she continued her education at the Art Students League and Pratt Graphic Arts Center (now the Pratt Institute), and later received her Master's degree from City College. Blizard's work has been exhibited at the Hammond Museum, North Salem, NY; the Parrish Art Museum Southampton, NY; the Boston Museum of Fine Art; Hopper House, Nyack, NY; the North Carolina Museum of Art, Raleigh; the Norfolk Museum of Fine Arts, VA; and the Virginia Museum of Fine Art, Richmond. Artist statement:
Realism as a style has remained unchanged since the Renaissance. Realism as a technique, however, has been altered and heavily influenced by technology. Most artists have given up “eyeballing” a subject as a drawing technique and have come to rely on photographs instead. Turnaround time for pictures is now virtually instant because of digital cameras and computers. Photoshop can actually “paint” a picture for you. Artists have always used the tools at hand and of their time …. Camera obscura, compass, protractor, calipers, rulers, etc. The challenge has always been and still is the same: How do you make a work of art and not just an artwork? How do you infuse poetry into what you are doing and give the work meaning and beauty? One of the things I try to achieve in my work is the creation of a feeling of three dimensions through the objects I paint, whether they are flowers or boxes or old kitchen appliances. The space between the objects and the viewer is usually somewhat shallow. However, behind and around the objects, there is the illusion of great depth. An artist friend of mine once said that the purpose of painting, whether realistic or abstract, is to make a two-dimensional space appear to be three dimensional. Maybe it’s just that simple.
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Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum
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The Butler Institute of American Art, Youngstown Dallas Museum of Art
Fine Arts Museums of San Francisco
Frye Art Museum, Seattle
Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh
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Oakland Museum of California
Philadelphia Museum of Art
Phoenix Art Museum
Portland Art Museum, Oregon
Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art
University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum
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BankAmerica Corporation, Charlotte
Citigroup, New York
Cleveland Institute of Music
Clorox Company, Oakland
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