Pierre Désiré Eugène FrancLamy

Bouquet de Jardin

Early 20th Century

Fannie Burr was a highly accomplished painter and one of our earlier American women artists! This very contemporary, fresh and appealing floral study was done circa 1895!! The rarity of this and its virtuoso execution could lend it to being in the collection of a Connecticut museum. Along with her sister Jennie, they were known as the "Burr Sisters". They did focus on paintings of still life and nature which would have been acceptable for a female artist of the period. Fannie studied at the Yale School of Art and then the Art Students League in New York. She was assistant to Julian Alden Weir a major CT impressionist, while he was at Yale teaching. The composition is avant-hard for this date! It is in an exceptional hand carved 22 karat frame of high value, Art Nouveau style. In the estate of 700 or so paintings by Fannie and Jenny Burr it was found that they did not sign most of the paintings. They were not selling their works or represented so much so this is understandable. This has a great provenance! Estate of the artist Julian Eddy by 1962 Connecticut Gallery, Lyme CT...

Incredibly beautiful paint surface! Incredible French Gilt frame. René Demeurisse began his exhibition career at the Salon de la Societé Nationale de...

This rare subject of playing cards, books and objects spread out on a table was obviously a challenge and fun subject for the artist to tackle. He uses highly impastic paint thickly...

This elegant and rare still life of red roses is by one of America's finest still life artists. It is framed in a fine Empire style 24 karat gilded and carved frame. Roses in a Copper Bowl represents the pinnacle of still life painting as Carlsen has described it above. Before painting marine landscapes, Carlsen was first known as one of the finest still-life painters of his era. Painted in 1893 during Carlsen’s period in New York, this canvas also draws comparisons to the work of John LaFarge, John White Alexander...

This still life of Plums is a top notch example of 19th century still life painting! Beautiful quality and striking but also spare and honest in nature which is what typified Americ...

A great early date for this artist where he was coming out of the origins of expressionist and fauve works of art. A unique composition depicting a woman setting out a table laden w...

Oil on canvas Image size: 23 1/4 x 19 1/2 inches (59 x 50 cm) Dutch Ripple frame PROVENANCE Private Collection, London Here a glass vase containing an exuberant display of flowers stands on a ledge. With only one known exception, Verelst included vases in all of his flower paintings. The asymmetrical arrangement of the flowers fills most of the canvas and the vibrant bouquet contains peonies, a bearded iris and a poppy set amidst a perfusion of twisting leaves and stems. Poppies were one of Verelst's favourite flowers and were commonly featured in his still life's. This painting shows a superb understanding of light and colour that is consistent with Verelst's other works. Indeed, the strong contrast between the brightly lit, the colourful blossoms and the surrounding darkness lends to the flowers and foliage a hyper realistic quality and a strong sense of three-dimensionality. The Artist Verelst was born in The Hague in 1644 and came from a family of painters. His brothers Johannes and Herman also became painters and, like Simon, were trained by their father. In 1663 Simon became a member of the Confrérie Pictura, the painter's association in The Hague, and soon afterwards moved to nearby Vooburg with his brother Herman, who also painted flowers. In 1668 Simon he moved to London where the Duke of Buckingham became his principle patron and on 11 April 1669 he met with Samuel Pepys. He was enormously successful in London and his elegant portraits became popular for a time during the 1670s among court circles. He painted this portrait of Prince Rupert, son of Frederick V, Count Palatine and Elizabeth Stuart...

Alfred Frederick William Hayward, R.O.I. (1856-1939) Convolvulus signed ‘AFW Hayward’ (lower right) oil on canvas 17 x 13 in. (43.2 x 33.1 cm.) frame 21 ¼ x 17 ⅜ in. (53.9 x 44.1 cm....

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...