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Pippa Smithdiptych of Three Chillis on Tiles and Sardines with Lemon, Original painting2024
2024
About the Item
This contemporary still-life depicts a two juicy sardines with a slice of lemon on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is ready to be hung unframed. Inspired by my Abuela's home kitchen.
This contemporary still-life depicts three spicy chilli peppers on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is ready to be hung unframed. Inspired by my Abuela's home kitchen.
ADDITIONAL INFORMATION:
Acrylic on Canvas
15 H x 15 W x 2 D cm (5.91 x 5.91 x 0.79 in)
Sold unframed
Image size:
Height: 15cm (5.91 in)
Width: 15cm (5.91 in)
Complete size of unframed painting
Height: 15cm (5.91 in)
Width: 15cm (5.91 in)
Depth: 2cm (0.79 in)
ARTIST BIOGRAPHY;
Explore artist Pippa Smith works with Wychwood Art. Pippa Smith is a London based, self-taught artist whose energetic still life paintings are characterised by bold and playful colours, and aim to transport the viewer to the warmth and serenity of the Mediterranean. With a fresh take on the traditional artistic genre of the still life, her works are whimsical and expressive, with a focus predominantly on seafood and the pleasure of the kitchen table. They are a joyful celebration of her Hispanic heritage and her Abuela's excellent cooking.
Having studied History of Art at Edinburgh University, Pippa went on to work in a contemporary gallery as a dealer, but it was the lockdown of 2020 where her true passion for painting flourished and her unique artistic language was born. Now based in London, Pippa continues to create quirky and contemporary works fit for any house, whether a villa in the Med or a country cottage in the Cotswolds.
- Creator:Pippa Smith
- Creation Year:2024
- Dimensions:Height: 5.91 in (15 cm)Width: 5.91 in (15 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:Seller: WYCHWOOD ART GALLERY 1stDibs: LU632314339042
About the Seller
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We live in a time of extreme and accelerated change, growing complexity, and specialization. At every stage in our human trajectory from primitive beginnings crawling out of the sea to the present gauntlet of challenges, our thinking tools and their uses are central to the story of what it means to be human. My work is informed by a fascination with thinking tools and the effects of programming and environment through the different phases of life and our capacity for storytelling.
My practice consists of constructing small-scale still life scenarios of toys and other artifacts of human development, then creating photorealistic acrylic paintings of these scenes. The work juxtaposes the familiar and playful with a contemporary, complex, adult world. While I am interested in the science of the mind, and what it means to be a human, my work seldom features the human form, focusing instead on the objects and items that are frequently left behind. As such, the subject of the painting becomes the viewer him or herself because their own humanity is ultimately what is revealed.
My work honors toys as thinking tools for small people and the scenes depicted explore the ways in which the culture of our formative years leaves a lasting mark and continues to shape our storytelling. The plastic artifacts of my formative years carry memories of simultaneous confusion and wonder at the world around me. These are sensations and emotions still very much present in my life. What were your imaginings and dramas when you played with toys? Are you living them today?
The multileveled still life paintings of familiar toys are bright and accessible and connect to the viewer's nostalgia and playfulness while provoking deeper insights into our current evolutionary, cultural, and technological moment. I place each little curio with care into meaningful relationship to their interlocutors and environment. The plastic dinosaurs often depicted are emblematic of childhood curiosities, of great wonder and speculation at past worlds and the depth of evolutionary time, and yet they are made of a material that illustrates our shortsightedness, a quintessential human quality that makes it quite possible that these plastic creations will outlast us all.
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