Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 22

Simon Kozhin
Tropical Paradise

2025

$16,207.47
£11,867.10
€13,500
CA$22,007.32
A$24,670.03
CHF 12,864.86
MX$302,394.34
NOK 163,019.40
SEK 154,987.67
DKK 102,742.03
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

I have completed a new still life. Some of the props were given to me for my birthday, they were fruits. That prompted me to put on a still life. The frame for the painting has already been purchased, I ordered a stretcher and this stimulated the horizontal format of the compositional solution. Shells from the depths of the sea have been in the collection for a long time, sometimes I use them in my productions. A particularly favorite shell is Heliotis, although the beauty of the shell of the predatory marine gastropod mollusk of the helmeted family Cassis cornuta is indisputable. Just like other shells. While I was painting the still life, the name came up, since most of the objects symbolize pleasure. Pineapple and Mango turned out to be also very tasty, Pitahaya and other fruits dried up a lot during the writing. I tried some fruits for the first time how to paint from nature so it tastes. I filmed several stages of work on the still life, starting with the transfer of the drawing and the underpainting, in gradual words.
  • Creator:
    Simon Kozhin (1979, Russian)
  • Creation Year:
    2025
  • Dimensions:
    Height: 18.31 in (46.5 cm)Width: 39.18 in (99.5 cm)Depth: 0.79 in (2 cm)
  • More Editions & Sizes:
    OriginalPrice: $16,207
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Zofingen, CH
  • Reference Number:
    1stDibs: LU2203216210412

More From This Seller

View All
Oriental still life
By Simon Kozhin
Located in Zofingen, AG
This symphony of blue, rich in textures, reflexes and ornaments, the charm of the east, the plastic language of symbolism. The combination of warm and cold shade and light on canvas....
Category

2010s Realist Still-life Paintings

Materials

Canvas, Oil

Still life with plainair
By Simon Kozhin
Located in Zofingen, AG
This work was painted in the open air in the shade of trees. It was hot and it was necessary to paint the picture quickly, as the fruit attracted wasps and could quickly deteriorate ...
Category

1990s Impressionist Still-life Paintings

Materials

Canvas, Oil

Oasis
Located in Zofingen, AG
Oasis explores the tension between desire and distance through a surreal desert scene. A figure stands before a colorful mosaic wall framing an unreachable horizon, accompanied by sy...
Category

2010s Realist Figurative Paintings

Materials

Cotton Canvas, Acrylic

Delicate still-life
Located in Zofingen, AG
In this oil painting, I sought to capture the fleeting beauty of life, symbolized through the delicate blossoms of roses. The strokes convey passion and the ephemeral nature of beaut...
Category

2010s Expressionist Still-life Paintings

Materials

Canvas, Oil

Still life of unnecessary objects
Located in Zofingen, AG
A still life of unnecessary objects, that's what I called my painting, which I created in 2002. It turns out that it is possible for the artist to collect unnecessary items that are ...
Category

2010s Contemporary Paintings

Materials

Canvas, Oil

Inner space Contemporary still life Oil Painting by Giulnara Khabibulina
Located in Zofingen, AG
This series of works is based on the artist's impressions and communication with old and new friends. Our future is impossible without the past. We all appreciate old stories about o...
Category

2010s Realist Figurative Paintings

Materials

Canvas, Oil

You May Also Like

#417
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category

21st Century and Contemporary Contemporary Still-life Paintings

Materials

Canvas, Oil, Inkjet

Still Life 1, Painting, Oil on Canvas
By Charles Choi
Located in Yardley, PA
Dining table of mine, have been painting a little series of this table. this is one of them. :: Painting :: Realism :: This piece comes with an official certificate of authenticity...
Category

Early 2000s Realist Paintings

Materials

Oil

#447
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category

21st Century and Contemporary Contemporary Still-life Paintings

Materials

Canvas, Oil, Inkjet

Mellowing
By Kenneth Webb
Located in London, GB
Image dimensions: Framed dimensions: Signed lower left. Kenneth Webb is considered to be one of the finest landscape painters of the last 100 years. Ove...
Category

21st Century and Contemporary Contemporary Still-life Paintings

Materials

Canvas, Oil

Seaside, Artwork Original oil Painting, Ready to Hang
Located in Granada Hills, CA
Artist: Anatoly Borisovich Tarabanov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2014 Style: Contemporary Art Title: Seaside Size: 25.5...
Category

2010s Impressionist Still-life Paintings

Materials

Canvas, Oil

#414
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category

21st Century and Contemporary Contemporary Still-life Paintings

Materials

Canvas, Oil, Inkjet