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Peter Schenck"Endless Summer", acrylic, canvas, artist tools, toys, paintbrush, tube, beach2017
2017
About the Item
"Endless Summer" is a well-known artwork among Peter Schenck's many remarkable paintings, and addresses subject matter that continues to engage the artist – the tools of painting and art making, including brushes, tubes of paint and palette knife are arranged in a child-like tableau alongside brightly colored and eroticized inflatables of the hand, the breast, the dollop of paint... And all of it reminiscent of toys on a beach under blue skies where anything should be possible.
From Peter Schenck: "Endless Summer mixes up the time-honored tradition of the still life with my feelings on an artist's attachment to their tools – brush, palette, paint – an attachment at times bordering on erotic, at times feeling awkward and all-thumbs. I was also taking on Tom Wesselmann's concentrated still lives of the 60s and 70s, banal and erotic all at once."
"Endless Summer" is an acrylic paint on canvas measuring 30" tall by 25" wide. It was included in the group show "Sitting Still" at Bravin Lee Programs Gallery, New York City in October 2017, and showed alongside work by Fairfield Porter, Thomas Nozkowski, Janet Fish, Robert DeNiro Sr., Ginny Casey and Tom Wesselmann. (See the last two photographs for installation photos.)
From Daniel Gerwin – "Schenck’s color is vibrant, wild, saturated to the point of overheating, and altogether brilliant in the balancing of hues, temperatures, shapes, and color quantities. The paintings have a remarkable coherence for their dizzying juxtaposition of so many small chromatic passages." (Essay: The Anxiety and the Ecstasy)
Peter Schenck lives and paints in Brooklyn, NY. He received his BFA from Boston University (2006) and his MFA from the University of Pennsylvania (2009). Schenck has exhibited his work internationally and nationally, including Tales of Art Gallery (Imola, Italy), Sebastien Adrien Gallery (Paris, France), Freight + Volume Gallery (New York, NY), BravinLee Programs (New York, NY), Andrew Edlin Gallery (New York, NY), The Dot Project Gallery (London, UK), Arts + Leisure Gallery (New York, NY), Lesley Heller Workspace (New York, NY), The Delaware Contemporary Museum (Wilmington, DE), Tyler School of Art (Philadelphia, PA), Vox Populi Gallery (Philadelphia, PA), TSA Gallery (Brooklyn, NY), Victori + Mo Gallery (Brooklyn, NY), Airlock Gallery (San Marcos, CA), HOLA Fresh Start (Santa Monica, CA), and The Santa Barbara Center for Art, Science, and Technology (Santa Barbara, CA).
Further, he has been an artist in residence at The Vermont Studio Center (Johnson, VT) and the DNA Residency (Provincetown, MA). Schenck has been featured in publications such as The New York Times, Timeout New York, Juxtapoz, Two Coats of Paint, Battery Journal, #FFFFFF Walls, Painting is Dead Blog, and Elephant Magazine.
- Creator:Peter Schenck (1660 - 1711)
- Creation Year:2017
- Dimensions:Height: 30 in (76.2 cm)Width: 25 in (63.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Toronto, CA
- Reference Number:1stDibs: LU134527237232
The artists most obviously in Schenck’s pantheon are Picasso, Philip Guston, and Peter Saul. Their patriarchal power is noteworthy in the context of the Oedipal eyeballs repeated from one painting to the next; Schenck’s work manifests the anxiety of influence, but the ecstasy as well. The fear of painting in the wake of such magnificent and terrible fathers is palpable, but no less so is Schenck’s obvious delight in adapting their discoveries to his own purposes. His works demonstrate his mastery over his idiosyncratic cartoonish language, his personal world of symbols, and his palette, which is all his own. Schenck has arrived at a place in his artistry where he gets the last laugh. - Daniel Gerwin, contributing art critic to Art Forum, The Brooklyn Rail and Hyperallergic Peter Schenck / Artist Bio: Peter Schenck (b. 1983, New York, NY) lives and paints in Brooklyn, NY. He received his BFA from Boston University (2006) and his MFA from the University of Pennsylvania (2009). Schenck has exhibited his work internationally and nationally, including: Tales of Art Gallery (Imola, Italy), The Dot Project Gallery (London), Galerie Sebastien Adrien (Paris, FR), Young International Artists Art Fair (Paris, FR), Freight + Volume Gallery (New York, NY), BravinLee Programs (NYC), Andrew Edlin Gallery (NYC), Arts + Leisure Gallery (NYC), Lesley Heller Workspace (NYC), The Delaware Contemporary Museum (Wilmington, DE), Tyler School of Art (Philadelphia, PA), Vox Populi Gallery (Philadelphia), TSA Gallery (Brooklyn, NY), Victori + Mo Gallery (Brooklyn), Airlock Gallery (San Marcos, CA), HOLA Fresh Start (Santa Monica), and The Santa Barbara Center for Art, Science, and Technology (Santa Barbara, CA). He has been an Artist in Residence at The Vermont Studio Center (Johnson, VT) in 2015 and the DNA Residency (Provincetown, MA) from 2016 - 2021. Schenck has been featured in publications such as The New York Times, Timeout New York, Juxtapoz Magazine, Two Coats of Paint, Wall Street International Magazine, Elephant Magazine, #FFFFFF Walls, and the Painting is Dead Blog. Schenck’s work is included in both American and international collections.
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