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Jacques Blanchard (1912-1992) - 20th Century Oil, Still Life with Grapes

20th Century

A striking early 20th Century still life of exotic fruit and a pitcher of wine with a full glass. The artist has signed to the lower left corner and the painting has been handsomely ...

Signed faintly and dated '1918' to the lower right-hand corner. Presented in a gilt-effect frame. On canvas on stretchers.

A wonderful still life study of fruit on a table with various coloured glassware. Well presented in a gilt effect frame. Signed. On canvas on stretc...

Still Life, Oil on canvas. Unsigned. (Provenance: Studio Sale, George Weissbort). On canvas board.

Lucie Jeandel, mid 20th Century French School signed oil on canvas, framed framed: 18 x 21.5 inches canvas: 15 x 18 inches Provenance: private collection, France Condition: very goo...

GRAPES & PEARS Size: 28.5 x 34 cm (including frame) Tempera on board A brilliantly executed and charming surrealist still life composition, executed in tempera on board and dated 19...

George Weissbort (Belgian / British, 1928 – 2013) A SQUASH, A BUNCH OF GRAPES AND A GLASS OF WINE Oil on canvasboard 18.1/8 x 22 in. (46 x 55.7 cm.) George Weissbort was born in ...

Still Life is an artwork realized by Ernesto Alcide Campestrini (1897-1983). Oil on Table. cm 50x60; 55 x 66 cm with frame. Hand signed in the lower left margin. Good condition. Alcide Ernesto Campestrini was born in Milan, where the family had moved in 1897. After the first rudiments of art with his father, from 1914 he was a student at the Brera Academy in Milan, under the guidance of Ambrogio Antonio Alciati. In 1919 he resumed his painting studies in Brera, interrupted by enlistment. He concluded them in 1922, the year in which he obtained his teaching qualification. He lived in Milan and in 1923 he exhibited Smiles of other times at the Palazzo della Società per le Belle Arti and Permanent Exhibition: the so-called Brera Biennale, at the following one in 1925, presented with Ultime note and El disperados. In 1926 he exhibited Porta Volta, at the First Art Exhibition of Milanese Artists organized by the Meneghina family, the contemporary Self-Portrait is one of the first works by him that we know so far today. He devoted himself to still life, figure painting and the alpine landscape, the Trentino one in particular, with a technique linked to his father's school and to the late nineteenth-century tradition. He held several personal exhibitions in Milan. The Campestrini family spends their holidays in Valsugana several times, sometimes as guests of Emma Campestrini's relatives. The painter falls in love with Lake Caldonazzo, depicted several times in his canvases, such as in the 1949 painting...