Unknown

"Still Life of Apples and Walnuts, " oil painting, ca 1889, realist, still life

1889

Classic 19th century American School painting, "Cherry Picking," is monogrammed MAB and is dated 1890. In the tradition of the Fall River School artists like Robert Spear Dunning and Bryant Chapin...

Anna Rosalie Boch was a Belgian painter, art collector, and the only female member of the artistic group, Les XX. She was born in Saint-Vaast, Hainaut in Belgium in 1848. A pupil of ...

Miematsu Tanabe was born in Hakodate, Hokkaido, Japan in 1897. He was known for his paintings of nature, cityscapes and still lifes utilizing free-...

Coba Ritsema was born in Haarlam in the Netherlands in 1876. At age 15 she attended the School voor Kunstnijverheid in Haarlem where she learned the basics of drawing. In 1893 she wa...

"Still Life with Roses" features delicately painted flowers gathered in a blue vase. The painting itself measures 8 1/2" x 6".

Henry Kallem was born in Philadelphia, Pennsylvania in 1912. His first exposure to art was through his father, artist Morris Kallem. Later Kallem studied art at the National Academy ...

Chani Cohen Zada Afterbirth , 2018 oil on canvas 100 x 100 cm 39 x 39 in Exhibited: 'Between Holy and Mundane', Lewinski College, Tel Aviv. Israel 11.1-...

a beautiful still life painting of an apple on a white table cloth by the artist Eric Forstmann

Social commentary by the artist, Eric Forstmann, about how these bags are not good for the environment.

oil on panel

Oil on canvas, signed and dated 2018. French handmade Delf wooden frame, dark bronze patina with gold leaf. Unframed size: 19.7 inches high x 24.02 inches wide. Framed size: 28 inches high x 32.3 inches wide x 1.25 inches deep. Sold framed. Stefaan was gifted this skull by a friend, whose carpenter father found many years ago in a false ceiling. The skull sat in his workshop and was eventually named “Gilda”. The composition is unusual in its stark simplicity that speaks to the inevitable death we all face. Fascinating without being morbid, the arrangement is simple yet bold. Note the extraordinary brushwork detailed in the shroud, as well as the intricacies of the skull. The slash of cobalt blue in the background provides an ethereal quality. The title is adapted from Shakespeare’s Hamlet and is the artist’s inside joke on the character “Guildenstern” vs “Gilda”. Part of the title can be seen in the lower right quadrant of the painting. Compared to “Vanitas”, painted in 2000, the artist’s evolution in form and execution is most evident in this 2018 work. This painting is available for viewing at The Elemental Garden...

Oil on panel, signed and dated 2008. French handmade wooden Delf frame, black raised panel with gold leaf. Unframed size: 18.25 inches high x 15.25 inches wide. Framed size: 25.63 in...