Victor Simonin

Still Life with a Basket of Flowers, original oil on canvas, early 20thC

Unknown

An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Bos...

Arthur B. Carles (1882-1952) Still Life with Flowers Oil on canvas, 21 1/8 x 16 inches (53.7 x 40.6 cm) Framed dimensions: 28 x 22 7/8 inches Signed lower right: CARLES Provenance M...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

Maybe it's just the chair with straw seat, or the vivid orange-brown tone, but this painting brings Van Gogh to mind, though technically it is fa...

In the painter's eyes, painting is an anthem of elegance and of beauty, as music. This artwork is a symbolist oil painting by Andrée Bars. Andrée Bars is a French painter. Having been strictly trained for 4 years by the American hyper-realist painter Mr. Ted Seth Jacobs, who himself inherited 19th century masters’ skills from his own professor, Andrée Bars learned the profession of painting in its purest tradition. She still applies these ancient masters...

To evoke the French Riviera and the light of the South, a sketch made by Andrée de Frémont on the French Riviera has become canvas. It is camping a h...

Large yellow flowers emerge on the sides of the roads in summer, in Tyrol as in Brittany, and probably everywhere else. These solar flowers, usually considered to be weeds, are actually a source of wonder to the artiste, bringing back summer memories. Andrée de Frémont...

Named "The lion cries", this hyper-realist oil painting on lin canvas by Andrée Bars invokes our planet situation, with the symbols of the lion and humming...

Mary Blood Mellen (American Female Artist, 1819-1882) A Large and Exceptional Two-Tiered Fruit Still Life Oil on Canvas Painting, circa 1850 Signed lower right: Mellen Inscribed possibly by the artist's hand on the stretcher bar: To be sent to Sowle & Ward's for Miss C. A. Rice This sumptuous two-tier display of fruit and elegant glassware is the largest and most ambitious still-life painting known to have been produced by Mary Blood Mellen (1819-1882), an American Female artist best known for her luminous marines strongly indebted to the style of Fitz Henry Lane. Indeed, still lifes from her hand are extremely rare. The present work is very close to the style of still life popularized by the Prussian-American artist Severin Roesen (1805-1882) who specialized in the genre during the middle decades of the nineteenth century and is signed as Roesen sometimes signed his own efforts, at lower right, as a curly trompe-l'oeil grape tendril, which reads in this case "Mellen." Until quite recently, Mary Blood Mellen was described in histories of American art exclusively as a copyist, notably of Lane. But as more research into her life and work has been undertaken, that picture of her achievement has been substantially revised and refined. Mellen was, in fact, Lane's pupil, and a copyist of his work. But owing to the skill she developed working with him in his Gloucester studio, Mellen evolved into an artist in her own right, working alongside him as a sometimes collaborator on the same pictures-their work often being so similar that it is frequently difficult to tell it apart. Mellen and Lane also formed a fast friendship. She also painted ravishing moonlit marine compositions of her own invention, as well as nostalgic New England landscapes in her own style. At a 2007 scholarly conference held at Spanierman Galleries in New York in conjunction with the exhibition, "Fitz Henry Lane and Mary Blood Mellen: Old Mysteries and New Discoveries" held at the Cape Ann Historical Museum, there was a small footnote to the effect that Mellen was also known to have copied works by other artists, including Alfred Bricher and Severin Roesen (See Report on Scholars' Gathering in Association with the Exhibition "Fitz Henry Lane & Mary Blood Mellen: Old Mysteries and New Discoveries," 2007, p. 5.) How she encountered works by those figures, particularly Roesen who was active primarily in New York City and eastern and central Pennsylvania, remains speculative. Certainly, copying other artists' work was an aspect of nearly every artist's training at the time Mellen was active as a painter. Mellen was born in Vermont in 1819 to parents who were originally from Massachusetts. She was educated at the Quaker's Fryville Seminary in Bolton, Massachusetts, where she would have learned artistic crafts including theorem painting...

Signed lower right: CARLES