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Willard Dixon
Red Card

2015

About the Item

In this series of trompe-l'œil oil paintings, Willard Dixon realistically recreates images of mundane objects taped to colored walls, creating a minimalistic impression that the objects exist in three dimensions. As with his other series'—landscape, skyscape and still life—Dixon’s signature calm and humble approach is paramount. This trompe l’oeil series exhibits a certain wit, perhaps due to the unassuming objects represented, including old rumpled notes scribbled across torn college-ruled paper, feathers, discarded ribbons, playing cards, and artist's drawings. The paintings are a study in form and color, with mysteries for the viewer to unravel while enjoying these optical illusions that truly “fool the eye.” Colors: Green, Blue, Red, Orange, gold Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art, and the Smithsonian National Portrait Gallery. Colors: Green, Blue, Red, Orange, gold
  • Creator:
    Willard Dixon (1942, American)
  • Creation Year:
    2015
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    wired and ready to hang and enjoy. Framing is not required.
  • Gallery Location:
    Burlingame, CA
  • Reference Number:
    Seller: FDDIXW-0641stDibs: LU37531009143

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Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." The artist continues, "My collection has been substantially whittled down to an essential few over the years, yet their combinations seem infinite. There is a lengthy and persistent shuffling, adding and eliminating to find that particular combination that suddenly takes on a rightness or self-sufficiency. It is interesting how one small object of the right color in the right place can facilitate such an event, or in another case the removal of something, a simplifying. I have a feeling when composing these paintings similar to my experience of playing with my jazz...
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