Abstract Geometric Paintings

This geometric abstract painting, titled "GA2402", is part of the "Geometric Abstraction" series. "GA2402" showcases circular and rectangular shapes in a monochromatic palette of b...

A large and very impressive late 20th century painting by listed Ohio artist, James Massena (1953 - 2021). Oil on canvas. Titled "Storm Surge".

Martha Lloyd (American, 1927-2018) Thaw, 1997 Oil and wax (encaustic) on canvas 20 x 20 in. Framed: 21 1/4 x 21 1/4 x 1 3/4 in. Inscribed verso Provenance: Carrie Haddad Gallery, Hudson, NY Martha Anne Lloyd...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

“Geometric Symphony” by Koko Hovaguimain Oil on Canvas. Koko Hovaguimain's Geometric Symphony is a breathtaking masterwork that resonates with rhythm, balance, and visual harmony. Wi...

Acrylic on canvas Signed "Sander 1969" (Typewritten paper label states: LSE #75 Atatapa 1. 1965) Ludwig Sander was a painter of the New York School. He studied under Hans Hoffman and lived and worked in New York City and Sagaponack, Long Island. His work is well represented in many public collections. He was charter member of the Eighth Street Club (The Club) whose artist members included Willem and Elaine de Kooning, Jimmy Rosati, Giorgio Spaventi, Milton Resnick, Pat Passlof...

"Geostructure IX" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

ADDITIONAL PHOTOS OF THIS WORK WILL BE SENT UPON REQUEST. NOTE COLOR OF WOOD IS NOT QUITE AS YELLOW AS IIT APPEARS IN PHOTO AND IS IN KEEPING WITH OTHERS IN THIS SERIES: Jean Fein...

Brandon Neher is a California artist whose original paintings on canvas embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Dra...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

Abstract Geometric Composition with Handmade Paper, Fibers and Acrylic on Canvas (Red) Whimsical abstract composition by an unknown artist (20th Century). Red acrylic paint makes up...

Painting description: This is a new example of my ongoing series, "Intersections". My attempt to capture urban abstraction. Shapes and colors intersect and overlap. With the use of...

It is rare to see a painting by Vasa Mihich available. These works are carefully worked through and planned with the aid of Computers. Mihich will work through the sequencing of co...

Infuse your art collection with a remarkable piece of mid-century modernism: the oil on canvas abstract still life entitled "Tavolo E Oggetti," signed Giancarlo Isola, Italy, circa 1...

This is an acrylic painting on canvas by American artist Dan Teis. This work follows his signature style, geometric compositions in acrylic and paper collage on canvas. His work achi...

"Geostructure II" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

Robertino Fatica was born in 1948 in Cleveland, Ohio. In 1970 he completed a three-year program at the Cooper School of Art in Cleveland. Following that, Fatica served in the U.S. Ar...

Reality Artist signed lower right corner and back, canvas 43"x95"x1.5 Maximo Caminero Born in the Dominican Republic in 1962. Artist, self-taught formation. He made his first...

Werner Drewes (1899-1985). Composition 209, 1939. oil on canvas, 20 x 24 inches; 28 x 32 inches in original frame. Signed and dated with artist monogram lower left and again on verso...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black and tan set against a light background. Signed and titled...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

Artist : Susan Kiefer Title : Vertigo Materials : oil on canvas Date : March 2020 Dimensions : 20" x 20" x 20" Description : Tilted green oval balanced between orange and brown oval...

Painting description: This is a new example of my ongoing series, "Intersections". My attempt to capture urban abstraction. Shapes and colors intersect and overlap. With the use of...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors, and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich text...

Erin O'Brien Framed, 2021 acrylic on linen 25 x 20 in. (obri018) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of blue, orange, and pu...

"Like Being in Love" is an original, handmade mixed media abstract painting by Jennifer Bobola, that depicts an abstract painting with colorful shapes in black, orange, blue and more...

acrylic on linen 45.5 x 45.5 x 5 inches b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are...

Jodi Fuchs' mid-century modern inspired artworks showcase distinct fields of vibrant colors, often taking on organic and soft shapes. Her pieces emanate a s...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

This vibrant abstract oil painting by Paul Kauvar Smith (1893-1977) features a striking composition in blue, pink, yellow, green, and black. The work is oil on board and has been fra...

Soft yellow abstract shapes with curves and lines, 'Still Life' from Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Still Life' — 3 x 4 feet (36 x 48 inches), — is from a series of paintings that characterize sacred spaces such as Mexican chapels...

Signed lower right. A major exponent of non-objective painting, Rolph Scarlett's career and artistic philosophy is closely linked with the early history of the Solomon R. Guggenhei...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

In High Grass Full Moon, Kurt Herrmann channels his signature colorist instinct into a bold, multichromatic geometric abstraction. Executed in acrylic on a square canvas, the paintin...

Susan Kiefer Admitting Porosity Oil on canvas Year: 2023 Size: 24x24x1.35in Signed and inscribed by hand COA provided Ref.: 924802-1675 An angular composition with a field of dark b...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Abstract geometric three-dimensional wood wall sculpture in shades of blue, green, teal, with contrasts of white "Peekin", made by Hudson Valley artist, Stephen Walling, in 2020 35 x...

"Sargasso" hand-carved wooden New Brutalism wall sculpture by Hudson Valley artist, Stephen Walling, made in 2013 36 x 40 x 2.5 inches Carved wood and ac...

Jodi Fuchs creates modern abstract expressionistic artworks with undeniable energy. Years of inquiry into the metaphysical aspects of life have influenced her studio practice. This is where the act of creation is the muse. By following intuitive impulses, Fuchs' work speaks to the chaos and stillness (and the reconciliation of these two forces) inherent in the human experience. This original 24-inch high by 36-inch wide artwork is an acrylic composition on canvas. It is Fuchs’ fascination with the pure creative force: understanding it, harnessing it and expressing it, that fuels her painting process. This painting is signed on the back. The sides of this artwork are painted and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U. S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Born in New York in 1964, Jodi Fuchs is an award-winning contemporary abstract painter living in Los Angeles. Her education about color and pattern came on the job while working as a decorative painter for 20+ years. One hundred thousand wine labels by Georges Duboeuf have been adorned with her art. Fuchs' work has been featured on 50+ TV and film productions, graced the lobbies of hotels from New York to Miami to Portland Oregon, and has been exhibited and collected worldwide. REPRESENTATION Artspace Warehouse, Los Angeles, CA SOLO EXHIBITIONS 2017 Bar Mingo Portland, OR PIA Agency Portland, OR 2016 Last Thursday on Alberta Street Portland, OR 2015 Energy Moving Soul Center Kona, Hawaii 2013 Chakra Code 143 East Meets West, Los Angeles, CA 2011 Rose Café Venice, CA 2010 Jodi Fuchs Art Gallery Santa Monica, CA 2009 Rawvolution Café Santa Monica, CA 2007 Butter Brooklyn, NY 2006 Epoxy Box Venice, CA 2004 The Garage Show solo exhibition Santa Monica, CA 2001 Buddha’s Mudras and Biology Studio 6 Santa Fe, NM EXHIBITIONS 2023 “About Face”, Artspace Warehouse, Los Angeles, CA 2023 WADA Sumer Heat Show, St. Petersburg, Fl 2023 Las Laguna Gallery Abstract Show, Laguna Beach, CA 2022 “Clarifying Color”, Artspace Warehouse, Los Angeles, CA 2020 “In Search of Principle”, Artspace Warehouse, Los Angeles, CA 2019 Whole 9 Gallery, Culver City, CA 2019 Gallery, Hermosa Beach, CA 2019 Art + Home, LA Family Housing Benefit Los Angeles, CA 2018 Art + Home, LA Family Housing Benefit Los Angeles, CA Gallery Cerulean, Portland, OR 2017 Southeast Art Walk Portland, OR 2015 SOKO South Kona Artist Collective Tour Big Island Hawaii ETC Gallery Santa Monica, CA Kohala Mountain Gallery Hawi, Hawaii 2014 Abstract Art Now Collection Saatchi Art Online 2013 Rose Café Venice, CA Saatchi Art Online offices Santa Monica, CA Art 4 All People Malibu, CA 2012 Wall Space Gallery Los Angeles, CA Small Works Whole 9 Gallery Culver City, CA 2011 Urban Pop Jeanie Madsen Gallery Santa Monica, CA Moksha Festival Santa Monica, CA Japan Relief Initiative Show Architecture for Humanity 2010 Rethink Green Culver City, CA group show The Art of Summer Orange County Center Contemporary 2009 Access Institute group show San Francisco, CA 2006 Phresh/Live Group Show Venice, CA Epoxy Box Venice, CA 2002 Charge Art Barn Gallery Santa Fe, NM Compassion Art Barn Gallery Group Show Santa Fe, NM Collect Plan B Santa Fe, NM 1998 Abbot’s Habit Venice, CA 1997 Needles LACE Gallery Group Show Los Angeles, CA PUBLICATIONS 2012 –19 World Art Group best-selling artist for art publishing company 2009 -19 Poems Art...

Iris Kufert-Rivo describes her work... "pattern and repetition of forms is a subject I’ve pursued for decades. This new set of paintings called The Structure Series is inspired by t...

Artist : Susan Kiefer Title : Thus Spake Zarathustra Materials : oil on canvas Date : March 2020 Dimensions : 20" x 20" x 1.5 Description : Intersection of a circle and square in bl...

Detroit, Michigan's skyline is represented in this original watercolor by Detroit artist Aris Nichols. Featured is the Renaissance Center, which was built by Ford, later occupied by...

Rebecca Klundt’s "Pals" uncovers the unique beauty of original paintings, geometric abstractions, and textural mixed-media art. This 32-inch high by 25-inch wide artwork transforms reclaimed wood into a stunning assemblage finished with layers of acrylic paint, highlighting Klundt's commitment to sustainability and creative renewal. Perfect for lovers of eco-friendly art and modern textural compositions, "Pals" features a playful yet sophisticated design of figures composed of bold lines and shapes against a distressed wood-texture background. Klundt’s use of found materials and geometric patterns creates a sense of harmony and order, while the vibrant accents of orange and teal bring dynamic energy to this visually captivating piece. Key Features: > Mixed-Media Assemblage: Crafted from reclaimed wood and layered with acrylic paint, resulting in a textured, geometric composition. > Compact Statement Size: At 32 x 25 inches, this original artwork is ideal for adding a unique touch to smaller spaces or as part of a gallery wall. > Eco-Friendly Art: Made with sustainable materials, reflecting Klundt’s passion for repurposing and renewal. > Ready to Hang: Mounted on a sturdy wood panel, wired, and painted on the sides, eliminating the need for additional framing. > Authenticity Guaranteed: Signed on the back by Rebecca Klundt, with a certificate of authenticity included. About the Artist: Rebecca Klundt, a native of Salt Lake City, Utah, holds a BFA from Brigham Young University and is widely recognized for her innovative use of reclaimed materials in art. Inspired by the natural world and the process of transformation, Klundt creates abstract works that explore themes of renewal, order, and the beauty of lines. Her artistic philosophy embraces using "the unusable" and turning discarded materials into thoughtful, organized compositions. Drawing from the textures and fissures of Utah’s slick rock formations, Klundt’s works are a testament to her love of significant lines and her ability to imbue each piece with a sense of natural balance and human ingenuity. Why "Pals" Stands Out: Rebecca Klundt’s "Pals" is a perfect example of her ability to merge sustainability with contemporary art. Its playful geometric forms and eco-conscious construction make it an ideal addition for collectors seeking modern, textural art that tells a story of creativity and renewal. "Pals", a one-of-a-kind original mixed-media painting by Rebecca Klundt adds sustainable elegance to any home or office space. This unique, eco-friendly artwork celebrates the beauty of reclaimed materials and modern abstraction. Klundt's artworks have been exhibited in Utah and California and have been collected throughout the USA. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 Art and Soup Charity Expo, Salt Palace, Salt Lake City, UT 2021 Rouge Show, Sears Art Museum, St George, UT Certain Women: Reflections on a Mother in Heaven, Salt Lake City, UT 2020 Spring Salon, Springville Museum, Utah Holy Visitation: The Dawning of the Restoration, Washington, DC 2019 Religious & Spiritual Show, Springville Museum, Springville, Utah BDAC Statewide Annual, Bountiful, Utah Statewide Annual, SLC, Utah SLCC President’s Show, SLC, Utah Spring Salon, Springville Museum, Springville, Utah LDS International Art Competition, SLC Utah Certain Women Show, Anthony’s Fine Art...

Bold and balanced abstract composition by Russell Green (American, 1910-1986). Completed in Green's characteristic style, this piece has a balanced interplay of shapes and colors. Blocks of black, reds, blues, and greys create a strong background. Over the top, lines of black, red, and white outline and divide the background shapes. Signed "Russell Green" in the lower left corner. Presented in a wood frame with a double mat. Frame size: 23.5"H x 30"W Image size: 14.5"H x 22.5"W Russell Davis Green (American, 1910-1986) painter, printmaker and teacher, was born in Traer, Iowa on December 29, 1910. He studied art at Iowa State College and the School of the Art Institute of Chicago. Green worked in the Illinois and New York Works Progress Administration-Federal Art Projects in the 1930s and two of his woodcuts are listed in the General Services Administration’s book WPA Artwork in Non-Federal Repositories. Green was also a painter and lithographer, and he was included in the Exhibition by Artists of Chicago and Vicinity at the Art Institute of Chicago in 1934. His work was also included in exhibitions at the Philadelphia Art Alliance; Museum of Modern Art and the Grand Central Galleries in New York; and the Iowa Federation of Women's Clubs, 1935. Green began his long teaching career at Stephens College in Columbia, Missouri in 1940 and eventually headed the art department. He is represented in the collections of the Baltimore Museum of Art; Art Institute of Chicago; Metropolitan Museum of Art; Newark Museum; and the St. Louis Art Museum. [After graduating from the Art Institute of Chicago in 1933, he returned to Iowa to begin teaching. In 1935, approximately the time he completed Thanksgiving, he served as a private art teacher in Sioux City. He also had a one-person exhibition of his work at the Sioux City School of Music, Dramatic Art and Dancing, which was located in the Commerce Building. The exhibition included 81 oil paintings, watercolors and prints.] Russell Green 1910 - 1986 A FINE SENSE OF BALANCE — Russell Green started attending college in small town Iowa during an era of unparalleled prosperity in the United States. Yet by the time Green graduated five years later from the Art Institute of Chicago, the Depression had brought the country to its knees economically. In those few years, ending with his Bachelor of Arts, Green had also undergone a personal transformation from a farm boy...

"Hip, Hip, Hooray!", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2019 24 x 24 x 2.5 inches Carved wood and acrylic paint on panel Signed, ver...

HOWARD MEHRING Study for Spring Sweep, 1964 Oil, oil stick, charcoal, gouache painting on paper Hand signed, dated and annotated with the names of the colors in graphite pencil on the front This is a unique work Frame included: elegantly matted and framed in a museum quality dark blue wood frame with UV plexiglass This 1964 hard edge painting on paper...

Al Dickstein New York school Abstract Geometric work. Came in with small collection of his work including signed letters and a signed card and some monogrammed pieces. Signed and inscribed by artist. Showed at New York's Stable Gallery...

Gorgeous abstracted geometric landscape titled, "Cliff's Formation" by Erle Loran (American, 1905-1999), 1984. Unframed. Signed and dated lower right "Loran '84" and titled "Cliff's ...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Artist: Lloyd Martin Title: Indigo check Size: 60 x 44” Year: 2014 American artist Lloyd Martin, known internationally for his rhythmically constructed abstract painting, continues ...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Michael Barringer, from Granite Quarry, North Carolina, finds inspiration in the natural world and the legacy of familial craftsmanship. Influenced by the works of poets like TS Elio...

Blue Mother Drawing #2, by Jeanette Fintz in 2020 22 x 30 inches watercolor, gouache on Fabriano paper Signed lower right corner Framed: 32 x 39.5 inches, custom white frame, 8 ply w...

Geometric Abstraction Oil on wood construction 26 x 25 1/4 in.

Contemporary blue and yellow geometric abstract painting by Venezuelan artist Subero Oswaldo. The work features hard-edge linear shapes in an optical illusion pattern. Signed in the ...

Artist : Susan Kiefer Title : Progression Materials : oil on canvas Date : March 2020 Dimensions : 24" x 18" Though born and raised in Kansas City, ar...

'Quadrants Ephemeral' from Irene Zweig, where intellect, science, mathematics and order are at play in shades of green, blue, grey and white, in the abstract mixed media painting tha...

Mid Century Modern 3 - Abstract Floral Painting By Marc Zimmerman This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Marc Zimmerman creates playful paintings, wheth...