American Modern Paintings
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Style: American Modern
Returnable Items Only
Old Door
Located in New York, NY
Richard Anuszkiewicz
Old Door, 1953
Watercolor on paper
Signed and dated by the artist on the lower right front
20 × 14 inches
Unframed
This unique and extre...
Category
1950s American Modern Paintings
Materials
Paper, Watercolor
Stormy Waters Study - frog and leaf
Located in Lafayette, LA
This is a unique 8"x10" oil on canvas color study by Francis X Pavy. it is framed. the images depicts a frog and a leaf.
Category
2010s American Modern Paintings
Materials
Oil
Field of marsh grass
Located in Lafayette, LA
This is a one-of-a-kind small painting, Measuring 8x10, entitled “ Field of marsh grass “. The medium is oil on canvas. It represents a file of marsh grass.
It is framed in a whitew...
Category
2010s American Modern Paintings
Materials
Oil
WATTS TOWER
By Gloria Stuart
Located in Santa Monica, CA
GLORIA STUART (1910 – 2010)
WATTS TOWERS, 1971
Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native.
In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground
A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi
The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100
Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100.
.......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums.
Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson.
Stuart had been diagnosed with lung cancer five years ago.
“She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.”
In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills.
“She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday.
As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.”
As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.”
She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.”
But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.”
After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946.
By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books.
Writer-director Cameron’s $200-million “Titanic” changed that.
Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace.
Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...
Category
1970s American Modern Paintings
Materials
Oil
"Winter" American Modernism WPA Regionalism Landscape Mid-Century Magic Realism
By Dale Nichols
Located in New York, NY
"Winter" American Modernism WPA Regionalism Landscape Mid-Century Magic Realism. 30 x 40 inches. Oil on canvas, c. 1960s, Signed lower right.
As we list the painting now, the work is currently being cleaned, restored and a hand carved frame is being built. Additional photos will be uploaded as soon as possible.
Our gallery, Helicline Fine Art, just launched our new digital exhibition: American Art: The WPA and Beyond. Three dozen paintings, works on paper and sculptures which are available here on 1stDibs. In person viewings can be arranged by appointment at our midtown Manhattan gallery.
Provenance:
"Winter" was originally purchased by Stanley Byer. Mr. Byer owned homes in Key West, New York City, and Washington, D.C. He purchased the painting from Dunning Auction in 1984 in Elgin, Illinois. Mr. Byer was related to Abraham Weiss from Florida. Saul Babbin, now deceased was a cousin of Mr. Weiss. I purchased the painting from Joy Babbin, Mr. Babbin's wife, now living in from New Mexico.
Dale Nichols (1905 – 1995) Artist, printmaker, illustrator, watercolorist, designer, writer and lecturer, Nichols did paintings that reflected his rural background of Nebraska where he was born in David City, a small town. Although he did much sketching outdoors, most of his paintings were completed in his studio and often included "numerology, magic squares...
Category
1960s American Modern Paintings
Materials
Oil, Canvas
Bricklayers House Beautiful Cover Proposal American Scene Modern 1930s Workers
Located in New York, NY
Bricklayers House Beautiful Cover Proposal American Scene Modern WPA 1930s Industrial Workers
Antonio Petruccelli (1907 - 1994)
Brick Layers
House Beautiful cover proposal, c. 1939
...
Category
1930s American Modern Paintings
Materials
Gouache, Board
San Francisco Cable Car WPA Artist Adolf Dehn Modernist Art Gouache Oil Painting
By Adolf Dehn
Located in Surfside, FL
ADOLF ARTHUR DEHN (American, 1895-1969)
San Francisco Bay Area street scene, with Trolley, Streetcar, Cable Car with bay and Alcatraz Island in background.
Hand signed LRC.
Sight 19" x 15", overall 23" x 19".
Adolf Dehn (November 22, 1895 – May 19, 1968) was an American artist known mainly as a lithographer. Throughout his artistic career, he participated in and helped define some important movements in American art, including regionalism, social realism, and caricature. A two-time recipient of the Guggenheim Fellowship, he was known for both his technical skills and his high-spirited, droll depictions of human foibles.
Adolph Dehn was born in 1895 in Waterville, Minnesota. He began creating artwork at the age of six, and by the time of his death had created nearly 650 images.
Dehn went to the Minneapolis School of Art (known today as the Minneapolis College of Art and Design), where he met and became a close friend of Wanda Gag. In 1917 he and Gág were two of only a dozen students in the country to earn a scholarship to the Art Students League of New York. He was drafted to serve in World War I in 1918, but declared himself a conscientious objector and spent four months in a guardhouse detention camp in Spartanburg, SC and then worked for eight months as a painting teacher at an arm rehabilitation hospital in Asheville, NC. Later, Dehn returned to the Art Students League for another year of study and created his first lithograph, The Harvest.
In 1921 Dehn's lithographs were featured in his first exhibition at Weyhe Gallery in New York City. From 1920 to 1921 in Manhattan, he was connected to New York's politically left-leaning activists. In 1921, he went to Europe. In Paris and Vienna he belonged to a group of expatriate intellectuals and artists, including Andrée Ruellan, Gertrude Stein, and ee cummings...
Category
1930s American Modern Paintings
Materials
Oil, Gouache
Landscape Beach Town Oil on Canvas Painting Signed by Artist Austin
Located in Plainview, NY
A stunning oil on canvas painting portraying a panoramic view of a town by the beach. The painting is finely framed in a decorative gilt frame and is signed by the artist Austin.
D...
Category
1980s American Modern Paintings
Materials
Canvas, Oil
Charles Harsanyi Modernist Winter Scene, 1946, titled "The Ferry No 2"
Located in Larchmont, NY
Charles Harsanyi (American, 1905-1973)
The Ferry No 2, 1946
Oil on board
40 x 52 in.
Framed: 46 x 58 in.
Signed and inscribed verso
Exhibited:
Grand Central Art Galleries, 1946
Charles E. Harsanyi was born in Tapolcza, Hungary in 1905. He studied at the Royal Academy in Budapest, Hungary with A. Bankhard from 1923 to 1928. Nineteen years later, in 1947, Harsanyi moved to the U. S., settling in Jackson Heights, New York.
The painter and drawing specialist became a member of numerous prestigious art clubs including the Salmagundi Club, The Society of Independent Artists and the Allied Artists of America. Harsanyi served as an awards director and chairman of admissions for the Audubon Artists Association during the 1950s.
Later in life after living in Stephentown, New York and Cape Coral...
Category
1940s American Modern Paintings
Materials
Oil, Board
The Demogogue
Located in Los Angeles, CA
The Demagogue or Tale in a Tub, 1952, oil on canvas, 20 x 24 inches, signed, titled, and dated verso
About the Painting
The Demagogue is an iconic Bendor Mark painting from the prime of his post-war period. Beginning early in his career, Mark was fascinated with depictions of the human figure and their capacity to tell stories of the world around him. Mark was a keen observer of his times and in The Demagogue we see Mark’s portrayal of a faithless politician holding up a “V” for victory sign as he appeals to the wanton desires and prejudices of the masses. Below the demagogue is a swirl of humanity representing the common man who is being pushed down by the powerful, while the robed figure of liberty with her scales of justice held high is brushed aside. Behind the demagogue, Mark places two other powerful supporting institutions which were often co-opted by the world’s dictators, the Church and the Military. Mark was an internationalist, so it is difficult to know exactly which demagogue inspired him to create this work, but in 1952 there were many to choose from. Whether depicting Argentina’s Peron (the demagogue and the women to the right resemble Juan and Eva Peron), Spain’s Franco or the United States’ homegrown fear mongers like Joseph McCarthy, Mark tells a universal story that unfolded in dramatic fashion during the post-war period as nations and their peoples grappled with authoritarianism and anti-democratic impulses. Stylistically, The Demagogue draws on the elements which make Mark’s work from this period immediately recognizable, a saturated palette, a closely packed and frenetic composition, exaggerated figuration and stylized facial features. But, above all, we see Mark’s ability to tell the stories of the rich and powerful and their ability to oppress. Like Mark’s work in the collection of the Whitney Museum of American Art (The Hourglass - 1950-51) and the Los Angeles County Museum of Art (Execution – 1940), The Demagogue pulls no punches, as the artist lays bare the threats to freedom and basic human rights.
About the Artist
Bendor Mark was an American modernist and social realist painter. Born as Bernard Marcus on June 5, 1912, in Brooklyn, New York, Mark trained at The Cooper Union during the 1920s where he studied with William Brantley van Ingen and became a prize-winning artist with a focus on painting the human figure. After his time at Cooper, Mark continued to live in New York and worked as a commercial artist and textile designer in addition to his pursuit of a career in painting. Like many Depression Era artists, Mark engaged with social progressives and in 1934, he joined the Artist’s Union which had the goal of advancing artists’ position as “worker.” Mark’s painting, Restaurant, which is now in the permanent collection of the Smithsonian American Art Museum, appeared in the February 1936 edition of the Union’s publication, Art Front, as part of a review of an exhibition at ACA Gallery in New York.
Mark worked on the Federal Art Project and by the mid- to late-1930s, began a series of paintings exploring the working conditions and hazards of the mining industry. Mark believed that miners were “in the forefront of the struggle for emancipation” and that the mere “struggle for existence is like moving mountains.” He became passionate about the Spanish Civil War and painted sympathetic images in support of the Spanish Republic. Mark was a premature anti-fascist and throughout his career painted works critical of dictators and other oppressors. During the late 1930s, Mark entered mural competitions with designs influenced by the Mexican muralists, taught adult art education in Queens, New York, and was an instructor at the WPA’s Queensboro Art Center. He was so committed to socially progressive art that by 1934, he had changed his name to Bendor Mark, in part, to distinguish his social realist paintings from his earlier work.
During World War II, Mark worked as an artist for military contractors. After the war, he was employed as a graphic artist and in the printing industry before moving to Southern California in 1948, where he returned to a fine art practice the following year with politically and socially charged images which reflected his view of the shortcomings of the post-War period, the continued threat of fascism, and the international tensions of the Cold War. As the mood of the country shifted towards the right during the McCarthy Era and the art world’s attention focused on abstraction at the expense of figuration, Mark’s career as a painter suffered.
From the 1950s through the 1980s, Mark continued to depict the events that shaped the world around him, often employing a highly stylized approach characterized by dynamic multi-figure compositions, a subtle muted palette, and exaggerated expressive features. A review of Mark’s oeuvre suggests that few people escaped Mark’s attention. He painted presidents, prime ministers, royalty, evangelists, musicians, and dictators (and their henchman), along with miners, farm workers, the urban poor, protesters, the unemployed and dispossessed. He laid bare the arrogance, cruelty, and hypocrisy of the world’s elites. Mark noted, “A work of art cannot be fully appreciated or wholly understood without considering the socio-political and cultural ambience that gave it birth.” He continued, “I have the ability to foresee the direction of social and political events while they are actually taking place.” He was not himself a direct political activist, however. Although Mark commented, “It’s a misconception to separate art from the social aspect of life,” he viewed artists as being neutral. According to Mark, “An apolitical attitude reflects the fact that the artist is passive. . . An artist never affects society; he merely reflects it.”
In addition to the Mexican Muralists, Mark was influenced by the old masters Rembrandt, Michelangelo, and Masaccio, as well as the more modern master, Van Gogh. Mark’s writings directly acknowledge these influences and archival material from his estate includes magazine articles, pamphlets and transparencies related to these artists. Mark also collected materials related to several of his social realist contemporaries, including Reginald Marsh, Ben Shahn, Leonard Baskin, and Raphael Soyer, who was Mark’s good friend. For years, Soyer sent Mark holiday cards and Soyer inscribed a message of friendship on a self-portrait he gifted to Mark in the 1970s, all of which are still held in the collection of Mark’s family.
From the late 1920s through the mid-1950s, Mark’s work was well received. His paintings won prizes and were accepted into major juried exhibitions including at the Brooklyn Museum, the New York World’s Fair and the Metropolitan Museum of Art. He gained national recognition for paintings depicting the oppressed and the common worker. Despite the decline in popularity of representational art during the 1950s and 1960s, Mark stayed true to his interest in depicting the human figure and by the last two decades of his life, his work underwent a reassessment as curators included Mark’s paintings in exhibitions showcasing the role of labor in art during the Depression Era. This recognition continued in recent years when Mark was honored by having his work included in the Whitney Museum of American Art’s ground-breaking exhibition, Vida Americana, which explored the pioneering role that the Mexican muralists played in the development of modern American art during the inter-war period. The influence of Rivera, Siqueiros and Orozco on Mark is unmistakable and his paintings from the 1950s (and beyond) sit comfortably in dialogue with other Los Angeles artists who continued to paint in the social realist tradition long after the mainstream art world had moved toward abstraction. Mark’s concern for underserved Brown and Black communities was shared with artists such as Charles White and his ally, Edward Biberman...
Category
Mid-20th Century American Modern Paintings
Materials
Canvas, Oil
The Boxer. Humorous nature encounter seaside w lobster, soft muted colors
Located in Brooklyn, NY
Oil on cradled board. Signed and dated on back.
Part of an ongoing series of man vs beast by the artist
Category
2010s American Modern Paintings
Materials
Oil, Panel
Sybil (The Prophetess), 1970s Abstract Figurative Oil Painting, Pink Blue Red
Located in Denver, CO
Semi-Abstract figurative oil on burlap painting titled 'Sybil (The Prophetess)' by Edward Marecak (1919-1993) painted in 1976. Signed and dated by the artist in the lower right corne...
Category
1970s American Modern Paintings
Materials
Burlap, Oil
Trees at Bloom
Located in Los Angeles, CA
Trees at Bloom, 1939, oil on canvas, 32 x 24 inches, signed lower right
About the Painting
Trees at Bloom was painted when Clarence Holbrook Carter lived in Pittsburgh and served as an instructor in the Department of Painting and Design at the Carnegie Institute of Technology (now Carnegie-Mellon University), a position he held from 1938 through 1944. It depicts a thick forest at the base of distance hills just outside the city. During his tenure in Pittsburgh, Carter was deeply influenced by not only the industrial might of the steel mills and iron forges of the city, but also the beauty of the surrounding landscape. As Frank Anderson Trapp noted in his book on the artist, for Carter “the terrain itself had its own special vitality, with its craggy, wooded hills threaded with ravine and watercourses . . . . the signs of industrial blight that were unalleviated in some parts of the country were there relieved by the geological variety of the parent landscape, and by the irrepressible presence of its natural growth, which softened the whole.” Trapp continues, “in his scenes of rural situations, Carter had a special gift for rendering those elements convincingly.” With the profusion of flowering trees which diffuse the light and the red cardinals darting from one branch to another, Trees at Bloom portrays the “irrepressible presence of nature” that Trapp describes.
About the Artist
Together with Charles Burchfield, Clarence Holbrook Carter was Ohio’s premiere American Scene painter and later an innovative magic realist. The son of a no-nonsense public-school administrator, Carter was born in 1904 outside of Portsmouth, Ohio, a small town in the heart of the Ohio River...
Category
1930s American Modern Paintings
Materials
Canvas, Oil
Original Painting. Vanity Fair Illustration Proposal. Art Deco Modern 1930s
Located in New York, NY
Original Painting. Vanity Fair Illustration Proposal. Art Deco Modern 1930s
Antonio Petruccelli (1907 - 1994)
Vanity Fair
Illustration proposal, c 1930’s
18 X 13 3/4 inches (sight)
...
Category
1930s American Modern Paintings
Materials
Gouache, Board
Mother and Child -- 1949
By Byron Browne
Located in Washington, DC
Bryon Browne was an important American modernist painter.
Signed upper right; signed, dated and situated 'New York' on reverse
Category
1940s American Modern Paintings
Materials
Canvas, Oil
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
Located in New York, NY
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
Antonio Petruccelli (1907 – 1994)
Mixing Mortar
12 1/2 X 14 3/4 inche...
Category
1930s American Modern Paintings
Materials
Gouache, Board
The Prophet, Modernist Judaica Oil Painting Biblical Jewish Rabbi at Prayer
Located in Surfside, FL
An oil on board Judaic painting by modern artist Ben-Zion Weinman. The work depicts a standing prophet with white robes raising his arms towards heaven. The work is signed "Ben-Zion" in the bottom right corner. The work is signed and dated "4/14/59" on verso.
Provenance: Ex. Sotheby's Parke Bernet
Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.”
An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name.
Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet...
Category
1950s American Modern Paintings
Materials
Oil
Fortune Magazine Cover Published 1941 Illustration Precisionist American Scene
Located in New York, NY
Fortune Magazine Cover Published 1941 Illustration Precisionist American Scene
Antonio Petruccelli (1907 - 1994)
Military Tent City
Fortune Cover published, May 1941
17 1/2 X 15 in...
Category
1940s American Modern Paintings
Materials
Gouache, Board
Tabletop Still Life, Modernist Still Life with Food, Flowers, and Wine, Signed
By Leon Kelly
Located in Doylestown, PA
"Tabletop Still Life" by Philadelphia born modernist and surrealist painter Leon Kelly, is a framed painting of a set dinner table with food, flowers, and wine. The 36" x 44" oil on ...
Category
1930s American Modern Paintings
Materials
Oil, Board
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
Located in New York, NY
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
Antonio Petruccelli (1907 - 1994)
Play Ball
New Yorker cover proposal, c. 1939
12 x 8 inches (sight)
Framed 18 1/2 X 14 3/4 inches
Gouache on board
Estate sticker verso
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Modern Paintings
Materials
Gouache, Board
Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene
Located in New York, NY
Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene
Antonio Petruccelli (1907 – 1994)
Perplexed Gentleman
New Yorker cover proposal, c. 1939
13 1/4 X 8 ...
Category
1930s American Modern Paintings
Materials
Gouache, Board
LAKEWOOD N.J., 1936 Modernist Oil Painting, Judaica
Located in Surfside, FL
Genre: Modern
Subject: Landscape
Medium: Oil
Surface: Board
Country: United States
Dimensions: 30" x 22"
EMANUEL ROMANO
Rome, Italy, b. 1897, d. 1984
Emanuel Glicenstein Romano was born in Rome, September 23, 1897.
His father Henryk Glicenstein was a sculptor and was living in Rome with his wife Helena (born Hirszenberg) when Emanuel was born. His father obtained Italian citizenship and adopted the name Enrico. Emanuel was brought up in Italy, Switzerland, Germany, England and Poland.
In 1926 Emanuel and his father sailed for New York. They briefly visited Chicago. Romano's sister, Beatrice, and mother only joined them in New York years later.
Romano changed his name on his arrival to America and some have erroneously speculated that this was to avoid antisemitic discrimination. In truth, as the son of a highly-regarded artist, Romano changed his name to ensure that any success or recognition he would later attain, would be the result of nothing other than his own merit as an artist, and not on account of his father's fame.
In 1936 Romano was worked for the Federal Art Project creating murals. During and immediately after World War II, Romano created a series of allegorical works depicting graphic holocaust images that were held closely by the family until after his passing. One of these works is now on permanent display in the Florida Holocaust Museum in St. Petersburg Florida.
Emanuel's father died in 1942 in a car accident before they could realize their shared dream of visiting Israel.
In 1944 Romano, having completed his degree at the Pennsylvania Academy of Fine Arts and the Art Institute of Chicago, began teaching at the City College of New York.
Romano moved to Safed, Israel in 1953 and established an art museum in his father's memory, the Glicentein Museum.
COLLECTIONS
Indianapolis Museum of Art
Metropolitan Museum of Art
Boston Fine Arts Museum
Fogg Museum
Musée Nacional de France
Recently his work has been added to the Florida Holocaust Museum collection. His notable works include his holocaust themed allegorical paintings as well as portraits of Marianne Moore, his father and William Carlos...
Category
1930s American Modern Paintings
Materials
Oil, Board
1988 "Utopia" Abstract Oil Painting on Canvas Illustrator Bill Shields
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010
"Utopia"
1988
Oil on canvas
60"x48" artist framed
Signed lower right
William Stephens Shields, Jr., 1925 - 2010
He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas.
At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields...
Category
Late 20th Century American Modern Paintings
Materials
Canvas, Oil
"Antenna Birds" New Yorker Mag Cover Proposal Mid-Century American Scene Modern
Located in New York, NY
"Antenna Birds" New Yorker Mag Cover Proposal Mid-Century American Scene Modern
Antonio Petruccelli (1907 – 1994)
Antenna Birds
New Yorker cover proposal, c. 1950s
12 1/2 X 9 1/4 in...
Category
1950s American Modern Paintings
Materials
Gouache, Board
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
Located in New York, NY
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
Antonio Petruccelli (1907 - 1994)
Steel Workers
Textile design
19 1/4 X ...
Category
1930s American Modern Paintings
Materials
Gouache, Board
Harmony in Minor Key
Located in New York, NY
Signed and dated lower right: Luigi Lucioni 1973
Category
Late 20th Century American Modern Paintings
Materials
Canvas, Oil
Two Heads -- 1947
By Byron Browne
Located in Washington, DC
Byron Browne was an important American modernist painter.
Ink, tempera, and crayon on paper
Signed and dated lower right.
Category
1940s American Modern Paintings
Materials
Paper, Mixed Media
East Santa Cruz (California), Farm House with Storm Clouds Landscape Painting
Located in Denver, CO
"East Santa Cruz (California)" is an oil on canvas board by Jon Blanchette (1908-1987) of a yellow farm house with dark gray storm clouds overhead. Presented in a custom frame, outer dimensions measure 21 ¾ x 25 ¾ x 1 ½ inches. Image size is 16 x 20 inches.
Painting is in very good vintage condition - please contact us for a detailed condition report.
Expedited and international shipping is available - please contact us for a quote.
About the Artist:
Jon Blanchette
Born England, 1908
Died California, 1987
Jon Blanchette was born in Somerset, England on March 29, 1908. He immigrated to Battle Creek, Michigan in 1918. Artistically inclined at age six, he later studied at the Pittsburgh Art...
Category
1950s American Modern Paintings
Materials
Canvas, Oil, Board
Cadets Football New Yorker Mag Cover Proposal American Scene Modern Illustration
Located in New York, NY
Cadets Football New Yorker Mag Cover Proposal American Scene Modern Illustration
Antonio Petruccelli (1907 – 1994)
Cadets Football Game
New Yorker cover proposal, c. 1939
14 1/4 X 1...
Category
1930s American Modern Paintings
Materials
Gouache, Board
1994 "Vivid Memories" Abstract Oil Painting on Canvas Illustrator Bill Shields
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010
"Vivid Memories"
1994
Oil on canvas
60"x48" artist framed
Signed lower center
William Stephens Shields, Jr., 1925 - 2010
He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas.
At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild.
Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York.
CV
EDUCATION:
Chicago Academy Of Fine Art
San Antonio Art Institute
MAJOR FIELDS OF PROFESSIONAL ENDEAVOR:
Freelance graphic design and illustration
Instructor of painting and illustration
Landscape, figurative and abstract painting
ART RELATED EMPLOYMENT: (Professor of Art)
California College of Arts and Crafts, Oakland, CA
Academy of Art College, San Francisco, CA
San Francisco Art Institute
San Jose State University
AWARDS FOR ILLUSTRATION, Gold Medals:
New York Society of Illustrators
Los Angeles Society of Illustrators
San Francisco Society of Illustrators
Dallas-Fort Worth Art Director's Club
Houston Artist's Guild
BIBLIOGRAPHY:
Feature articles in: American Artist, Communication Arts, Print, North Light.
Architectural design featured in: Better Homes and Gardens, American
Home, Sunset Magazine, Architectural Digest.
ILLUSTRATION CLIENTS:
Oil Companies:
Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...
Category
Late 20th Century American Modern Paintings
Materials
Canvas, Oil
"Victor Arrangements" Modern Abstract Fine Art Oil Painting Bill Shields
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010
"Victor Arrangements"
1985
Oil on canvas
60"x48" artist framed
Signed lower right
William Stephens Shields, Jr., 1925 - 2010
He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas.
At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields...
Category
Late 20th Century American Modern Paintings
Materials
Canvas, Oil
Captivating "Visitation" William Shields' Masterpiece of Modern Abstract Art
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010
"Visitation"
1994
Mixed media on canvas
48"x48" artist framed
Signed lower right
William Stephens Shields, Jr., 1925 - 2010
He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas.
At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild.
Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York.
CV
EDUCATION:
Chicago Academy Of Fine Art
San Antonio Art Institute
MAJOR FIELDS OF PROFESSIONAL ENDEAVOR:
Freelance graphic design and illustration
Instructor of painting and illustration
Landscape, figurative and abstract painting
ART RELATED EMPLOYMENT: (Professor of Art)
California College of Arts and Crafts, Oakland, CA
Academy of Art College, San Francisco, CA
San Francisco Art Institute
San Jose State University
AWARDS FOR ILLUSTRATION, Gold Medals:
New York Society of Illustrators
Los Angeles Society of Illustrators
San Francisco Society of Illustrators
Dallas-Fort Worth Art Director's Club
Houston Artist's Guild
BIBLIOGRAPHY:
Feature articles in: American Artist, Communication Arts, Print, North Light.
Architectural design featured in: Better Homes and Gardens, American
Home, Sunset Magazine, Architectural Digest.
ILLUSTRATION CLIENTS:
Oil Companies:
Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...
Category
Late 20th Century American Modern Paintings
Materials
Oil, Panel
Captivating "Strong Emotions" William Shields' Masterpiece Modern Abstract Art
Located in Arp, TX
William Shields Jr., 1925-2010
"Strong Emotions, II"
1991
Oil on canvas
48"x48" artist framed
Signed in pencil lower left
William Stephens Shields, J...
Category
Late 20th Century American Modern Paintings
Materials
Canvas, Oil
1996 "Red Anchor" Abstract Painting on Panel William Shields Acclaimed I
Located in Arp, TX
William Shields Jr., 1925-2010
"Red Anchor"
1996
Oil on panel
48"x48" artist framed
Unsigned
"Red Anchor" by William Shields Jr. is a striking oil pain...
Category
Late 20th Century American Modern Paintings
Materials
Oil, Panel
Original Painting. Colliers Cover Published. American Scene Christmas Modern
Located in New York, NY
Original Painting. Colliers Cover Published American Scene Christmas Modern
Antonio Petruccelli (1907 - 1994)
Man with Ribbon
Colliers published,...
Category
1930s American Modern Paintings
Materials
Gouache, Board
"From Here to Infinity" Modern Abstract Illustrator Bill Shields
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010
"From Here to Infinity"
1995
Oil on canvas
48"x48" artist framed
Signed lower right
William Stephens Shields, Jr., 1925 - 2010
He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas.
At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild.
Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York.
CV
EDUCATION:
Chicago Academy Of Fine Art
San Antonio Art Institute
MAJOR FIELDS OF PROFESSIONAL ENDEAVOR:
Freelance graphic design and illustration
Instructor of painting and illustration
Landscape, figurative and abstract painting
ART RELATED EMPLOYMENT: (Professor of Art)
California College of Arts and Crafts, Oakland, CA
Academy of Art College, San Francisco, CA
San Francisco Art Institute
San Jose State University
AWARDS FOR ILLUSTRATION, Gold Medals:
New York Society of Illustrators
Los Angeles Society of Illustrators
San Francisco Society of Illustrators
Dallas-Fort Worth Art Director's Club
Houston Artist's Guild
BIBLIOGRAPHY:
Feature articles in: American Artist, Communication Arts, Print, North Light.
Architectural design featured in: Better Homes and Gardens, American
Home, Sunset Magazine, Architectural Digest.
ILLUSTRATION CLIENTS:
Oil Companies:
Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...
Category
Late 20th Century American Modern Paintings
Materials
Canvas, Oil
"Thursday Night Jazz" Abstract Painting on Panel William Shields Acclaimed I
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010
"Thursday Night Jazz"
1995
Oil on panel
48"x48" artist framed
Signed lower right
William Stephens Shields, Jr., 1925 - 2010
He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas.
At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild.
Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York.
CV
EDUCATION:
Chicago Academy Of Fine Art
San Antonio Art Institute
MAJOR FIELDS OF PROFESSIONAL ENDEAVOR:
Freelance graphic design and illustration
Instructor of painting and illustration
Landscape, figurative and abstract painting
ART RELATED EMPLOYMENT: (Professor of Art)
California College of Arts and Crafts, Oakland, CA
Academy of Art College, San Francisco, CA
San Francisco Art Institute
San Jose State University
AWARDS FOR ILLUSTRATION, Gold Medals:
New York Society of Illustrators
Los Angeles Society of Illustrators
San Francisco Society of Illustrators
Dallas-Fort Worth Art Director's Club
Houston Artist's Guild
BIBLIOGRAPHY:
Feature articles in: American Artist, Communication Arts, Print, North Light.
Architectural design featured in: Better Homes and Gardens, American
Home, Sunset Magazine, Architectural Digest.
ILLUSTRATION CLIENTS:
Oil Companies:
Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...
Category
Late 20th Century American Modern Paintings
Materials
Oil, Panel
Alexander Redein FauvistNude Portrait, Titled "At Home"
Located in Larchmont, NY
Alexander Redein (American, 1912 - 1990)
At Home, 1975
Oil on board
12 x 15 3/4 in.
Framed: 17 1/2 x 21 3/8 in.
Signed lower right: Redein
Inscribed verso: At Home 1975
Alex Redein was born on January 21, 1912 in Bridgeport, Connecticut. He was a prominent member of the New York art community for many years. He studied at Yale School of Fine Art, The Art Students League, and in Mexico City. Along with Remo Farrugio, Byron Browne, Herbert and Henry Kallem, Joseph DeMartini, Michael Lekakis...
Category
1970s American Modern Paintings
Materials
Oil, Board
Girl on a Buick Painting on Metal Cut Out Sculpture Wall Hanging
Located in Surfside, FL
Seymour Chwast, B. 1931, American, 'Girl on a Buick', Painted Sheet Metal. A label on the reverse reads: "Seymour Chwast, 'Girl on a Buick', Metal Cut-Out, $2,000" Provenance: Bachelier-Cardonsky Gallery, Kent CT
Seymour Chwast (born August 18, 1931) is an American graphic designer, illustrator, and type designer.
Chwast was born in Bronx, New York, and graduated with a Bachelor of Fine Arts from Cooper Union in 1951. With Milton Glaser, Edward Sorel, and Reynold Ruffins, he founded Push Pin Studios in 1954. Often referred to as "the left-handed designer," Chwast's unique graphic design melded social commentary and a distinctive style of illustration. Today, he continues to work and is principal at The Pushpin Group, Inc. in New York City.
In 1979, he was hired by McDonald's to design on the first box for their Happy Meals. He is the font designer of Chwast Buffalo, Fofucha, Loose Caboose NF, and Weedy Beasties NF. He is a member of Alliance Graphique International (AGI). In the pantheon of American (nay, world) illustration, he stands, albeit slightly shorter and a little more rumpled, beside N.C. Wyeth, J. C. Leyendecker, and Normal Rockwell...
Category
20th Century American Modern Paintings
Materials
Metal
1990 "Gino's Fantasy" Abstract Oil on Canvas Illustrator Bill Shields
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010
"Gino's Fantasy"
1990
Oil on canvas
48"x48" artist framed
Signed lower right
William Stephens Shields, Jr., 1925 - 2010
He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas.
At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields...
Category
Late 20th Century American Modern Paintings
Materials
Canvas, Oil
Captivating "Kingdons" William Shields' Masterpiece of Modern Abstract Art
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010
"Kingdoms"
1993
Oil on panel
48"x48" artist framed
Signed in paint lower left
William Stephens Shields, Jr., 1925 - 2010
He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas.
At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild.
Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York.
CV
EDUCATION:
Chicago Academy Of Fine Art
San Antonio Art Institute
MAJOR FIELDS OF PROFESSIONAL ENDEAVOR:
Freelance graphic design and illustration
Instructor of painting and illustration
Landscape, figurative and abstract painting
ART RELATED EMPLOYMENT: (Professor of Art)
California College of Arts and Crafts, Oakland, CA
Academy of Art College, San Francisco, CA
San Francisco Art Institute
San Jose State University
AWARDS FOR ILLUSTRATION, Gold Medals:
New York Society of Illustrators
Los Angeles Society of Illustrators
San Francisco Society of Illustrators
Dallas-Fort Worth Art Director's Club
Houston Artist's Guild
BIBLIOGRAPHY:
Feature articles in: American Artist, Communication Arts, Print, North Light.
Architectural design featured in: Better Homes and Gardens, American
Home, Sunset Magazine, Architectural Digest.
ILLUSTRATION CLIENTS:
Oil Companies:
Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...
Category
Late 20th Century American Modern Paintings
Materials
Oil, Panel
1930 Oil Painting Sea Side Sailboats American Modernist WPA Artist Morris Kantor
Located in Surfside, FL
Morris Kantor, American, 1896-1974
Seaside View, 1930
Hand signed M. Kantor and dated 1930 lower right
Oil on canvas
22 1/4 x 19 1/4 inches
24 1/2 x 21 (frame)
Morris Kantor (Belarusian: Морыс Кантор) (1896-1974) was a Russian Empire-born American painter based in the New York City area. This is a beautiful boat scene with a river or lake probably on Long Island.
Born in Minsk on April 15, 1896, Kantor was brought to the United States in 1906 at age 10, in order to join his father who had previously relocated to the states. He made his home in West Nyack, New York for much of his life, and died there in 1974. He produced a prolific and diverse body of work, much of it in the form of paintings, which is distinguished by its stylistic variety over his long career. Perhaps his most widely recognized work is the iconic painting "Baseball At Night", which depicts an early night baseball game played under artificial electric light. Although he is best known for his paintings executed in a realistic manner, over the course of his life he also spent time working in styles such as Cubism and Futurism, (influenced by the Art Deco movement) and produced a number of abstract or non-figural works. A famous cubist, Futurist, painting of his "Orchestra" brought over 500,000$ at Christie's auction house in 2018. Kantor found employment in the Garment District upon his arrival in New York City, and was not able to begin formal art studies until 1916, when he began courses at the now-defunct Independent School of Art. He studied landscape painting with Homer Boss (1882-1956). In 1928, after returning to New York City from a year in Paris, Kantor developed a style in which he combined Realism with Fantasy, often taking the streets of New York as his subject matter. He did some moody Surrealist Nude paintings and fantasy scenes. In the 1940's he turned towards figural studies. Later in his career, Kantor himself was an instructor at the Cooper Union and also at the Art Students League of New York in the 1940s, and taught many pupils who later became famous artists in their own right, such as Knox Martin, Robert Rauschenberg, Sigmund Abeles and Susan Weil...
Category
1930s American Modern Paintings
Materials
Canvas, Oil
1996 "Early Sunday, II" Abstract Oil Painting on Canvas Illustrator Bill Shields
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010
"Early Sunday, II"
1996
Oil on canvas
48"x36" artist framed
Signed lower center
William Stephens Shields, Jr., 1925 - 2010
He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas.
At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild.
Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York.
CV
EDUCATION:
Chicago Academy Of Fine Art
San Antonio Art Institute
MAJOR FIELDS OF PROFESSIONAL ENDEAVOR:
Freelance graphic design and illustration
Instructor of painting and illustration
Landscape, figurative and abstract painting
ART RELATED EMPLOYMENT: (Professor of Art)
California College of Arts and Crafts, Oakland, CA
Academy of Art College, San Francisco, CA
San Francisco Art Institute
San Jose State University
AWARDS FOR ILLUSTRATION, Gold Medals:
New York Society of Illustrators
Los Angeles Society of Illustrators
San Francisco Society of Illustrators
Dallas-Fort Worth Art Director's Club
Houston Artist's Guild
BIBLIOGRAPHY:
Feature articles in: American Artist, Communication Arts, Print, North Light...
Category
Late 20th Century American Modern Paintings
Materials
Canvas, Oil
Original Painting. Fortune Mag Cover Published 1938. American Scene Modern WPA
Located in New York, NY
Original Painting. Fortune Mag Cover Published 1938. American Scene Modern WPA
Antonio Petruccelli (1907 - 1994)
Fortune cover published, January ...
Category
1930s American Modern Paintings
Materials
Gouache, Board
Classic Botanical Cyanotype, Handmade Using Natural Sunlight, Limited Edition
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
Details:
+ Title: Vintage Pressed Flowers Nº3
+ Year: 2023
+ Edition Size: 20
+ Stamped and Certificate of Authenticity provided
+ Measurements : 70x100 cm (28x 40 in.), a standard frame size
+ All cyanotype prints are made on high-quality Italian watercolor paper
WHAT IS A CYANOTYPE?
The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's.
Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun.
Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative...
Category
2010s American Modern Paintings
Materials
Photographic Film, Other Medium, Photogram, Color, C Print, Photographic...
Madonna of the Picture, 1930s Framed Figural Devotional New Mexico Oil Painting
Located in Denver, CO
Original 1939 oil painting by New Mexico modernist, Howard Schleeter (1903-1976), Madonna of the Picture includes a santo of the Virgin Mary, a still life of flowers in a vase and a crucifix. Presented in a custom hand-carved frame, outer dimensions measure 21 x 17 x 2 inches. Image size is 16 x 12 inches.
Painting is clean and in very good vintage condition - please contact us for a complete condition report.
Provenance: Private Collection, California
Expedited and international shipping is available - please contact us for a quote.
About the Artist:
Howard Schleeter, the son of a commercial artist, studied formally at the Albright Art School in his hometown of Buffalo, New York. However, his studies at Albright were brief and the artist considered himself to be primarily self-taught.
He later met Charles Lindbergh while working as an airplane mechanic. However, he soon chose to make his living entirely as an artist and, in 1929, he traveled to New Mexico. The following year he married and the couple made New Mexico their permanent home.
Schleeter studied under Brooks Willis during the 1930's and worked in several mediums including gouache, watercolor, oil, scratchboard and engraving.
The Great Depression took its toll on Schleeter who occasionally found work digging ditches to make ends meet. In 1936, his financial status greatly improved when he received the first of several commissions from the Works Progress Administration (WPA). Though he worked primarily in abstraction, the five murals he completed for a WPA commission in the Melrose Public School library are realistic depictions of the West. He worked on several more New Deal commissions during the years of 1936 and 1942 in locations including Santa Fe, Clayton, and Washington D.C. During this time, Schleeter furthered his income by teaching at a Las Vegas, New Mexico, art gallery during 1938 and 1939.
In 1945, the Encyclopedia Britannica referred to Schleeter as "an artist's artist." He also received local attention when he became one of the first artists chosen by Peter Hurd and Jane Mabry for his significant contributions to New Mexico's art.
Schleeter taught at the University of New Mexico during 1950-1951 and 1954.
Member: Art League of New Mexico
Exhibited: Kansas Art Institute, 1936-1938; New Mexico State Fair, 1939 (prize); New Mexico Art League, 1939 (prize); Cedar City, New Mexico, 1941-1946; Philadelphia Artist Alliance, 1945 (solo); deYoung Memorial Museum, 1946; Art Institute of Chicago, 1947; Museum of New Mexico, Santa Fe, 1951 (purchase prize), 1955 (purchase prize); Vienna, Austria, 1952; Guggenheim Museum, 1954; Karlsruhe Museum, Germany, 1955; Stanford University, 1955 (solo); New Mexico Highlands University, 1957 (purchase prize); Colorado Springs Fine Arts Center, 1958; Swope Art Gallery
Works Held: A&M College, New Mexico (mural); Art League of New Mexico; Cedar City Institute of Religion; Encyclopaedia Britannica; Miners Hospital, Raton, New Mexico (mural); Museum of New Mexico, Santa Fe; Research Studio, Maitland, Florida; University of New Mexico
Further Reading: Artists of 20th-Century New Mexico: the Museum of Fine Arts Collection, Museum of New Mexico Press for the Museum of Fine Arts, Santa Fe, 1992.; The Illustrated Biographical Encyclopedia of Artists of the American West, Peggy and Harold Samuels, Doubleday & Company, Inc., Garden City, New York, 1976.; Taos and Santa Fe: the Artist's Environment, 1882-1942, Van Deren Coke, University of New Mexico Press for the Amon Carter Museum of Western Art, TX and the Art Gallery, University of New Mexico, Albuquerque, NM: 1963.; Treasures on New Mexico Trails: Discover New Deal Art and Architecture: Kathryn A. Flynn ed., Sunstone Press, Santa Fe, NM: 1995.; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Vol. 1. Peter Hastings Falk, Georgia Kuchen and Veronica Roessler, eds.,Sound View Press, Madison, Connecticut, 1999. 3 Vols.
©David Cook...
Category
1930s American Modern Paintings
Materials
Board, Oil
Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet
Located in New York, NY
Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet
Antonio Petruccelli (1907 - 1994)
Santas Feet At Midnight
New Yorker c...
Category
1930s American Modern Paintings
Materials
Gouache, Board
1970s Abstract Figurative Framed Oil Painting, Modernist City Scene With Couple
Located in Denver, CO
1950s oil on board painting by George Cecil Carter portraying a modernist couple, thought to be Alfred Stieglitz & Georgia O'Keefe. Presented in a custom frame, outer dimensions measure 20 ⅝ x 13 ½ x 1 ⅞ inches. Image sight size is 16 ⅞ x 9 ⅞ inches.
Painting is clean and in very good vintage condition - please contact us for a complete condition report.
Provenance: Private Collection, Denver Colorado
Expedited and international shipping is available - please contact us for a quote.
About the Artist:
George Cecil Carter was born in Oklahoma in 1908 and became a noted Colorado abstract expressionist alongside contemporaries including Al Wynne, Mary Chenoweth...
Category
1950s American Modern Paintings
Materials
Oil, Board
Signed Anthony Triano Dancer Painting
Located in Larchmont, NY
Anthony Triano (American, 1928-1997)
Untitled, 20th Century
Oil on canvas
14 1/8 x 18 in.
Framed: 17 3/8 x 21 3/8 in.
Signed lower right: Triano
Proven...
Category
20th Century American Modern Paintings
Materials
Canvas, Oil
Large Archie Rand Abstract Expressionist Cartoon Oil Painting Dusseldorf
By Archie Rand
Located in Surfside, FL
"Dusseldorf, Germany" 1993, oil on canvas, hand signed and dated lower left,
Canvas (unframed):18 X 48. framed: 19.5 X 49.5
Provenance: directly from the artist. Exhibited at Phyllis Kind Gallery in NYC in 1987.
Archie Rand (American, born 1949) is an artist from Brooklyn, New York.
Rand's work as a painter and muralist is held in the collections of the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Victoria and Albert Museum in London, the Bibliothèque Nationale de France in Paris, and the Tel Aviv Museum of Art.
His graphic works and books are held by the Metropolitan Museum Of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute Of Chicago, The Brooklyn Museum, the Baltimore Museum of Art, the Smithsonian Institution, and The New York Public Library; and are owned by Harvard, Yale, Columbia, Brown, and Johns Hopkins universities.
Born in Brooklyn, Rand received a Bachelor of Fine Arts in cinegraphics from the Pratt Institute, having studied previously at the Art Students League of New York.
His first exhibition was in 1966, at the Tibor de Nagy Gallery in New York. He has since had over 100 solo exhibitions, and his work has been included in over 200 group exhibitions.
He is currently Presidential Professor of Art at Brooklyn College which granted him the Award for Excellence in Creative Achievement in 2016. Before joining Brooklyn College, Rand was the chair of the Department of Visual Arts at Columbia University.
The Italian Academy For Advanced Studies in America at Columbia University presented him with The Siena Prize in 1995. He was awarded a Guggenheim Foundation Foundation Fellowship in 1999 and was made a Laureate of the National Foundation for Jewish Culture, which awarded him the Achievement Medal for Contributions in the Visual Arts. In 2002 he received the Presidential Award for Excellence in Teaching from Columbia University.
In 2002 he became the artistic advisor to film director Ang Lee for his production of The Hulk, and was asked by Milestone Films to provide a commentary track for the DVD release of Henri-Georges Clouzot’s classic 1955 film The Mystery of Picasso.
Archie Rand’s earliest major works are “The Letter Paintings” (or “The Jazz Paintings”) (1968–71), a radically positioned series of technically inventive, mural-sized canvases. The Letter Paintings, by incorporating the names of mainly male and female African-American musicians, undermined prevailing aesthetic categories by conflating many contemporary movements including Conceptual Art, Color Field, Pattern and Decoration, diary entry and social commentary.
In 1974 Rand received a commission from Congregation B’nai Yosef in Brooklyn. Rand was asked to paint thematic murals on the complete 16,000-square-foot (1,500 m2) interior surfaces of the synagogue. The work took three years, and completing this commission made Rand the author of the only narratively painted synagogue in the world and the only one we know of since the 2nd Century Dura-Europos. The religious legal controversy raised by placing wall paintings in a traditionally iconoclastic space was resolved by the verdict of Rabbi Moshe Feinstein, then considered to be the world’s leading Talmudic scholar, who declared the paintings to be in conformity with the law. His subsequent turn to figuration may have been influenced by his friendship with Philip Guston, whose own work was transformed in the late 1960s. Like Guston, Rand "chafed at the limitations of purely abstract forms."
A near-cult figure who started out as a child prodigy and whose admirers range from John Ashbery to Julian Schnabel. Rand’s paintings display a vast and savvy menu of inventive and finely executed approaches. He has completed many series after the works of Paul Celan, Moyshe-Leyb Halpern, Eugenio Montale, Yehuda Amichai, Rainer Maria Rilke, Samuel Beckett/Paul Eluard and Jack Spicer. Working often with poets, he has produced books and continues to engage in publishing collaborative projects. He maintained a correspondence with the American British Jewish painter R.B. Kitaj.
In 2008, on a warehouse wall, Rand mounted the painting, “The 613”, which at 1700 square feet (17’ x 100’) is nearly twice the size of James Rosenquist’s F-111. It is one of the largest freestanding paintings ever made. Reminiscent of “The Segments” paintings it is intimidatingly enormous. Paradoxically, despite the raucous cartoony bytes that shoot colorful flashes from the manic surface, “The 613” glows warmly. Its overall effect is strangely calming and majestic.
In an article on a 2011 exhibition of Rand's "Had Gadya" series, David Kaufmann wrote:
Rand displayed his work in 15 solo exhibitions between 2008 and 2017, many of them showcasing paintings done after Scripture, or his workings with poets: Including “Had Gadya, 2005”, Borowsky Gallery, Philadelphia, PA (2011); “Gods Change, Prayers Are Here To Stay (after Yehuda Amichai), 2000", Katz Gallery, Atlanta, GA (2014); “Psalm 68, 1994”, Derfner Museum, Riverdale, NY (2014); “The Chapter Paintings”, Tribeca Gallery, NY (2015); “Men Who Turn Back (after Eugenio Montale), 1995", SRO Gallery, Brooklyn, NY (2016); “Sixty Paintings From the Bible” & “The Book of Judith, 2012”, Cleveland State University Galleries, Cleveland, OH (2016) & The American Jewish Museum, Pittsburgh, PA (2017); “Archie Rand: Early Works With Poetry: Jack Spicer, 1991 and Samuel Beckett/Paul Eluard, 1993”, St. Francis College, Brooklyn, NY (2017).
"The 613"
In 2015 Blue Rider/Penguin/Random House published The 613, allotting one color plate per page for each of the 614 units in the painting. The Wall Street Journal labeled The 613 as “dynamic…remarkable…thrilling” The New York Times selected the book as “Editors' Choice” and praised it in two separate reviews calling it “wonderfully garish” and declaring that “nothing prepared the art world for 'The 613.'
Recent Activity
In 2016 Rand showed two bodies of work that were done in Italy, “La Certosa Di Pontignano, 1995” and “Mount Etna, 2005,” at The Interchurch Center Galleries, New York. From 2016 to 2017 he served as the Curator and Juror for the Governor of Wyoming’s Capitol Arts Exhibition at The Wyoming State Museum, Cheyenne, WY.
A 2017 exhibition, “Archie Rand: Early Works With Poetry”, featured two series of work from 1991 and 1993 after poems by Jack Spicer and Samuel Beckett/Paul Eluard.
This painting was exhibited in the Phyllis Kind Gallery in NY in 1987.
(Phyllis Kind was an American art dealer active in Chicago and New York. She promoted the work of the Chicago Imagists, The Monster Roster and The Hairy Who and outsider artists. Kind opened a gallery in Chicago in 1967. Called Pro Grafica Arte, the gallery dealt in master prints and drawings. In 1975, she opened a gallery on Spring Street in New York's SoHo district. She gave some of the artists in the movement their first solo shows: Jim Nutt and Gladys Nilsson...
Category
1980s American Modern Paintings
Materials
Canvas, Oil
Original Painting Fortune Cover Published 1937 American Modern - Met Museum
Located in New York, NY
Original Painting Fortune Cover Published 1937 American Modern - Met Museum
NEWS: A printed copy of this magazine is included in The Metropolitan Museum of Art’s recent exhibition, “Art for the Millions: American Culture and Politics in the 1930s”
Antonio Petruccelli...
Category
1930s American Modern Paintings
Materials
Board, Gouache
Africa - Collage Painting in Orange - African American Artist
Located in Miami, FL
African American artist Alvin Hollingsworth created an inventive and intriguing close-up portrait with figures in the distance. Found objects such as swatches of burlap, plastic spoons, press type and wood shapes are adhered to the surface make this work an object as much as an image. The overall image is bathed in a super hot orange-yellow. This is Hollingsworth interpretation of the soul of Africa. Indistinctly signed lower right in red. The work makes a powerful statement in person.
Provenance: The Artist to a personal friend. Private collection
Framed dimensions 19 1/4 x 25 1/4 in.
Alvin Carl...
Category
1980s American Modern Paintings
Materials
Fabric, Burlap, Wood, Oil
1994 "Eye on the Pie II" Abstract Oil Painting Illustrator Bill Shields
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010
"Eye on the Pie II"
1994
Oil on canvas
48"x36" artist framed
Signed lower right
William Stephens Shields, Jr., 1925 - 2010
He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas.
At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild.
Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York.
CV
EDUCATION:
Chicago Academy Of Fine Art
San Antonio Art Institute
MAJOR FIELDS OF PROFESSIONAL ENDEAVOR:
Freelance graphic design and illustration
Instructor of painting and illustration
Landscape, figurative and abstract painting
ART RELATED EMPLOYMENT: (Professor of Art)
California College of Arts and Crafts, Oakland, CA
Academy of Art College, San Francisco, CA
San Francisco Art Institute
San Jose State University
AWARDS FOR ILLUSTRATION, Gold Medals:
New York Society of Illustrators
Los Angeles Society of Illustrators
San Francisco Society of Illustrators
Dallas-Fort Worth Art Director's Club
Houston Artist's Guild
BIBLIOGRAPHY:
Feature articles in: American Artist, Communication Arts, Print, North Light...
Category
Late 20th Century American Modern Paintings
Materials
Canvas, Oil
Original Painting. Fortune Mag Cover Proposal. American Mid Century Industrial
Located in New York, NY
Original Painting. Fortune Mag Cover Proposal. American Mid Century Industrial
Antonio Petruccelli (1907 – 1994)
92
Fortune cover proposal, c. 1945
13 X 10 3/4 inches (sight)
Framed...
Category
1940s American Modern Paintings
Materials
Gouache, Board
Massachusetts Coastal Painting by Wayne Morrell, Signed
By Wayne Beam Morrell
Located in Larchmont, NY
Wayne Beam Morrell (American, 1923-2013)
Untitled (Coastal Scene, Massachusetts), 20th century
Oil on board
15 1/2 x 20 in.
Framed: 24 x 27 1/3 in.
Signed lower right
Wayne Morrell ...
Category
20th Century American Modern Paintings
Materials
Oil, Board
Notion
Located in East Durham, NY
Notion (2022)
Silver circuits hand etched on dyed fiberglass board mounted on linen-wrapped wood.
"Notion" is a one-of-a-kind piece by artist Lana O.
Lana O's retro-future modern ...
Category
2010s American Modern Paintings
Materials
Silver
Fireman Textile Fabric Design 1920s American Scene Modern Working Men Art Deco
Located in New York, NY
Fireman Textile Fabric Design 1920s American Scene Modern Working Men Art Deco
Antonio Petruccelli (1907 - 1994)
Firemen
Textile design, c. 1929
19 1/4 ...
Category
1920s American Modern Paintings
Materials
Gouache, Board
Original 1930s Painting Fortune Cover Proposal. Industrial Modern American Scene
Located in New York, NY
Original 1930s Painting Fortune Cover Proposal. Industrial Modern American Scene
Antonio Petruccelli (1907 - 1994)
Steel Mill
Fortune cover proposal, c. 1945
13 1/2 x 10 3/4 inches...
Category
1930s American Modern Paintings
Materials
Gouache, Board
American Modern paintings for sale on 1stDibs.
Find a wide variety of authentic American Modern paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Clarence Holbrook Carter, Donald Stacy, Patricia Gren Hayes, and Jack Hooper. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern paintings, so small editions measuring 2 inches across are also available.
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