Suzanne Vaughan

Glistening Water - Modern Abstract Seascape, Painting, Acrylic on Canvas

2022

"Who Told You That 2" is a minimalistic painting on paper. The colors are black and turquoise. The painting must be framed. It is signed on the front. Title and date of creating a...

„Save the marine animals“ written in ICAO-Alphabet, which is indespensable while sailing. 100 x 100 cm / 39“ x 39“ in Acrylics on canvas / texture free rolled shippi...

“I wanted freedom, open air and adventure. I found it on the sea.â€

It looks like I'm entering the pink mood: love, kindness, and femininity. Or it's just the mood for summer? This abstract painting on vivid colors, it's an original painting created...

Minimalist Mixed Media Botanical Study Painting Botanical "Branch #1" This mixed media painting by Derek James Lynch (American, b. 1959, 2003 presents a botanical study rendered in ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of cool blues and greys. Acrylic on 3 panels, Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Interior design paintings. The artwork were done with acrylic, gold leafing pen 18 kt and ink in gold and black color on watercolor paper 300g. The work are 11 by 15 inches in size, ...

Shauna (Abstract Painting) Acrylic on 300 lb Arches. Unframed. Using mediums such as markers, watercolors and acrylics, Hallard constructs monochromatic and semi-monochromatic imag...