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Thomas HudsonPortrait of Lady Mansfield of Ringwood1701-1779
1701-1779
$44,747.47
£32,500
€38,368.32
CA$61,547.55
A$68,458.53
CHF 35,913.25
MX$835,349.58
NOK 450,756.62
SEK 424,783.44
DKK 286,403.23
About the Item
Portrait of Lady Mansfield of Ringwood
Oil on Canvas
Image size: 25 x 30 inches (63 x 76 cm)
Original carved & gilded frame
POA
Provenance
Descended through the Family Estate
The younger sister of Elizabeth Mary Murray, Henrietta, was born in Dresden, however, she died an unfortunate young death in Vienna followed by their mother Henrietta shortly after at the age of 29. The sister’s shared the 2nd Earl of Mansfield, David Murray, as their father.
Gazing out at the viewer, Lady Mansfield wears a decorated dress, with an abundance of pearls and lace, and a transparent gold lined veil surrounding her right shoulder. The excess of luxurious fabric matches another Hudson portrait of another Lady Mansfield, with the lace detailing and complementary bodice. The depiction of this Lady Mansfield epitomizes the style of portraiture in the 18th century, such as the styles Hudson’s pupils Joshua Reynolds, Joseph Wright, and Peter Toms. From Hudson’s travels to the Low Countries and Italy, he no doubt brought back artistic inspiration from the international pieces he encountered.
Thomas Hudson
Hudson was a celebrated 18th century portrait painter. Born in Devon in 1701 he studied under the artist Jonathan Richardson and married his daughter, against Richardson’s wishes.
He had many artistic friends including William Hogarth and Francis Hayman and travelled with them in Europe in 1748. He also visited Italy with the sculptor Louis-François Roubiliac in 1752. Hudson’s style of portraiture proved so successful that for a decade from 1745 to 1755 he was London’s most popular portrait painter and made a fortune painting the cream of London society and members of the Royal Family.
He was also a talented teacher, perhaps too good, as subsequently a number of his former assistants overtook him in popularity including the artist Joshua Reynolds.
Hudson retired in the late 1750’s and died in Twickenham in 1779. His most notable works include portraits of King George II and George Friedrich Handel and his “Portrait of a Nobleman in Van Dyck dress.” Many of Hudson’s works may be seen in art galleries. These include the National Portrait Gallery, the National Maritime Museum, the Tate Gallery, the Foundling Museum and the Bristol City Museum and Art Gallery. His works are also in Museums across the world.
Literature
Ellen G. Miles, Thomas Hudson (1701–1779) Portraitist to the British Establishment, PhD thesis, Yale 1976, pub. University Microfilms International, Ann Arbor
Exhibitions
Ellen G. Miles and Jacob Simon, Thomas Hudson, 1979, Kenwood House
Museums
National Portrait, London
Bodleian Libraries, Oxford
British Library, London
Canterbury Cathedral, Canterbury
Dulwich Picture Gallery, London
University of Cambridge
- Creator:Thomas Hudson (1701 - 1779, British)
- Creation Year:1701-1779
- Dimensions:Height: 25 in (63.5 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU52415454722
Thomas Hudson
Thomas Hudson (1701–1779) was an English painter, almost exclusively of portraits. Hudson was born in Devonshire in 1701.
His exact birthplace is unknown. He studied under Jonathan Richardson in London and, against the latter's wishes, married Richardson's daughter at some point before 1725.
Hudson was most prolific between 1740 and 1760 and, from 1745 until 1755 was the most successful London portraitist. He had many assistants, and employed the specialist drapery painter Joseph Van Aken.
Joshua Reynolds, Joseph Wright and the drapery painter Peter Toms were his students.
Hudson visited the Low Countries in 1748 and Italy in 1752.
In 1753 he bought a house at Cross Deep, Twickenham, just upstream from Pope's Villa.
He retired toward the end of the 1750s. William Hickey described the elderly Hudson, "His figure was rather grotesque, being uncommonly low in stature, with a prodigious belly, and constantly wearing a large white bushy periwig. He was remarkably good tempered, and one of my first-rate favourites, notwithstanding that he often told me I should certainly be hanged.".
He died at Twickenham in 1779. His extensive private art collection was sold off in three separate sales.
Many of Hudson's works may be seen in art galleries throughout the United Kingdom. They include the National Portrait Gallery, the National Maritime Museum, Tate, Barnstaple Guildhall, Foundling Museum and the Bristol City Museum and Art Gallery.
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View AllPortrait of Lady Mansfield of Ringwood
By Thomas Hudson
Located in London, GB
Portrait of Lady Mansfield of Ringwood
Oil on Canvas
Image size: 25 x 30 inches (63 x 76 cm)
Original carved & gilded frame
POA
Provenance
Descended through the Family Estate
Born in Poland in 1760 to the 2nd Earl of Mansfield and his wife, Elizabeth Mary Murray would later come under the care of her uncle, William Murray (1st Earl of Mansfield) at Kenwood House in Hampstead. David Murray (2nd Earl of Mansfield) was set to inherit the title and full wealth of his uncle, including Kenwood House. Lady Mansfield’s second cousin would soon join her at Kenwood, where they would be raised together and featured in multiple portraits of the time. Her younger sister, Henrietta, is seen in a separate portrait done by Thomas Hudson as well. At the age of 25 she married George Finch-Hatton, an English aristocrat and politician who sat in the House of Commons from 1772-1784.
Gazing out at the viewer, Lady Mansfield wears a decorated dress, with an abundance of pearls and lace, and a transparent gold lined veil surrounding her right shoulder. The excess of luxurious fabric matches another Hudson portrait of another Lady Mansfield, with the lace detailing and complementary bodice. The depiction of this Lady Mansfield epitomizes the style of portraiture in the 18th century, such as the styles Hudson’s pupils Joshua Reynolds, Joseph Wright, and Peter Toms. From Hudson’s travels to the Low Countries and Italy, he no doubt brought back artistic inspiration from the international pieces he encountered.
Thomas Hudson
Hudson was a celebrated 18th century portrait painter. Born in Devon in 1701 he studied under the artist Jonathan Richardson and married his daughter, against Richardson’s wishes.
He had many artistic friends including William Hogarth and Francis Hayman and travelled with them in Europe in 1748. He also visited Italy with the sculptor Louis-François Roubiliac in 1752. Hudson’s style of portraiture proved so successful that for a decade from 1745 to 1755 he was London’s most popular portrait painter and made a fortune painting the cream of London society and members of the Royal Family.
He was also a talented teacher, perhaps too good, as subsequently a number of his former assistants overtook him in popularity including the artist Joshua Reynolds.
Hudson retired in the late 1750’s and died in Twickenham in 1779. His most notable works include portraits of King George II and George Friedrich Handel and his “Portrait of a Nobleman in Van Dyck dress.” Many of Hudson’s works may be seen in art galleries. These include the National Portrait Gallery, the National Maritime Museum, the Tate Gallery, the Foundling Museum and the Bristol City Museum and Art Gallery. His works are also in Museums across the world...
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