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Thomas Luny
The Battle of Raz de Sein

$66,462.81
£48,572
€57,074.74
CA$92,639.85
A$100,683.58
CHF 53,207.34
MX$1,218,054.04
NOK 662,659.49
SEK 625,923.10
DKK 426,127.51

About the Item

Thomas Luny 1759-1837 The Battle of Raz de Sein Oil on canvas, signed and dated 'Luny 1834' lower left Image size: 15 1/4 x 20 1/8 inches (38.7 x 51.2 cm) Provenance The Parker Gallery, London Private collection, England, and by descent. This dramatic scene throws the viewer straight into the heart of a naval battle between the British ship HMS Mars and the French Hercule. The scene is only lit from two sources - one being the tranquil moon, and the other being violent flashes of canon fire between the two fighting ships. The moon penetrates from behind a thick cloud cover, accentuating the darkness and moody atmosphere of the work. It is an incredibly tense and atmospheric piece, truly demonstrating Luny's talents as a painter of marine battle scenes. The 74-gun third-rate ship of the line Mars was built in the Deptford docks and launched on the 25th October 1794. She was initially assigned to the Channel Fleet, and on the 12th April 1798 sailed from St. Helens, Isle of Wight, with the Admiral Lord Bridport's squadron bound for Brest. Nine days later, whilst cruising in company with H.M.S. Ramillies and two frigates, the crew sighted two French vessels and an enemy warship and gave chase. After three hours of pursuit Mars brought the 74-gun Hercule to action. The two opposing 74s swiftly became entangled because of fouled anchor cables, and they opened fire on one another at 10:30 pm. After a vicious engagement lasting two hours, Hercule could no longer withstand the attack and struck her colours shortly after midnight. The damage to both ships was substantial and loss of life was high, including that of the commander of the Mars, Captain Alexander Hood, a cousin to Lord Bridport. The damaged Hercule was taken back to Plymouth and repaired at a cost of £12,500, so extensive was the damage caused by the Mars' broadsides. She was eventually commissioned into the Royal Navy, retaining her original name. Thomas Luny Born in Cornwall, Thomas Luny was an English artist who primarily painted maritime scenes and seascapes. Leaving for London in 1759, Luny became the apprentice of Francis Holman, a marine painter famous for his patriotic scenes of sea battles. Here, Luny developed his practice, with the lasting impressions left by Holman evident in Luny’s later maritime works through compositional and stylistic preferences. Luny temporarily left Holman’s studio in September 1777 to travel around France and to exhibit his painting “A Distant View of the Island of Madeira and Porto Santo” at the Society of Artists that same year, before returning to Holman’s studio. In 1780, he set up his own practice on Leadenhall Street in 1783. Between 1780 and 1802, Luny exhibited twenty-nine times, and his work was frequently shown at the Royal Academy. With the success of his work, Luny used the money he earned to regularly invest in government stocks, helping to solidify his financial success as an artist. His popularity was further accelerated by his studio’s position on Leadenhall Street, with its close proximity to the British East India Company’s headquarters leading to many commissions of paintings and portraits. This relationship was further beneficial to Luny, who is believed to have been invited on the company's ships, leading to his detailed and realistic sketches of locations within Europe and the Americas. Additionally, the location of his studio on Leadenhall Street developed a close relationship between Luny and an art dealer and framer called Mr. Merle, in which both parties promoted each other's work for over twenty years. In 1807, several years later, Luny moved his studio again to Devon, where he received a number of commissions and continued to capture the same popularity that he experienced in London. Between 1808 and 1809, Luny solidified his position in Teignmouth, Devon, by building a house on the harbor front in Teign Street, which, while becoming known as Luny House, served as a significant part of his work in his later years. Though he was suffering from arthritis at this time in both of his hands, there was no obvious impact on his work due to his technique of strapping the paintbrush to his wrist, and he continued to be prolific, producing over 2,000 paintings during his time in Devon. Luny died on the 30th of September, 1837, and was buried in the graveyard of St. James’ Church in Devon. Exhibitions Royal Academy of Art Society of Artists Museums National Maritime Museum, Greenwich Royal Albert Memorial Museum, Exeter Mariners’ Museum, Virginia Victoria and Albert Museum, London Tate Gallery, London Walker Art Gallery, Liverpool National Gallery of Victoria, Australia
  • Creator:
    Thomas Luny (1759-1837, British)
  • Dimensions:
    Height: 15.25 in (38.74 cm)Width: 20.5 in (52.07 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU52416777402

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