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Tim LiddyLe Domestique
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View AllLethe
By Richard Whitten
Located in Lincoln, MA
Oil on panel by Richard Whitten
Category
21st Century and Contemporary Paintings
Price Upon Request
Yours Truly
By Catherine McCarthy
Located in Lincoln, MA
oil on canvas
Category
2010s Paintings
Price Upon Request
Dad
By Catherine McCarthy
Located in Lincoln, MA
acrylic on board. framed.
Category
2010s Paintings
Price Upon Request
Cythere
By Richard Whitten
Located in Lincoln, MA
Oil on panel by Richard Whitten
Category
21st Century and Contemporary Paintings
Materials
Oil, Wood Panel
Price Upon Request
Original Woman
By Catherine McCarthy
Located in Lincoln, MA
Evoking a centuries-past sensibility, Catherine McCarthy's passionately rendered yet lyrical images form enigmatic art works that are rich with metaphorical allusions to the artist's...
Category
21st Century and Contemporary Paintings
Materials
Oil
Price Upon Request
Le Cigare Volant
By Richard Whitten
Located in Lincoln, MA
Oil on panel by Richard Whitten
Category
21st Century and Contemporary Paintings
Price Upon Request
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Based in New Orleans, James Henderson’s work explores the concept of memory and the idea of ‘home’ as an emotional space, rather than a physical one. Utilizing found imagery and text as a starting point, Henderson collages and layers his mixed media paintings to create a rich background onto which he often adds the silhouette of a figure, an icon of a house, or colorful drawings of children or shapes. The inclusion of imagery from vintage dress patterns...
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An original acrylic painting by American Primitive Artist Robert Sellers.
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William Reusswig was a fine illustrator, and married to an equally fine one, Martha Sawyers. They traveled the world together and, in collaboration, wrote and illustrated two books about the Far East, published by Grosset & Dunlap in 1961 and 1964. They worked out of a New York apartment with two studios, where each could pursue their individual assignments.
William was born in Somerville, New Jersey; he studied at Amherst College and the Art Students League in New York. He was only twenty-three when he made his first illustrations for Collier’s, and then illustrated for most national fiction magazines, including Cosmopolitan, True, Redbook, The Saturday Evening Post, McCall’s, The Country Gentleman...
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