Unattributed

Storm - Paolo Francesco Vignati

2022

This is a big painting and it was a great challenge from the beginning. The color palette is my usual, cyan and magenta, soon enough I could see the shape of a panther and I started the editing. I introduced emerald green and ultramarine blue on it to make the painting more interesting. More creatures appear if you look at the painting close but I always got in mind the panther figure...

When I started this painting I had little to work with. The original stain had not many patterns or shapes. It turned out to be a blessing because it gave me the opportunity to work ...

To make this painting I started with a non-stretched canvas and make a stain. Then I stretched it and started to see how to edit the stain. Sometimes is quite easy but on this painting it came when I was almost on half of it and had to come back and redo. I think this is one of my best editing because I respect the originals patterns quite a lot and when I edit they look very integrated. I see some underwater creatures...

This painting was quite a challenge to me. It is very big and the original stain had not clear patterns to work with. But this made me to use my imagination. Little by little somethi...

For this painting I used green and yellow colors over a blue background. I usually don´t paint with green and yellow but cyan and magenta are my normal palette. It is one of the most...

Chance is a huge helper for creativity and the size of this painting is a result of it. Many times I use a non-stretched canvas to make the original stain and cut a part to use it fo...

Landscape in the works of Marilina Marchica the landscape and nature are the protagonists The trace and the sign of the passage of man is testimony of a time in constant evolution In the series “Landscapes” and “Signs”, poetic and rarefied images in which stasis and memory merge, the synthetic trait and minimalist practice give rise to entropic landscapes and signs, imprints of a universe made of abandonment and fragility. the deeper meaning of the relationship between man and nature over time mixed media on Cotton Canvas 80x95 cm 2022 pure cotton canvas and handmade wooden frame...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with contrasting light, create a landscape in which, like a counterpoint, we come across a figure – sometimes one, perhaps two or more. The synthetic construction of form, clean contours, and strong divisions are elements which at first sight are the defining characteristics of the artist's style. It is impossible to pass one by and remain indifferent to the subdued harmony flooding these spaces which not totally defined. The drawings, however, are somewhat different. Although they contain the same motifs, at times even the same compositions – the value strategems employed by Julita create a sense of foreboding in a world already balancing on the edge. The painterly and graphic form constructed by the artist is itself thought- provoking . The heightened tones, the light which at times goes off the scale and the almost classic contours lead us to look at Malinowska's work through the prism of classicism and the great art theories of the 17th century. Such references are quite rare in the painting of today and beyond – in art. The search for a language allowing the artist to deal with universal issues and fundamental questions in order to understand the sense of not only art, but also life, has not been too popular a phenomenom in art over the last century. The artist has, however, for the last few years quite consciously defined the sphere of her search. It could first be seen in the diploma cycle of paintings, the summary of her years of study. “The role of the painting defined then and the concious selection of formal sources became the starting point for further artistic exploration, which I have been following carefully ever since.” Julita Malinowska Born in Otwock in 1979. Studied in the Art Department of the University of Maria Curie-Sklodowska in Lublin from 1999-2000, and then from 2000-2005 in the Painting Department of the Academy of Fine Arts in Cracow. Received a Sokrates/Erasmus scholarship in 2003 for Wolverhampton University in the UK. Graduated (MA degree) from the Painting Department in 2005 with distinction. From 2008 till 2011 was making Doctoral studies (PhD degree) at the Academy of Fine Arts in Cracow. In December 2012 defended PhD degree. In 2005 won Second Prize at The Samsung Art...

Traditional Oil Painting of the English Countryside with River Otters by Modern British Artist Art measures 30 x 20 inches Frame measures 36 x 26 inches James Wright...

Landscape this painting tells the relationship between man, nature and time, the landscape, the sign and the trace, through the stripping, reduction and subtraction of figurative ele...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with contrasting light, create a landscape in which, like a counterpoint, we come across a figure – sometimes one, perhaps two or more. The synthetic construction of form, clean contours, and strong divisions are elements which at first sight are the defining characteristics of the artist's style. It is impossible to pass one by and remain indifferent to the subdued harmony flooding these spaces which not totally defined. The drawings, however, are somewhat different. Although they contain the same motifs, at times even the same compositions – the value strategems employed by Julita create a sense of foreboding in a world already balancing on the edge. The painterly and graphic form constructed by the artist is itself thought- provoking . The heightened tones, the light which at times goes off the scale and the almost classic contours lead us to look at Malinowska's work through the prism of classicism and the great art theories of the 17th century. Such references are quite rare in the painting of today and beyond – in art. The search for a language allowing the artist to deal with universal issues and fundamental questions in order to understand the sense of not only art, but also life, has not been too popular a phenomenom in art over the last century. The artist has, however, for the last few years quite consciously defined the sphere of her search. It could first be seen in the diploma cycle of paintings, the summary of her years of study. “The role of the painting defined then and the concious selection of formal sources became the starting point for further artistic exploration, which I have been following carefully ever since.” Julita Malinowska Born in Otwock in 1979. Studied in the Art Department of the University of Maria Curie-Sklodowska in Lublin from 1999-2000, and then from 2000-2005 in the Painting Department of the Academy of Fine Arts in Cracow. Received a Sokrates/Erasmus scholarship in 2003 for Wolverhampton University in the UK. Graduated (MA degree) from the Painting Department in 2005 with distinction. From 2008 till 2011 was making Doctoral studies (PhD degree) at the Academy of Fine Arts in Cracow. In December 2012 defended PhD degree. In 2005 won Second Prize at The Samsung Art...

'Brume Sur La Seine (Mist On The Seine)' Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on Paper 12.6 x 9.5 (16 3/4 x 13 3/4 frame) inches Signed lower left Raymond Thib...

Fabrizio Boschi (Florence 1572-1642) Saint John the Baptist in the desert full-length Oil painting on canvas cm. 100 x 150, framed cm. 165 x 118 Expertise Prof. Emilio Negro (Bolog...

America Martin "Women in Gray Triptych" Acrylic on Linen (Gold Frame) 52" x 21.5" Each 52" x 64.5" Overall Exploring the identity of both her namesake and country, LA-based America...

An underwater photo of a naked young woman wrapped in air bubbles. The photograph depicts only her body, the face is not visible. A very bright eye...

French school of the eighteenth century Atelier of Jean-Marc Nattier (Paris 1685 - Paris 1776) Portrait of a gentleman in armor Louis XV period - early 18th century Oil painting on canvas, 81 x 65 cm., In frame 97 x 80 cm. The painting examined here, depicting a gentleman in a knight's armor, presumably a noble officer, can be dated to around the beginning of the 18th century and is evidently a work to be referred to the prolific and prestigious Parisian workshop of Jean-Marc Nattier (Paris 1685 - Paris 1776), one of the most significant portrait painters of his time and a great interpreter of the French school, one of the leading portrait painters of the reign of Louis XV. Thanks to his numerous pupils, he produced a large number of splendid portraits, such as the work we are offering you, which fully exhibits the formal and aesthetic elegance required by the master's atelier for the demanding aristocratic clientele. Note the meticulous rendering of the facial features and the sharpness of the contours highlighted by the light, both in the details of the face and in the reflections of the armor, rendered with great skill. Behind our portrayed, presumably to evoke his military exploits or to honor a recent victory, a glimpse of a battlefield is depicted, still in the midst of combat, with the fumes of the cannons that are dispersed in the sky, with the typical colors gray-blue used by Nattier in his works. The pose of our lord is royal, canonical to all officers of rank, following the favorite formula for the portraits of the members of the French aristocracy, presented in half-length to three-quarters and with a proud gaze towards the observer, as illuminated by the glow of his own prestige: in our case he wears the parade armor and is immortalized with the classic hairstyle surrounded by a bow on the back from which a long lock of hair starts. The work is presented in an excellent state of conservation, with a gilded wooden frame. For more information, please contact us. It is also possible to see the painting in our gallery in Riva del Garda...

Hunt Slonem "Rhapsody In Blue 2" Blue Bunnies Diamond Dust Bunnies light blue outline with blue diamond dust surface Unframed: 34 x 26 inches Framed: 4...

Hunt Slonem "Louis Resin" Multi Color Birds On Black Red, yellow, blue, and green birds on black background Unframed: 40 x 30 inches Hunt Slonem is a well-renowned American artist...

Hunt Slonem "Hope Diamond" Pink Heart Diamond Dust Pink outline bunny on pink diamond dust surface Unframed: 14 x 13.5 inches Framed: 20 x 19 inches *...

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Hunt Slonem "Untitled" Green Heart Diamond Dust White green outline bunny on green heart diamond dust background Unframed: 14 x 14 inches Frame...