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Temptation of Saint Anthony - Dutch school, 17th century

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The rest before the departure - Hendrik Verschuring (1627-1690)
Located in Gent, BE
Oil on canvas Labels on the back We'd like to thank dr. Fred Meijer for his advice. In Hendrik Verschuring's "The Rest before the Departure," we can see...
Category

17th Century Dutch School Paintings

Materials

Canvas, Oil

A palace court with nobility - Daniël De Blieck (Middelburg c. 1610 - 1673)
Located in Gent, BE
Oil on panel Signed and dated: "D. Blieck, f. 1661" Dimensions: 36 x 50 cm, 46 x 61 cm (framed) Daniël de Blieck was a Dutch Golden Age painter and architect, who specialized in ar...
Category

Mid-17th Century Old Masters Paintings

Materials

Oil, Panel

War ships of the coast by the circle of Pieter Brueghel II
Located in Gent, BE
Oil on panel The present work is based on studies and paintings of ships and marine landscapes by Pieter Brueghel the Elder, which he created during his time in Italy and later pub...
Category

Early 17th Century Old Masters Landscape Paintings

Materials

Oil, Panel

Animated landscape with a river - Carstiaen de Ceuninck (Kortrijk c. 1560 - 1633
Located in Gent, BE
Animated landscape with a river Oil on panel Signature central below Dimensions: 37 x 66 cm, 55 x 77 cm (framed) THE ARTWORK This painting by Kerstiaen de Keuninck presents an expansive imaginary landscape, filled with lush trees, rolling hills, and distant vistas bathed in a theatrical play of light. Dominated by a large central tree, the composition draws the viewer’s eye toward the glowing horizon, which adds depth and a sense of mystery to the scene. The landscape is populated with small figures and buildings, providing scale and inviting the viewer into the serene yet intricate world De Keuninck has created. De Keuninck’s landscapes are characterized by a dramatic use of light and shadow, lending a sense of atmosphere and grandeur to otherwise pastoral settings. His imaginary landscapes often embody a sense of fantasy and timelessness, and here, the softly illuminated foliage and shadowy recesses create a harmonious interplay of light, capturing the viewer's attention and enhancing the painting’s depth. THE ARTIST Kerstiaen de Keuninck was a Flemish Mannerist painter born around 1560 in Kortrijk and later active in Antwerp. He trained at the Antwerp Guild of Saint Luke, where he registered as a pupil in 1577 and became a master a few years later. Unlike many of his contemporaries, De Keuninck did not travel to Italy, a choice that allowed him to develop a unique style influenced heavily by Flemish landscape traditions rather than Italian influences. He drew significant inspiration from Roelant Savery, Joos de Momper...
Category

Early 17th Century Old Masters Landscape Paintings

Materials

Oil, Panel

The Temptation of Saint Anthony
Located in Gent, BE
Oil on panel We'd like to thank dr. Jan De Maere for his advice. In Cornelis Saftleven's arresting depiction of the temptation of Saint Anthony, the viewer is drawn into a surrea...
Category

17th Century Old Masters Paintings

Materials

Oil, Panel

Still life with playing cards, coral and shells - Carstian Luyckx (1623-1658)
Located in Gent, BE
Still life with playing cards, coral, shells, a jewelry box and a stone sculpture Oil on canvas We'd like to thank dr. Fred Meijer for his attribution. ...
Category

17th Century Old Masters Still-life Paintings

Materials

Oil

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Dutch School Fishermen Scenes Oil on Panel, Pair
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Category

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Portrait of a girl with a rose and a red coral necklace (c. 1631)
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David Finsonius (Veere 1597- Bergen op Zoom 1646/1648) Portrait of a girl with a rose and a red coral necklace With traces of the artist’s signature and annotated AETATIS S.V. 2 1⁄2 Ao 1631 Oil on panel, H. 104.5 x 79.5 cm Provenance: Purchased by Jonkheer Helenus Marius Speelman (1857-1909), Kasteel de Wittenburg; thence by descent The work shows a strong resemblance to a portrait by Finsonius in the North Brabant Museum. This signed and dated "Girl with Basket and Cherries" (Inv. 15529), was painted just a year later, in 1632. Not only are the paintings remarkably similar in overall size and format, in painting style, and in the positioning of the girls in full length in their white lace dresses. They are also connected by the iconographic scheme of the respective coral necklaces, each with a gold memorial medal hanging from it. Although they are of course individuals, the faces are very similar in their depictions of features such as eyes, nose, and lips. This points to the same technique applied by the same painter. Finally, the handwriting is almost the same on the works by Finsonius known so far. About the painter, David Finson named 'Finsonius' (related to the better-known Louis Finson...
Category

17th Century Dutch School Portrait Paintings

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