William Oxer F.R.S.A.

Amor Aeternus, Painting, Oil on Canvas

2022

'Silent Exultation' Oil on Canvas, 23x22â€

This is from a group of paintings of Couta Boats. This one was painted looking at them head on. :: Painting :: Pre-Raphaelite :: This piece comes with an official certificate of a...

The larger the island of knowledge, the longer the shoreline of wonder. The sea, the island, a woman waiting with a view of the open sea. Time goes by faster in watching the beauty ...

The sky and the water came out well. It's a version of 'after storm' A tonal painting. I like the seagull on the sand in the right. :: Painting :: Pre-Raphaelite :: This piece co...

This lovely British Edwardian portrait oil painting is by noted Liverpool artist Robert Edward Morrison. Born on the Isle of Man, Morrison moved to Liv...

This superb 1913 late Pre-Raphaelite spring landscape oil painting is by noted Birmingham artist Edward Steel Harper Junior. The title, Life Kindled from a Fiery Birth is from Swinbu...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

The Carpenters Workshop British School, late 19th century based on the Pre-Raphaelite painting by Millais oil on canvas, framed framed: 27.5 x 39 inches canvas: 24 x 36 inches proven...