1910s Art

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 20 x 30 Frame Size: 29 x 39 Medium: Oil Dated 1910 "In The Land Of The Spanish Oak" Spectacular larger scene by Julian...

Artwork on canvas board Gilded wood frame 47 x 37 x 3 cm

Original antique travel poster for the French State and Brighton Railway Paris St Lazare to London and the South Coast of England via Dieppe and Newhaven / Chemins de Fer de L'Etat et de Brighton Paris St Lazare a Londres et La Cote Sud d'Angleterre par Dieppe et Newhaven featuring a great design by Maurice Toussaint (1882-1974) depicting a marching band of the British Royal Guards...

Four Balinese, 1910 Signed and dated bottom left Pencil and ink on paper, 15.6 x 23 cm In ebonized frame with white mount. Literature: W.O.J. Nieuwenkamp, Zwerftochten op Bali, Amsterdam, 1910, p. 36 WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...

Weltevreden, Kebon Sirih, & Vlucht voor de bui (Fleeing the rain) Executed between February 20 and March 2, 1918 Double sided drawing in graphite pencil on paper Images: c. 33 x 5...

This sculpture was created by an unknown Baule artist from Ivory Coast. It depicts a man in a suit with a white hat. He stands with his hands in his pockets. 18 1/2" x 6 1/4" sculpture The Baule or Baoulé are an Akan people and one of the largest groups in Côte d'Ivoire. The Baoulé people are talented in African art. Their sculptures are renowned for their refinement, form diversity and the labor they represent. The sculptures do not only include face masks and human figurines...

Original antique political election propaganda poster issued by the Liberal Party - Keep the Wolf from the Workman's Door by Sticking to Free Trade - featuring an illustration of a p...

Lucky to Be Dead is a very beautiful ink, tempera and watercolor drawing by Gabriele Galantara (1910). The little artwork is on a yellowed cardboard, in good conditions. Gabriele ...

Stone statue in the temple at Madura, India, 1914 Signed with initials and dated, bottom left Pencil on paper, 25.4 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. ...

Peasant Woman with Geese is an original drawing in ink and watercolor on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This is an original drawi...

Woman's Figure is an original pencil and pastel drawing realized by D. Ginsbourg in 1916. Hand-signed by the artist on the lower right corner of the brown paper. Another pen and wa...

Giolitti is a Modern Artwork realized by Gabriele Galantara (Montelupone, 1865 - Rome, 1937) in 1905 ca. Original pen drawing on paper. Mint conditions. Giolitti is a very inte...

Pensatori is an original drawing in mixed media on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This is an original drawing representing two me...

MANUEL GARCÍA Y RODRÍGUEZ Spanish, 1863 - 1925 FLIRTING AT THE WELL signed and dated "Garcia y Rodriguez" 1913 (lower right) oil on wood panel 8-3/...

Stone statue in the temple at Madura, India, 1914 Signed with initials top right Pencil on paper, 21.2 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. Nieuwenkamp,B...

Huile sur toile par Alexandre Altmann. Avec cadre: 68x61 cm Alexandre Altmann, né à Kiev (Ukraine) en 1878 et mort en France en 1932, est un peintre russo-français de l'École de Paris, connu notamment pour son tableau L’inondation de Paris. Alexandre Altmann fait ses études aux Beaux-Arts d’Odessa1. Il quitte Odessa en 1905 pour Paris, où il trouve un atelier à la Ruche. Il fait alors la connaissance d'Emile Schuffenecker. En 1910, Altmann connaît une certaine notoriété à la suite de l’exposition de son tableau L’inondation de Paris. En 1912, la Galerie Devambez lui consacre une grande exposition. En 1920, il s'installe à Nemours. Il séjourne souvent à Saint-Jean-de-Luz, au Pays Basque, en compagnie de son ami le jeune artiste...

Very finely painted in muted pastel colors is an original oil on canvas board painting by the American artist, Norwood Hodge MacGilvery. Signed lower right. Titled verso along with ...

"Military" is a beautiful print in the lithograph technique, realized by Anselmo Bucci (1887-1955). Good conditions. Anselmo Bucci (1887-1955): Italian painter, engraver, and write...

Medium: Oil on Canvas Laid on Board Signature: Unsigned The Saturday Evening Post, November 16, 1912 cover Study (Thanksgiving Edition)

Back Cover is an original China ink and Watercolor artwork realized by Gabriele Galantara in 1913. In good conditions, there is some pencil notes on the back of the card. Gabriele ...

The Terra Nova In McMurdo Sound (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Antarctic Expedition South Pole ...

The Castle Berg (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Antarctic Expedition South Pole Herbert George Ponting (1870-1935), 1910-13 Victoria and Albert Museum, London Additional information : Paper Size 60 × 40" Archival Pigment Print Printed later NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12" inches 12 x 16" 20 x 16" 20 x 24" 20 x 30'' FRAMING AVAILABLE ON REQUEST Ice Boat...

Antar, artist: Georges Rochengrosse. Size: 26.26" x 34.25". Year: 1912. Archival linen backed in very good condition; ready to frame. This poster was printed by Maquet Gr. PARIS. Or...

Stunning signed landscape oil on canvas circa 1910 by sought after French post impressionist painter Victor Charreton. A wonderful and colourful depiction of a green church garden la...

"Military" is a beautiful print in the etching technique, realized by Anselmo Bucci (1887-1955). Image Dimensions: 15.5 x 23 cm The artwork represents a group of military planning ...

Idyllic early 20th century seascape of small boats on the shore by Melvena M. Wade, pioneer California watercolor artist (Canadian/America...

Oil on panel by Henri Duhem depicting a setting sun reflecting in a pond in a landscape. Signed lower right and dated 1912 verso. This painting is not currently framed but a suitable...

"Jokwe Maternity, Angola" is a wood sculpture from Africa created circa 1910. The figure kneels on the ground holding a baby in her arms. Her eyes are closed and she is wearing a com...

This is an original certificate of honorable discharge from the Saratoga New York Fire Department. It is signed by the Village President and dated 1911...

Edgar Evans (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Antarctic Expedition South Pole Herbert George Ponti...

The Terra Nova In McMurdo Sound (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Antarctic Expedition South Pole Herbert George Ponting (1870-1935), 1910-13 Victoria and Albert Museum, London Additional information : Paper Size 20×30" Archival Pigment Print Printed later Singed in Plate NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12" inches 12 x 16" 20 x 16" 20 x 24" FRAMING AVAILABLE ON REQUEST Ice Boat...

In parallel to his studies of architecture, Lebourg takes courses at the school of the Beaux-Arts of Rouen. After a stay of several years in Alger, where he taught drawing, he returned to France and exhibited in the salon from 1878 and then regularly until 1914. He participated in the Impressionists' exhibition in 1879 and became a member of the National Society of Fine Arts in 1894. He was promoted to Knight of the Legion of Honor in 1903 and then to the rank of Officer in 1924. Winter landscapes and waterfront sites had the preference of the artist, for whom values prevail over tones. Lebourg did not divide the tone but fragmented the key to make the color vibrate. In 1916 a major exhibition will be devoted to his work with more than 200 painted works exposed. Museums : Alger – Agen – Aix les Bains...

The Servant at the Window is an original woodcut print on ivory paper realized by Amadore Porcella. Signed on the plate, titled in Italian" La serva...

"Verona" is a beautiful print in the lithography technique, realized in 1917 by Anselmo Bucci (1887-1955). In very good conditions. The artwork represents a landscape of Verona in ...

"Military" 1917 is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 89/100 of prints on the lower left. On the lower left corner,...

Here for your consideration is an outstanding oil on canvas painting by Max Silbert. Signed lower right. Circa 1915. Recently professionally cleaned with no restorations. The fra...

The Terra Nova In McMurdo Sound (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Antarctic Expedition South Pole ...

The Castle Berg (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Antarctic Expedition South Pole Herbert George P...

Initialed lower left, 'J.P' for Julius Paulsen (Danish, 1860-1940) and painted circa 1910. A dramatic, early twentieth-century work by this notable Post-Impressionist painter and th...

Woman on a Patio Pastel on paper, c. 1915 Unsigned Provenance: Gift of the artist to his wife, Mary Hess Buehr By decent to the artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art Thomas French Fine Art Ronald C. Sloter, Columbus, Ohio Columbus College of Art and Design (de-accessed) Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibition at the North Franklin Street Gallery. One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy, AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Substantial and period portrait of a beautiful spaniel done in charcoal signed "Lee" on verso, c.1913-1917. Although this is by an unknown artist it is an excellent example of Philadelphia Sketch Club quality drawing. Displayed in a distressed black vintage wood frame with mat. Image, 11"H x 13"W; frame dimensions 17"H x 19"W x 1"D. Phildelphia, PA. Gallery and Frame Makers label on verso. Based on the address and history we know the drawing to be 1913-1917. Founded by Adolph and George Newman...

Captain Oates (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Antarctic Expedition South Pole Herbert George Ponting (1870-1935), 1910-13 Victoria and Albert Museum, London Additional information : Paper Size 30×40" Archival Pigment Print Printed later NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12" inches 12 x 16" 20 x 16" 20 x 24" FRAMING AVAILABLE ON REQUEST Ice Boat...

Edgar Evans (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Antarctic Expedition South Pole Herbert George Ponti...

Dr. Edward Adrian Wilson (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Anta...

The Terra Nova (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Antarctic Expedition South Pole Herbert George Po...

Dr. Edward Adrian Wilson (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Anta...

Captain Oates (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Antarctic Expedition South Pole Herbert George Ponting (1870-1935), 1910-13 Victoria and Albert Museum, London Additional information : Paper Size 30×40" Archival Pigment Print Printed later Singed in Plate NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12" inches 12 x 16" 20 x 16" 20 x 24" FRAMING AVAILABLE ON REQUEST Ice Boat...

Front Italien is a beautiful etching on paper, realized by Anselmo Bucci (1887-1955) in 1918. Good conditions. Sheet dimension: 27.5 x 35.5 From the collection: “Croquis du Front...

Figurative landscape of Wood Fairies kissing in a forest by Carl F. Ruhnau (German, c.1876-1940). Signed “C. Ruhnau” in the bottom right corner. Signed and ...

Edgar Evans (1910-13) (photo by Herbert Ponting) Scott’s Last Expedition, the ‘Terra Nova’ at the Icefoot Ross Island British Antarctic Expedition South Pole Herbert George Ponti...

Medium: Pencil and Oil on Board Signature: Signed Lower Right The Modern Priscilla Magazine Cover, June 1916.

Georges Antoine Rochegrosse (1859-1938) Studies of men, Pencil on paper 23 x 41.5 cm Signed lower right In good condition In a modern mount 41 x 52.5 cm Provenance: Estate of the...

This large 20th-century cachepot is a feast for the eyes and mind. It is decorated on the exterior with bursting flora and fauna in famille noire enamels: cherry trees wrap...

Artist: John Arthur Dees (English, 1876-1959) Title: "In Cambridgeshire" *Signed by Dees lower right Circa: 1915 Medium: Original Watercolor on paper Framing: Not framed, but beautifully matted with hand decorated French matting...

"Bouquet de fleurs dans un vase et jetee de roses dans un play de cuivre" by Desire Alfred Magne is an antique still life measuring 32x39 in. A thr...

Frank Usher De Voll American, 1873-1941 East River, New York Winter (From Brooklyn Bridge) Oil on canvas 32 by 36 in. w/frame 41 by 45 in. Signe...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

Original Oil on Canvas by Giovanni Giani, realized by the artist in 1911. Signed and date lower left "G. Giani 1911". Very good conditions.