1930s Art

This original travel poster from around 1930 by French artist Yann Le Dall invites viewers to discover the coastal beauty of Plestin-les-Grèves, Saint-Efflam, and Saint-Michel-en-Grè...

The Murder is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La F...

Rare Variations 86 decorative motifs in 20 boards By Benedictus Stencils by J.Saude, Paris Central Fine Arts Library 1930 1 volume in folio Stencils in very good condition 50 x 38 cm...

Watercolor drawing on paper realized by Mino Maccari in 1930s. Hand signed in the bottom center. Very good condition.

Serge Tchekhonine was a Russian artist who studied applied drawing, ceramics, and pottery in St. Petersburg. He settled in France in 1928, gaining attention for his finely crafted ce...

Nudeis a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Contes et Nouvelles” by La Fontaine (Gi...

Woodcut print realized by Paul Emile Colin in the 1930s. Edition of 6/50. Hand signed and numbered. Very good condition ecept for some minor foxing on edges.

Pencil and watercolor drawing realized by Karl Hanny (1879-1972) in 1935 ca. Not signed. Very good condition.

Etching and drypoint realized by Paul Emile Colin in 1930s. Edition of 3/50. Hand signed and numbered. Very good condition.

Daphne and Chloe is a beautiful black and white lithograph on paper by Pierre Bonnard in 1930s. Not signed, as issued.

Nude is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fontain...

The Lovers is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La F...

GOBILLARD Paule (1869 - 1946) Bunch of Flowers Oil on canvas signed low right Framed with gold leaves Dim canvas : 47 X 39 cm Dim frame : 67 X 59 cm GOBILLARD Paule (1869 - 1946) ...

Marc Chagall (1887-1958) Bible : Dance of Mary, sister of Moses, (Danse de Marie, sœur de Moïse), 1939 Original etching Printed signature in the plate On Montval vellum, 44 x 33.5 c...

Wild Turkey by Simone BOUTAREL (1892-1987) Bronze with a nuanced dark brown patina Signed on the base "S. Boutarel" Inscribed with the foundry mark "CFA Paris" (for "Comptoir França...

Oil on canvas mounted on cardboard, realized by Francesco Settimj in 1933. Hand signed and dated lower right. Good condition.

Les Amants is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La F...

Swimming under waterfalls is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short S...

Arrighini Nicola (Pietrasanta 1905-1977) a sculptor of Pietrasanta (Italy) in 1930 decided to create, in white Carrara marble on black marble basis, the Mask of Leopoldo Fregoli, o...

Step into the glamour of 1930s France with the enchanting poster created by René Ravo for the Loterie Nationale in 1935. Renowned for his captivating illustrations, Ravo brings to li...

Robert DESSALES-QUENTIN (Brantôme 1885 - 1958) Large view of Treignac - Corrèze Oil on wood H. 82.5 cm; L. 123 cm Signed lower right Provenance: Private collection, Périgueux Rober...

COSSON, Jean Louis Marcel (1878 – 1956) The Bunch and The Maid circa 1930 Oil on canvas signed up left Framed by GAULT (Paris) Dimensions canvas : 56 X 46 cm Dimensions frame : 74 X...

This striking 1937 original travel poster by Alexandre Gérald celebrates the golden age of aviation through the lens of cultural diversity and global exploration. Commissioned by Air...

A loving embrace  is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” ...

Pretty woman  is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by L...

AUGUSTE BOUVARD 1882-1956 Pseudo : Mard ALDINE View of Venice with characters Oil on canvas signed low right "Aldine" Framed by Gault (Paris Fbg St-Honoré) Dim canvas : 50 X 65 cm D...

Jacques Camus The Yellow Castle, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfo...

This original 1938 poster by Albert Solon captures a unique moment of international collaboration in the golden age of aviation. Created to promote the Air France–Ala Littoria route ...

The pirate in love is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories”...

The revelation is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi(Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by L...

Young woman seated with drapery by Pierre-Marie POISSON (1876-1953) Bronze sculpture with nuanced green patina signed on the base "P. Poisson" old cast France circa 1935-40 height 21,5 cm length 24,5 cm depth 11 cm Biography : Pierre-Marie Poisson (1876-1953) was a French sculptor and medalist. He studied sculpture at the Ecole des Beaux-Arts in Toulouse from 1893 to 1896, where he trained in plaster works. He completed this teaching in the Barrias studio in Paris. He began to exhibit his works in 1899 at the Society of French Artists and in 1907 obtained a medal of honor at the Salon as well as an allowance to reside at the villa Abd-el-Tif in Algiers where he designed and produced the decorations. He returned there regularly until 1914. After the Great War, Poisson collaborated with the Compagnie des Arts Français with Süe and Mare. In 1922 the city of Niort commissioned Poisson a war memorial located on the esplanade of the keep. Poisson created the monument to the dead in Le Havre in 1925, considered his masterpiece. He participated in various decorative works : lounge of the Paquebot...

Mily POSSOZ (1888-1967) A Sunny Day In the Garden , 1930 Original etching Handsigned in pencil by the artist Numbered / 60 copies Blind stamp of the editor Marcel Guiot (Paris) On v...

Figure of Man is a Colored lithograph realized by Jean Cocteau (1889 -1963) in 1930 ca.  French draftsman, poet, essayist, playwright, librettist, film director. Good conditions. ...

La Monaca is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fo...

The 1932 Soviet movie poster by Vladimir Stenberg is a striking and quintessential example of early 20th-century constructivist design, created to promote the film ТРИ (Three). This bold and dynamic poster reflects the innovative spirit of Soviet graphic design during the 1920s and 1930s, a period marked by groundbreaking artistic movements that combined art, propaganda, and technology. Vladimir Stenberg, along with his brother Georgii Stenberg, revolutionized poster art through their pioneering work in the Soviet avant-garde. The Stenberg brothers were celebrated for their ability to distill complex cinematic themes into powerful visual imagery. This 1932 poster...

The Little Puppy is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” b...

Sketch realized for the book "Les Enfants Terribles". Unsigned and undated. Matting included. Very good conditions. Ref. Jean Cocteau, Poesia Grafica - Disegni dal 1921 al 1957. 

Untitled is an original artwork realized by Eugène Corneau in the first years of the 1930s. Etching and drypoint on paper. Monogram of the artist on the lower left. Excellent conditi...

Le Corbusier (1887-1965) Man and Shadow, 1938 Original lithograph Signature printed in the plate Dated in the plate On light vellum 21 x 27 cm (c. 8 x 11 inch) Very good condition,...

Park is a modern artwork realized by Henri Hamm in 1937. Oil on wooden Panel. Good conditions.

Pheasant by François Pompon (1855-1933) Exceptional bronze with old gilded patina Cast by Valsuani Period cast France circa 1930 height 8,2 cm length 14,2 cm width 3,6 cm A similar model is represented in "Pompon, Catalog raisonné", Editions Gallimard, RMN, 1995, page 202, n°95B. Biography: François Pompon (1855-1933) is known for his animal sculptures whose innovative style is characterized by the simplification of shapes and polished surfaces. Pompon entered as an apprentice in the workshop of his father, Alban Pompon (1823-1907) who was a "compagnon du devoir" of the carpenter-cabinetmakers. Thanks to a scholarship obtained by the parish priest, he left in 1870 for Dijon where he became an apprentice stonemason with a marble worker. He attended evening classes at the School of Fine Arts in Dijon, first in architecture and engraving with Célestin Nanteuil, then in sculpture with François Dameron (1835-1900). After a short stint in the army in 1875, Pompon arrived in Paris where he became a marble worker in a funeral business near the Montparnasse cemetery. He attended evening classes at the Petite École, the future National School of Decorative Arts. His teachers were the sculptors Aimé Millet (1819-1891) and Pierre Louis Rouillard (1820-1881), also professor of anatomy, who showed him the menagerie of the Jardin des Plantes. In 1890, François Pompon entered the studio of Auguste Rodin (1840-1917), where he worked as a practitioner at the marble depot, rue de l'Université. He quickly gained the master's confidence since he ran the workshop in 1893. His role then was to pass on the accounts, pay for the marbles and supervise the work. It is in this same workshop that he met Ernest Nivet and Camille Claudel. He worked for a long time as a practitioner for other sculptors such as Jean Dampt...

1930s French Impressionist Barbizon School oil on panel view of a church in a bucolic landscape by Georges Guerin (1910-1984). The painting is signed bottom right and also signed top...

1930s French Impressionist Barbizon School oil on panel view of a French farm by Georges Guerin (1910-1984). The painting is signed bottom left and also signed top right to the back ...

Oil on paper by Edouard Goerg (1893-1969), France, 1937-1938. Two young Spanish girls. Measurements : with frame: 61.3x51.8 cm - 24.1x20.4 inches, view: 39x28.6 cm - 15.4x11.25 inche...

Pair of bookends with Elephants by Ary BITTER (1883-1973) A very fine pair of bronze sculptures with a nuanced green patina Signed " Ary Bitter Sclp " on an original plaque on one o...

The Portrait is an artwork realized by Francis Duchene in 1930. Watercolor and pencil on paper Hand-signed and dated, Paris. Good condition.

Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....

Mily POSSOZ Flowers MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 35 copies PAPER : Rives vellum SIZE : 20 x 15" INFORMATIONS : Bears the blind stamp of the editor "Marcel Guio...

The Treason is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La ...

The 1935 original poster by Roger Pérot for the XIIe Salon des Arts Ménagers showcases the quintessence of Art Deco style, embodying the elegance and modernity of the era. Created to...

The 1939 original poster by Paul Colin delivers a powerful message with its simple yet striking design. Bearing the inscription "Silence, l'ennemi guette vos confidences," which tran...

La Dame Ovale is an original modern rare book written by Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011) and illustrated by Max Ernst (1891 - 1976) in 1934. Original edition. Published by GLM, Paris. 535 numbered copies. Format: small 8°. Seven full page collages. Unnumbered pages. Good conditions. Max Ernst in 1934. Originally a Dada activist in Germany, Max Ernst (1891 - 1976) became one of the early adherents of the Surrealist circle. As a child living in a small community near Cologne, Ernst had considered his existence incredible and full of wonders. In autobiographical transcripts, written mostly in the third person, he said of his birth: “Max Ernst had his first contact with the world of sense on the 2nd April 1891 at 9:45 a.m., when he emerged from the egg which his mother had laid in an eagle’s nest and which the bird had incubated for seven years”. Ernst’s service in the German army during World War I swept away his early success as an Expressionist. In his own words: “Max Ernst died on 1st August 1914. He returned to life on 11th November 1918, a young man who wanted to become a magician and find the central myth of his age. From time to time he consulted the eagle which had guarded the egg of his prenatal existence. The bird’s advice can be detected in his work”. Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011). Carrington was a British-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City and was one of the last surviving participants in the Surrealist movement of the 1930s. Carrington was also a founding member of the women's liberation movement in Mexico during the 1970s. In 1936 Leonora saw the work of the German surrealist...

 The new engagement is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories...

The circa 1930 original poster by Jacques Majorelle, titled “Marrakech”, is a stunning representation of both the artist’s fascination with Morocco and his remarkable ability to blend vibrant color palettes with the rich, exotic imagery of North Africa. Majorelle, a French painter who settled in Morocco in 1917, is most renowned for his depictions of the country’s landscapes, people, and culture. This poster reflects his passion for Marrakech, the city where he lived and built his famous garden, the Jardin Majorelle, which would later become a world-renowned landmark. Majorelle's poster highlights the intersection of colonial-era exoticism and modernist artistic sensibilities. In this piece, he portrays an African woman sitting amidst lush tropical vegetation, emphasizing her cultural adornments and the natural surroundings. The use of bold colors and strong contrasts, especially with the deep greens and earthy browns of the foliage, are a hallmark of Majorelle’s style, which often borrowed from the Orientalist tradition but infused it with a modernist’s sense of abstraction and emotional intensity. The woman’s posture is relaxed yet commanding, as she seems deeply connected to the land and nature around her. Her intricate jewelry and adornments reflect the artist’s attention to the details of indigenous culture, which Majorelle deeply admired. His works are often celebrated for their respectful and evocative portrayals of local life, avoiding some of the more stereotypical and reductive images often seen in European depictions of North Africa during the colonial period. Majorelle’s connection to Marrakech and Morocco is well-documented. His time in the country deeply influenced his artistic direction, and he became one of the most important European artists to depict the Maghreb. His posters, paintings, and designs not only served to advertise Morocco as a destination during the colonial period but also immortalized the country's allure and its vibrant cultural heritage. Majorelle was known not only for his posters and paintings but also for his deep love for the culture of Morocco, which is evident in this work. His appreciation for the landscape and the people of Marrakech comes through clearly in this depiction, offering viewers a window into the artist’s own experience of the country. Today, Majorelle’s work is widely recognized as a vital contribution to the history of French art and the cultural history of Morocco. His posters, like “Marrakech”, serve as both artworks and historical documents, offering insight into how Morocco was viewed and represented in European art during the early 20th century. Furthermore, they continue to inspire admiration for their beauty, technical skill, and emotional depth. In summary, Jacques Majorelle’s “Marrakech” poster...

This circa 1930 Art Deco poster, designed by the renowned French graphic artist Jean Carlu, captures the modernist spirit and technical innovation of the Théâtre Pigalle. Located in ...

Le Rêve  is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fon...

The Courtship is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by L...

This elegant Art Deco travel poster by Swiss artist Vera Hirzel, dating from around 1935, invites viewers to explore the charm and heritage of Lausanne and...