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Style: Expressionist
Period: 1930s
Antique American Expressionist Mixed Media Painting of Ibiza Martin Baer 1935
By Martin Baer
Located in Portland, OR
Antique Expressionist Painting of Ibiza by the American Artist Martin Baer (1894-1961), 1935. Baer was born in Chicago and early in his career worked in Germany, North Africa, and Pa...
Category
Expressionist 1930s Art
Materials
Mixed Media
The Family, circa 1930's
By Bela Kadar
Located in London, GB
BELA KADAR 1877-1956
Budapest 1877-1956 (Hungarian)
Title: The Family, circa 1930's
Technique: Original Signed Tempera on paper
Image size: 90 x 71.5 cm / 35.4 x 28.2 in
Additional Information: The work is hand signed "Kadar Bela...
Category
Expressionist 1930s Art
Materials
Tempera
Max Eisler Eine Nachlese folio "Girlfriends II" collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #1, Die Freundinnen II; multi-color collotype after 1916/17 painting in oil on canvas which was destroyed by fire in May 1945 at Immendorf Castle Lower Austria.
Eisler’s choice to begin his 1931 portfolio of works by Klimt with Girlfriends II was both bold and prescient. Just 14 years later, the painting was tragically destroyed in a fire. With such a loss, this rare and exquisite image is all the more valuable by virtue of having been made in color. In works from his late period, Klimt continued his fascination with exploring female dynamics and their various forms of love. Girlfriends II is a fine example of how space, color and ornament play a noticeable role in the evolution of his symbolic language. Wide swaths of space in the background as well as the two female forms create the structure. Klimt’s strong brushstrokes show a painterly quality and a new move toward abstraction which feels very far away from his earlier work. Nor should Klimt’s economy of line be overlooked. His draughtsmanship is what infuses the female bodies with movement, emotion and a profundity of life. Both women confront the viewer’s gaze unselfconsciously, as if they are modern-day Viennese women stepping out of a Klimtesque ukiyo-e print. Characteristic of this late period, Klimt uses ornament...
Category
Vienna Secession 1930s Art
Materials
Paper
The Mill
Located in London, GB
'The Mill', oil on paper mounted on canvas, by Louis Latapie (circa 1930s). A colourful wintery scene, the bare trees are like wireless telephone poles along ...
Category
Expressionist 1930s Art
Materials
Canvas, Paper, Oil
Portrait of Friederike Maria Beer, Gustav Klimt An Aftermath collotype, 1931
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Portrait of Friederike Maria Beer, oil on canvas, 1916. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500.
In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings were painstakingly reproduced as collotypes on a handmade, deckled-edge cream wove paper. This world-class example of collotype captures the superb resolution and color-richness and ornamentation of the original 1916 oil painting.
"Friederike-Maria suggested that Klimt should paint her in a Viennese Workshop dress; she wore these exclusively. She was also very proud of a fur coat she owned, particularly during the hardship of the First World War, and Klimt decided that she should wear the coat too, but inside out, so that the decorative lining, also by the Viennese Workshop, was visible.
Klimt decided to make use of an imaginary oriental screen...
Category
Vienna Secession 1930s Art
Materials
Paper
Il Selvaggio no.3 - 1935 - Original Vintage Art Magazine
By Mino Maccari
Located in Roma, IT
Flipping through a few pages of colored"Il Selvaggio, no.3- 1935", "Annual supporter subscription - Una copia 40 Cent - Weekly Newspaper letters arts and sciences", we find, in the d...
Category
Expressionist 1930s Art
Materials
Woodcut
The Voice of the City and Other Stories - Illustrations by G. Grosz - 1935
By George Grosz
Located in Roma, IT
The Voice of the City and Other Stories is an original modern rare book illustrated by George Grosz (Berlin, 1893 – Berlin, 1959) and written by O. Henr...
Category
Expressionist 1930s Art
Materials
Paper, Lithograph, Offset
“A Balinese woman with offerings” (1936)
By Theo Meier
Located in Amsterdam, NL
Theo Meier (1908-1982)
“A Balinese woman with offerings”
Signed, dated '36 and annotated Mankok (the name of the sitter) lower left
Sanguine on paper, measures: 57 x 41.5 cm
In a handmade and hand painted frame with address: Max Kno¨ll, Herberggasse 4/1, Basel.
Provenance:
Private collection, Basel (acquired directly from the artist)
Private collection, London
Note:
Theo Meier was born in Basel, where he attended art school and became a successful portrait painter. However, after visiting an exhibition in Basel of Tahitian paintings by Paul Gaugin, he decided to follow in Gaugin’s footsteps and go to the South Pacific. To finance his voyage, he founded a club in which every member pledged a monthly sum in return of which they could choose one of Meier’s paintings upon his return.
In 1932, at the age of 24, he embarked on his voyage to the South Sea. In Tahiti, he certainly discovered the beauty of the colours of the tropical world but the simplicity of the inhabitants, he had seen in Gaugin’s paintings turned out to be more in the artist’s fantasy than in reality. He returned to Basel but in 1935 again was on his way to the South Sea. In 1936 he arrived in Bali, planning to stay there for two or three weeks, but thirty years later he was still there. In Bali “a delirium laid hold of me which even today has not subsided”, he was to write much later. The present drawing was made during his first “delirius” year in Bali. In Bali, he settled and found inspiration and friendship with other artists including Walter Spies...
Category
Expressionist 1930s Art
Materials
Paper, Crayon
Das Neue Gesicht der Herrschenden Klasse by George Grosz - 1930
By George Grosz
Located in Roma, IT
Das Neue Gesicht der Herrschenden Klasse is an original modern rare book illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1930.
Original First Edition.
Published by Malik, Berlin.
Format: in 4°.
The book includes 126 pages with 60 full page reproductions of drawings.
Mint conditions.
George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...
Category
Expressionist 1930s Art
Materials
Paper
Portrait of a Geisha
By Roland Strasser
Located in Amsterdam, NL
Roland Strasser (1895-1974)
"Japanese Geisha"
Signed lower right
Oil and gold leaf on canvas, measures: 76 x 46 cm
In fine white-wash wood frame.
...
Category
Expressionist 1930s Art
Materials
Gold Leaf
Piazza di Spagna Roma
By Yves Brayer
Located in London, GB
'Piazza di Spagna, Roma' oil on canvas, by Yves Brayer (1933). At the bottom of the Spanish Steps, is one of the most famous squares in Rome. It owes ...
Category
Expressionist 1930s Art
Materials
Canvas, Oil
Gesänge Gegen Bar - Rare Book illustrated by George Grosz - 1931
By George Grosz
Located in Roma, IT
Gesänge Gegen Bar is an original modern rare book written by Günther Schwenn (Berlin, 1903 - Geneva, 1991) and engraved by George Grosz (Berlin, 1823 - 1959, Berlin) in 1931.
Publis...
Category
Expressionist 1930s Art
Materials
Photogravure, Paper
George Grosz NYC City Scene Modernism Watercolor German Expressionism Weimar
By George Grosz
Located in New York, NY
George Grosz NYC City Scene Modernism Watercolor German Expressionism Weimar
George Grosz (Germany, 1893-1959) "City Scene," 17 x 12 inches, signed and dated “33” lower left, watercolor on paper. This drawing, created while Grosz was living in NYC. Period frame, It has been authenticated by Ralph Jentsch, the globally recognized Grosz expert.
Provenance: Hirschl & Adler and 511 Gallery...
Category
Expressionist 1930s Art
Materials
Paper, Watercolor
News Vendor, New York - China Ink Drawing on Paper by G. Grosz - 1932
By George Grosz
Located in Roma, IT
News Vendor, New York is an original drawing, ink on paper, realized by George Grosz in 1932, signature stamp and Grosz Estate stamp on the reverse n°4-56-7.
Certificate by Ralph Jentsch.
Provenance George Grosz Estate.
In very good conditions.
Here representing a man selling news angrily and a man with paper in his hand with indifference and calm look with a time devilish smile. critically demonstrated an allegorical and deeply pessimistic kind representation of Grosz's moral perspective regarding war.
George Grosz (1893 -1959) was a German artist known especially for his caricatural drawings and paintings of Berlin...
Category
Expressionist 1930s Art
Materials
Ink
Harlem Beauty (Negress, Negro Girl, Black Girl)
Located in Myrtle Beach, SC
'Harlem Beauty' ('Negress', 'Negro Girl', 'Black Girl'), woodcut, 1930, edition 30, Rose lll.42. Signed, dated, numbered '1 - XXX', and titled 'Negress' in ...
Category
Expressionist 1930s Art
Materials
Woodcut
La Baie de Trépassés
Located in New York, NY
An excellent impression of this large color aquatint. Numbered in pencil 99/175. Printed by Lacourière, Paris. Published by Vollard, Paris.
Catalogue reference: Chapon/Rouault 141; ...
Category
Expressionist 1930s Art
Materials
Color, Aquatint
Il Selvaggio no.2 - 1935 - Original Vintage Art Magazine
By Mino Maccari
Located in Roma, IT
Flipping through a few pages of colored"Il Selvaggio, no.2- 1935", "Annual supporter subscription - Una copia 40 Cent - Weekly Newspaper letters arts and sciences", we find, in the d...
Category
Expressionist 1930s Art
Materials
Woodcut
Linoleum - Rare Illustrated Book by Mino Maccari - 1931
By Mino Maccari
Located in Roma, IT
Edition of 30 copies including one coloured linocuts and 29 b/n linocuts realized by Mino Maccari from 1924 to 1931. Double sheets Japanese style.
Probably the only copy with each s...
Category
Expressionist 1930s Art
Materials
Paper, Linocut
Unknown
By Lucie Decsényi
Located in Paris, FR
Beautiful portrait of the 30s expressionist style realized on canvas by the Hungarian artist of the Parisian school Lucie Decsényi born in Budapest and mainly active in France.
the p...
Category
Expressionist 1930s Art
Materials
Canvas, Oil
Early 20thC Modernist/Expressionist Large oil Landscape c1930's
Located in Frome, Somerset
A good large post impressionist/expressionist Landscape oil circa 1938
oil on canvas 75cmx90cm
Gallery frame 87cmx102cm
Fields with a small dwelling painted in expressive impastoed b...
Category
Expressionist 1930s Art
Materials
Oil
The Fifth Wheel - 1934 - China Ink Drawing on Paper by G. Grosz - 1934
By George Grosz
Located in Roma, IT
The Fifth Wheel is an original drawing, pencil on paper, realized by George Grosz in 1934, signature stamp and Grosz Estate stamp on the reverse n°6-75-4...
Category
Expressionist 1930s Art
Materials
Ink
Railroad Men's Wives
Located in Miami, FL
Depression era account of working men and women.
Philip Howard Francis Dixon Evergood (born Howard Blashki; 1901–1973) was a Jewish American painter, etcher, lithographer, sculptor...
Category
Expressionist 1930s Art
Materials
Oil
Woman Holding an Orange
Located in London, GB
JACQUES CHAPIRO 1887-1972
Dvinsk, Belarus 1887-1972 Paris (Russian / French)
Title: Woman Holding an Orange, 1937
Technique: Original Signed and Dated Oil Painting on canvas
size...
Category
Expressionist 1930s Art
Materials
Oil
Le Vin Nouveau
Located in West Hollywood, CA
Presenting the ultimate wine painting! This is a monumental oil painting by French artist Maurice Georges Poncelet.
"Le Vin Nouveau", (The New WIne), is an original oil on canvas, s...
Category
Expressionist 1930s Art
Materials
Oil
Vase of Flowers / Woman by the Mirror
Located in London, GB
JACQUES CHAPIRO 1887-1972
Dvinsk, Belarus 1887-1972 Paris (Russian / French)
Title: Vase of Flowers / Woman by the Mirror, circa 1930's
Technique: Original Signed Double Sided Oil Painting on...
Category
Expressionist 1930s Art
Materials
Oil
"Bouquet of flowers with mimosas", 20th Century Oil on Canvas by Moïse Kisling
Located in Madrid, ES
MOÏSE KISLING
French-Polish, 1891 - 1953
BOUQUET OF FLOWERS WITH MIMOSA
signed & dedicated "à Edith Mara", Kisling (lower left)
oil on canvas
13 X 88-1/2 inches (33 X 22.5 cm.)
frame...
Category
Expressionist 1930s Art
Materials
Oil, Canvas
Max Eisler Eine Nachlese folio “The Embrace (Fulfillment)” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #17, Aus dem Stoclet-Fries: Die Umarmung; multi-color collotype after the cartoon for the 1910-1911 mosaic frieze on the east wall of the dining hall o...
Category
Vienna Secession 1930s Art
Materials
Paper
Four End Girls
By Adolf Dehn
Located in Fairlawn, OH
Lithograph, 1930
Edition: 20; this print numbered 9/20
Printed by Meister Schulz, Berlin
Excellent condition
Signed, numbered and titled in pencil
Provenance: Estate of the Artist
Created while Dehn was in Europe working for The Dial Magazine for Scofield Thayer. Scofield Thayer (12 December 1889 in Worcester, Massachusetts – 9 July 1982 in Edgartown) was a wealthy American poet and publisher, best known for his art collection, now at the Metropolitan Museum of Art, and as a publisher and editor of the literary magazine The Dial during the 1920s. He published many emerging American and European writers. Scofield studied with T S Elliot...
Category
Expressionist 1930s Art
Materials
Lithograph
Eleanor, Watercolor on Archival Paper by Emmet Edwards
Located in Long Island City, NY
Artist: Emmet Edwards
Title: Eleanor
Medium: Watercolor on paper, signed, dated, and titled in pencil
Image Size: 21 x 14 inches
Frame Size: 28.5 x 21.5 inches
Category
Expressionist 1930s Art
Materials
Archival Paper, Watercolor
UNTITLED - SEATED WOMAN WITH TOGA
Located in Santa Monica, CA
GERHARD MARCKS (1889 1981)
(SEATED WOMAN WITH TOGA) 1933. Graphite on wove paper, signed,
dated, 14 ¼” x 7”. Sheet 15” x 10”. S...
Category
Expressionist 1930s Art
Materials
Graphite
Max Eisler Eine Nachlese folio "Litzlberg on Lake Attersee" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #8, Litzlberg on Lake Attersee; blue monochrome collotype after the 1915 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN ...
Category
Vienna Secession 1930s Art
Materials
Paper
Judaica Jewish Shtetl Etching Hasidic Youth at Study Vintage Chassidic Art Print
By Paul Jeffay
Located in Surfside, FL
"Tristesse." (a state of melancholy sadness. "lamenting a lost love, he leaves us poised at the lip of a chasm of tristesse")
Chassidic boy, Yeshiva student with open book. Judaica, Jewish scenes from a ghetto.
Saul Yaffie, a.k.a. Paul Jeffay, (1898–1957) was a Scottish Jewish artist. Known for his charming French street scenes as well as his judaica work. This is signed in the plate and dated 1931 in the print. This is done in a style similar to the works of the early Bezalel School artists Hermann Struck and Jakob Steinhardt.
This lithograph, by artist Paul Jeffay depicts a Judaic Shtetl interior scene with great charm and sensitivity.
Saul Yaffie was born in Blythswood, Glasgow on 29 April 1898. His mother was Kate Yaffie (née Karkonoski), and his father, Bernard Yaffie, was a master tailor. Like many Russian Jews, Kate and Bernard Yaffie fled persecution in Russia during a wave of anti-Jewish pogroms triggered by the assassination of Tsar Alexander II in 1881. Saul's father was naturalised as a British citizen by the time that Saul himself was three; a Bernard Yaffie is recorded as living at Abbotsford Place in the old Gorbals, where the young Saul spent the early years of his childhood. The Yaffies were not unique in their situation: the Gorbals was the centre of Scotland's Jewish community and home to a large proportion of Glasgow's immigrants throughout the early 20th century. Over time, there was a movement to some of the more affluent communities in Glasgow, such as Pollokshields and Garnethill, as many Jewish families gradually improved their social and economic situation. Like these, the Yaffies also experienced a time of good fortune, moving to a more agreeable address on Sinclair Drive, Cathcart as Bernard's tailoring business prospered.
Saul attended day classes in drawing and painting, modelling, and life drawing at The Glasgow School of Art from 1912 to 1919. During the First World War, he was required to interrupt his studies to serve in the King's Own Scottish Borderers in 1916/17. Although subject to military conscription, Yaffie reached the rank of corporal during his service. Prior to his conscription Yaffie engaged in munitions work, something that was recorded in the GSA's student registers.
The post-war economic depression that affected the country during the 1920s, also affected the Yaffie family directly: Bernard Yaffie's business suffered greatly, and the family eventually emigrated to Canada. Saul did not emigrate with his family, choosing instead to stay in Europe, and relocate to jazz age Paris where he continued his artistic practice. Now married, Saul sought to escape persecution in Europe by returning to the UK before the Second World War with his wife, Estusia. The two settled in Manchester, but returned to France after the war. In his memoires ‘Bronze in My Blood’, German-born sculptor Benno Schotz...
Category
Expressionist 1930s Art
Materials
Etching
Max Eisler Eine Nachlese folio "Lady in a Feathered Hat" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #2, Dame mit Blumenhut (aka The Violet Hat); sepia monochrome collotype after the 1909 painting in oil on canvas.
...
Category
Vienna Secession 1930s Art
Materials
Paper
Max Eisler Eine Nachlese folio “Allegory of Life and Death” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #18, Der Tod und das Leben; multi-color collotype after original painting (1910-1916) in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AF...
Category
Vienna Secession 1930s Art
Materials
Paper
Max Eisler Eine Nachlese folio “Malcesine on Lake Garda" collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #7, Malcesine am Gardasee; multi-color collotype after 1913 painting in oil on canvas. The original was destroyed by fire ...
Category
Vienna Secession 1930s Art
Materials
Paper
Max Eisler Eine Nachlese folio "Portrait of Friederike Marie Beer" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #24, Bildnis Friederike Maria Beer; multi-color collotype after the 1916 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN ...
Category
Vienna Secession 1930s Art
Materials
Paper
DELMOTTE Marcel. Seated nude. Washed ink drawing.
Located in Paris, FR
Seated nude.
Washed ink and pencil. Signed and dated 1931.
Category
Expressionist 1930s Art
Materials
Ink, Mixed Media
Max Eisler Eine Nachlese folio "Baby" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #25, Baby; black & white collotype after the 1917 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT ...
Category
Vienna Secession 1930s Art
Materials
Paper
Max Eisler Eine Nachlese folio “House in a Garden” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #9, Haus Im Garten; aka Forester’s House in Weissenbach II; multi-color collotype after 1914 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GU...
Category
Vienna Secession 1930s Art
Materials
Paper
Max Eisler Eine Nachlese folio “The Bride” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #30, Brautzug; multi-color collotype after unfinished 1917/18 painting in oil on canvas.
Painted in the last months of Klimt’s life, The Bride was one...
Category
Vienna Secession 1930s Art
Materials
Paper
Max Eisler Eine Nachlese folio “Adam & Eve” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #20, Adam und Eva; multi-color collotype after unfinished 1917/18 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a...
Category
Vienna Secession 1930s Art
Materials
Paper
Max Eisler Eine Nachlese folio "Wally" (Girl in Profile) collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #27, Madchen im Profile; grey-toned monochrome collotype after the 1916 painting in oil on canvas. Original destroyed by fire May 1945.
GUSTAV K...
Category
Vienna Secession 1930s Art
Materials
Paper
Max Eisler Eine Nachlese folio "Portrait of Serena Lederer" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #6, Bildnis Frau Serena Lederer; grey monochrome collotype after the 1905 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN...
Category
Vienna Secession 1930s Art
Materials
Paper
Max Eisler Eine Nachlese folio “Expectation” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #12, Aus dem Stoclet-Fries: Erwartung; multi-color collotype after the cartoon for the 1910-1911 mosaic frieze on the west wa...
Category
Vienna Secession 1930s Art
Materials
Paper
Max Eisler Eine Nachlese folio “Garden Path with Chickens” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #26, Bauerngarten mit Hühnern; multi-color collotype after 1916 painting in oil on canvas. The original was destroyed by fire in May 1945 at Immendorf Castle, Lower Austria.
Landscapes, for Klimt, are vehicles to convey universal themes such as procreation and the mysteries of life. Using a highly personal language of symbols, Klimt creates a voluptuous scene of fertility, fecundity and domesticity. Klimt uses a similarly lustrous palette of pearly iridescence for the path as he had for many of his female nudes. This feminine quality is intensified by the tunnel-effect produced by the walls of colorful floral blooms whose leafy stalks are redolent with wild abundance at the height of summer.The passage leads to a green covered arbor, womb-like, which contains a simple wooden table and a bench. Human presence is unmistakeable.The two chickens shown in the path provide the link to engage with this scene cerebrally and emotionally. Protective and maternal, the mother hens do somewhat bar one’s path, but by no means in a menacing way. The experiential aspect of walking forward and ignoring those chickens, certain that they will dodge out of the way, heightens the rational with the intuitive senses creating the illusion and feeling that the flanking floral walls are parting to provide clear passage to within. Seen in this context, the age old conundrum to divine what came first, the chicken or the egg, begs the question of the greatest mystery of all. One’s relationship to procreation itself, Klimt shows us, is interwoven all around us. Far from banal, this universal quality of the natural world is fraught with thrilling wonder.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
Vienna Secession 1930s Art
Materials
Paper
"Fish" Watercolor cm. 18 x 14 1937
Located in Torino, IT
Fish,red,yellow,sea, animals
Italian 1937
Giulio DA MILANO (Nizza, 1895 - Torino, 1990)
Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums:
Turin, Modern Art Gallery...
Category
Expressionist 1930s Art
Materials
Watercolor
Boats in the Harbour - Seaside Maritime
By Mane Katz
Located in London, GB
MANE KATZ [Katz Emmanuel] 1894-1962
Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli)
Title: Boats in the Harbour, circa 1938
Technique: Original...
Category
Expressionist 1930s Art
Materials
Gouache
'Still Life of Flowers', San Francisco Bay Area Modernist, NY MoMA, LACMA, AIC
By Tom Lewis
Located in Santa Cruz, CA
Signed lower right, 'Tom E. Lewis' (American, 1909-1979) and created circa 1935. Accompanied by old backing with label.
A period Modernist still-life of flowers informally arranged...
Category
Expressionist 1930s Art
Materials
Paper, Monoprint
Max Eisler Eine Nachlese folio "Studies for the Frieze at Palais" 4 collotypes
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plates #13-16, black & white collotypes after the 1911 cartoon originally in crayon, graphite pencil, gouache and metal powders.
#13 Der Lebensbaum (Anfang), aka The Tree of Life (Beginning)
#14 Der Lebensbaum (Fortsetzung), aka Tree of Life (Continuation)
#15 Der Lebensbaum (Fortsetzung), aka Tree of Life (Continuation)
#16 Der Lebensbaum und das Mittelfeld, aka Tree of Life (The Center)
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
Vienna Secession 1930s Art
Materials
Archival Paper
Dreamy landscape with nymph - Expressionist Oil, Nude by Giorgios Gounaropoulos
Located in Marlow, Buckinghamshire
A wonderful expressionist oil on original canvas circa 1930 by Greek artist Giorgios Gounaropoulos. The piece depicts a nude woman beside trunk of a cut tree in a sparse landscape. T...
Category
Expressionist 1930s Art
Materials
Oil, Canvas
Portrait of a Young Girl
By Béla Czóbel
Located in Chicago, IL
A wonderful example of Czobel’s most expressive drawing.
Signed, lower right
Category
Expressionist 1930s Art
Materials
Chalk, Paper
The Wash Kitchen
By Lea Grundig-Langer
Located in New York, NY
Lea Grundig-Langer (1906-1977), The Wash Kitchen, 1934, drypoint, signed and dated in pencil lower right, titled lower center (Waschk, cycle name (Fra...
Category
Expressionist 1930s Art
Materials
Drypoint
The Storm
Located in West Hollywood, CA
We are proud to present a just arrived series of original pen and ink and ink wash drawings by Austrian/American artist Gustav Rehberger. These works were acquired directly from the ...
Category
Expressionist 1930s Art
Materials
Ink