1990s Art

The Bull's skull is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of only 25 copies. Good...

Compelling figurative abstract of the silhouette of a figure in white, in a minimalist monochromatic background by Jean Wallin (American). Signed “Wallin” in bottom right corner. Pre...

White Trash Beautiful I (29 Palms, CA) - 1999 78x76cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Invento...

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Cartagena de India is a very beautiful offset realized by Michele Cascarano in 1992. The print is in very good conditionson a yellowed cardboard. Hand-signed by the artist on the l...

Maplewood Township Homestead, Winter, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barns and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery, in Big Sky, MT; Anne Reed Gallery in Sun Valley, ID; The International Photography Hall of Fame, in Oklahoma, City; the Bivins Gallery at Duke University, NC; the University of Minnesota – Morris; the New York Mills Regional Cultural Center, MN; The Virginia Foundation for Architecture, Richmond, and the Addison-Ripley Gallery in DC. Mr. MacKenzie attended the University of Pennsylvania, and received a Bachelor of Arts degree, with a dual major in Architecture and Photography from Bennington College, Vermont, with advanced study in photography at the Corcoran College of Art + Design as well as the Maine and Santa Fe Photo Workshops. MacKenzie received a $ 10,000 Grant from the Graham Foundation for Advanced Studies in the Fine Arts in support of his “TOBACCO” Project, which was exhibited at the National Headquarters of the American Institute of Architects in 2003. He has also been awarded Artist Fellowship Grants from the DC Commission on the Arts, the National Endowment for the Arts, and, in 1995, MacKenzie was named the Candace DeVries Olesen Alumni Fellow at Bennington, and delivered an illustrated all-college lecture entitled: "Art and Commerce: Balancing Two Worlds.” In 2010, he was awarded a one-month artist residency at the Vermont Studio Center. Mr MacKenzie has taught one-week workshops and assorted master classes at The International Center of Photography in New York, The Palm Beach Photo...

White Trash Beautiful I (29 Palms, CA), 1999 38x36cm, Edition of 30. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #794. Not mount...

Paper Size: 40.25 x 29 inches ( 102.235 x 73.66 cm ) Image Size: 26.5 x 22 inches ( 67.31 x 55.88 cm ) Framed: No Condition: A: Mint Additional Details: First edition screenpri...

Chromolithographs from “Birds of Pennsylvania. With Special Reference to the Food-Habits, based on over Four Thousand Stomach Examinations”. By B.H. Warren, M.D., Ornithologist, Penn...

Paper Size: 23.5 x 17.75 inches ( 59.69 x 45.085 cm ) Image Size: 19 x 14.75 inches ( 48.26 x 37.465 cm ) Framed: No Condition: A: Mint Additional Details: La Grande Tete de Ka...

Willow Tree Plate is an original decorative limited edition porcelain plate realized in the 1990s. This beautiful and very rare plate was produced for Hous...

Three Friends is an original Contemporary artwork realized in the 1990s by the italian artist Leo Guida (1992 - 2017). Original Embossing and Screen Print. Inscripted, Titled and H...

Paper Size: 13 x 10.5 inches ( 33.02 x 26.67 cm ) Image Size: 13 x 10.5 inches ( 33.02 x 26.67 cm ) Framed: No Condition: A: Mint Additional Details: MIRO. Jacques Dupin. Miró ...

Merchant is an original drawing in mixed media, ink and watercolor realized by Sergio Barletta in 1995. Hand-signed, titled, and dated on the lower right. In good conditions except...

Chromolithographs from “Birds of Pennsylvania. With Special Reference to the Food-Habits, based on over Four Thousand Stomach Examinations”. By B.H. Warren, M.D., Ornithologist, Penn...

Le goût du Bonheur - 16.5.64 IV is a colored lithograph printed in 1998 from an original artwork realized by Pablo Picasso in 1964. The original artwork of 1964 was part of the port...

Chromolithographs from “Birds of Pennsylvania. With Special Reference to the Food-Habits, based on over Four Thousand Stomach Examinations”. By B.H. Warren, M.D., Ornithologist, Penn...

Artist: David Preston Title: Something American Medium: Woodcut, signed, numbered, dated, and titled in pencil Image Size: 40 x 30 inches Paper Size: 47 x 32 in. (119.38 x 81.28 cm)

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure

Paper Size: 20 x 16 inches ( 50.8 x 40.64 cm ) Image Size: 14.75 x 12 inches ( 37.465 x 30.48 cm ) Framed: No Condition: A: Mint Additional Details: Museum Reproduction Edition...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

ALEX KATZ (1927-Present) This Alex Katz 'Ursula' is a 1994 soft pencil drawing on vellum paper. This original piece is signed 'Alex Katz', previously acquired from Marlborough Galle...

Nude is an original drawing artwork in mixed media, ink and watercolor, realized by Sergio Barletta in 1994. Hand-signed on the lower right. Titled on the lower center, dated on the...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Le goût du Bonheur - 8.10.64 II is a black and white lithograph printed in 1998 from an original artwork realized by Pablo Picasso in 1964. The original ar...

Horse in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

"Homage to Vincent Van Gogh" by Lawrence Weiner, Unsigned Offset Lithograph printed in 1990 from an edition size of 1000. The overall size of the Offset Lithograph is 33 x 23.5 inch...

JAMES ROSENQUIST (B. 1933) "Woman in the Sun" 15 color lithograph from aluminum plate on mould-made paper, white Rives BFK, 1991 Catalog #225 She...

Basket, Wounaan Tribe Panama Darien Rainforest, gold, black, red, white

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure

Paper Size: 22 x 14 inches ( 55.88 x 35.56 cm ) Image Size: 22 x 14 inches ( 55.88 x 35.56 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Addi...

Publisher GKM. Unframed. Edition of 60 ex. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passed away. He died in Pari...

Contemporary abstract miniature paper collage by Bay Area artist Michael Pauker (American, b. 1957). Titled, signed, and dated on verso of piece. Titled and dated on verso of mountin...

Kiki Smith 'Untitled,' 1995 Woodcut with color additions by hand 31 x 21 inches Edition 43 of 47 Signed In 1995 five well-known American artists - Donald Baechler, Julian Lethbridge...

Paper Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Image Size: 9.25 x 9.5 inches ( 23.495 x 24.13 cm ) Framed: No Condition: A: Mint Additional Details: 1997 Hudson Hills Pre...

Acrylic/neon/objects on iron. Signed by the artist in the lower right. Free shipment worldwide. Acquired directly from the artist. Artist Peter Klasen is a master of contrasts. Of...

Lawrence Weiner (b. 1942) is one of the most-distinctive American conceptual artists. His philosophy and aesthetic developed concurrently to Sol LeWitt yet Weiner has focused far more on (text-based) installation - typically in public spaces. Exhibited at Leo Castelli during the 1970's, Weiner has been an institutional darling with major exhibitions at most of the world's top museums. As a significant portion of his output is temporary installation, his multiples (which are few and far between) are sought-after and cherished by collectors. This rare silkscreen was published in conjunction with Weiner's solo exhibition "SPHERES OF INFLUENCE...

Henri Michaux - Original Lithograph 1952 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued

Somewhere in Australia, 1995 - 46x20cm, Edition of 10, digital C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Robert Indiana screen print with letterpress and embossing, pencil signed and numbered by the artist. In 1996 when Robert Indiana created The Book of Love Portfolio, he chose to inse...

Hand signed, dated, titled and numbered serigraph in colors on paper. AP edition. Sheet size 9.25 x 11.25 inches. Image size approx 5.75 x 8.75 inches. Artwork is in excellent co...

Wounaan Tribe Panama Rainforest Basket black, white geometric rectangle hand woven, palm fibers natural dye Tribal artwork The baskets are made by ...

Le goût du Bonheur - 18.10.64 XIII is a black and white lithograph printed in 1998 from an original artwork realized by Pablo Picasso in 1964. The original artwork of 1964 was part of the portfolio "Le Goût du Bonheur (The Taste of Happiness): A Suite of Happy, Playful, and Erotic Drawings." published in 1970 by Harry N. Abrams, Inc., New York. The portfolio consists of 71 lithographs based on original drawings by Picasso...

Titled: Side by side Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower center. Sheet measures 18-in. x 24-in. Image is smaller. please see photos. Ann Chernow, née Levy, born 1936 in New York City, is known for her portrait-style illustrations that evoke the images of female cinematic figures of the 1930s and 1940s. Born and raised in New York City, Chernow studied music and art from a young age and acquired an affinity for the arts. Chernow was exposed to several movies that left a lasting impression and prompted her to make the likenesses of leading ladies. Bette Davis, Joan Crawford, Norma Shearer and Katharine Hepburn were the subjects of some of her works in the late 1990s. Chernow has worked extensively in the mediums of lithograph, silkscreen, etching, and colored pencil. Her first formal art education was at the Memorial Art Gallery in Rochester in the early 1940s, where she attended art classes in the museum galleries. After her family moved to Flushing in 1946, she studied under a local Italian painter, Giuseppe Trotta. Years after taking lessons with Trotta, Chernow eventually entered the School of Fine Arts at Syracuse University in 1953, but transferred soon after to New York University, where she earned her Master of Arts degree in 1969. As an undergraduate and graduate at NYU (1955–69), Chernow studied under the direction of several artists. Her instructors and mentors included Howard Conant, Jules Olitski, Irving Sandler, Lawrence Alloway and Hale Woodruff, all of whom influenced her through their teachings and artistic viewpoints. Toward the end of her academic education and for a few years afterwards, she worked for the art educator Victor D’Amico, and taught at the studio school of the Museum of Modern Art (1966–71). In the 1950s, Chernow’s style was centered on colorful abstractions, which were influenced by Jean Dubuffet, who was famous during that period. She subsequently dabbled in a variety of styles in the 1970s, including pop art, huge billboard paintings, sepia drawings of individual women and colored pencil drawings. Feminist art. Already in 1968, she had begun to explore lithography, although she only began to work seriously in printmaking (both lithography and etching) in 1978. She reached the height of her career with a number of evocative paintings in the late 1980s and early 1990s, which depicted starlets of the 1930s and 1940s, as in Artist and Models (1998). In these later works, Chernow used close-ups of women who were quickly passed by the camera, as opposed to celebrated vintage Hollywood film...

Le goût du Bonheur - 8.10.64 I is a black and white lithograph printed in 1998 from an original artwork realized by Pablo Picasso in 1964. The orig...

11 x 14" vintage silver gelatin photograph of Paul Taylor Dance Company in performance, 1992. Comes directly from the Jack Mitchell Archives with a c...

Hand signed, dated, titled and numbered serigraph in colors on paper. AP edition. Sheet size 9.25 x 11.25 inches. Image size approx 5.75 x 8.75 inches. Artwork is in excellent co...

1991 Lithograph in colors, on white TGL handmade paper Sheet: 32 2/5 x 76 inches Edition of 40 Signed and numbered in pencil Framed

Bull and Bullfighter is an original artwork realized by Josè Guevara in the 1990s. Colored lithograph on paper. Edited by Fondazione Di Paolo. The lithograph is hand-signed in penc...

Combination Knit, mezzotint by Katsunori Hamanishi, rope, Japan, black and white edition number 8/30

Fragments is an original contemporary artwork / artist book realized by Jannis Kounellis and Giorgio De Dominicis in 1992. Edition n.16 of 40. The book has been printed in 40 copie...

1991 Lithograph in colors, on white TGL handmade paper Sheet: 32 2/5 x 76 inches Edition of 40 Signed and numbered in pencil Framed, mint condition

Le goût du Bonheur - 20.5.64 IX is a colored lithograph printed in 1998 from an original artwork realized by Pablo Picasso in 1964. The original artwork of 1964 was part of the port...

An abstract sculpture by Post War artist Tim Hawkinson depicting yellow shoes encased in plaster in a red shoe box. Signed underneath, "Tim Hawkinson, Tim...

Le Avventure di Pinocchio is a beautiful retouché on paper, realized by the artist Fredy Lapenna. This original print representing the personal interpretation of a classic of the ch...

Bright abstract French aquatint in red tones by artist Lilly Elroy, titled "Hamed", 1990. Numbered 1/1 HC lower left. Signed and dated lower right. Original artwork on paper display...

Original pencil, chalk and crayon drawing on paper. Hand signed and dated on front by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. A...