19th Century Art

RARE CALIFORNIA GOLD RUSH / NATHANIEL CURRIER THE WAY THEY CROSS THE ISTHMUS, 1849 (Conn. 6576, Gale 7105) Lithograph, EXTREMELY RARE Gold Rush caricature. One of a small series o...

Jim’s of Lambertville is proud to offer this artwork: Bronze Sculptures of classical nudes

J. J. GRANDVILLE (1803-47). aka Jean Ignace Isidore Gerard Les Etoiles. Text by Joseph Mery (1798-1865). Engraved by Geoffroy. Paris, 1849. Steel engravings with original hand...

JOHN GOULD A Monograph of the Trochilidae, or Family of Humming-birds. Drawn and lithographed by John Gould, Elizabeth Gould, H.C. Ritcher, and W. Hart. Richard Bowler Sharp supplement 1880-87. Published by John Gould. Printed by Hullmandel and Watson. London, 1849-61. Lithographs with original hand-color. Excepting the supplement, most with gold leaf illumination. 418 plates. John Gould was the most prolific ornithologist and recorder of birds in England during the 19th century. Born a gardener's son, he was raised on the royal estate at Windsor. He became a gardener at Ripley Castle, where he learned the art of taxidermy, a skill so useful in his future career. In 1827, N.A. Vigors required a taxidermist for the newly formed Zoological Society of London; the job came to Gould who moved to London and married Elizabeth Coxen. She was to become a skilled collaborator, both as draughtsman and as supervisor in the lithographic shop. It was Elizabeth who was responsible for transferring the drawings made by Gould, from the specimens sent to him from all over the world, onto lithographic stone. Unable to find a publisher, Gould resolved to publish his works himself. Illustrating over 3000 species of birds and animals and producing over forty folio volumes, Gould's works became great financial successes. He realized a considerable fortune. The most well known prints are from his outstanding monograph on hummingbirds. They are unequaled in the history of ornithology. The brilliant coloring is highlighted with gold and a transparent luster creating metallic hues, a technique which has never been successfully reproduced. The birds appear in charming groups of twos and threes surrounded by realistic foliage. Each bird is drawn to scale and is anatomically correct to the smallest detail. References: John Gould’s Hummingbirds...

J. J. GRANDVILLE (1803-47). aka Jean Ignace Isidore Gerard Les Etoiles. Text by Joseph Mery (1798-1865). Engraved by Geoffroy. Paris, 1849. Steel engravings with original hand...

J. J. GRANDVILLE (1803-47). aka Jean Ignace Isidore Gerard Les Etoiles. Text by Joseph Mery (1798-1865). Engraved by Geoffroy. Paris, 1849. Steel engravings with original hand...

J. J. GRANDVILLE (1803-47). aka Jean Ignace Isidore Gerard Les Etoiles. Text by Joseph Mery (1798-1865). Engraved by Geoffroy. Paris, 1849. Steel engravings with original hand...

J. J. GRANDVILLE (1803-47). aka Jean Ignace Isidore Gerard Les Etoiles. Text by Joseph Mery (1798-1865). Engraved by Geoffroy. Paris, 1849. Steel engravings with original hand...

A silk and gold thread embroidery of titles. Japan's textile industry was one of the first to adopt Western science and technology, and thus the Meiji era produced some of the highes...

It was during the late Meiji period that exquisite examples of bronzes, such as this one, were first seen by the West during the international expositions. It was only the Japanese t...

Albert-Ernest Carrier-Belleuse 1824 - 1887 Danse au Tambourin signed Carrier Belleuse bronze height: 72.4cm. diameter: 26.7cm. Provenance Important American collection. The present ...

Étienne-Henry Dumaige 1830 - 1888 Cleopatra before Caesar, after Jean-Léon Gérôme signed H. DUMAIGE bronze on a rouge de France marble base height of bronze 58.4cm. base 33 by 22.2 b...

Ferdinand Barbedienne (1810 - 1892) Antoine Coysevox, after (France, 1640-1720) Flora et L'amour ou Hamadryade Inscribed 'A. COYSEVOX. F. 1710'. With foundry mark 'F. BARBEDIENNE...

Jean Jules B. Salmson, A patinated bronze sculpture of William Shakespeare, 19th Century. Very rare sculpture of the famous William Shakespeare. A perfect fit for any library or gentleman's office...

The donkeys is a considered a protected animal because, some of have, have the fur on the chest creating the shape of a cross. For example, on the Amalfi Cost, the "ciuccio portafort...

Venus Africaine by Charles Cordier, French (1827–1905) Bronze Sculpture, signature inscribed Size: 15 x 9 x 5 in. (38.1 x 22.86 x 12.7 cm)

Alfred Barye (1839-1882) "Lion and Antelope" Bronze Approx. 7.5H x 9W x 4D inches Signed "BARYE.ALF" and Inscribed under base "NO. 23 LION AND ANTELOPE" The son of a goldsmith, Parisian born Antoine-Louis Bayre was a sculptor of animal subjects and acclaimed, not only for his apparent skill, but as the founder of what became known as the French Animaliers School. Among his patrons were representatives of the state government and royalty including the Duke of Orleans and the Dukes of Luynes, Montpensier and Nemours. Well compensated financially, he was able to buy the best of materials and hire the country's most skilled foundry craftsmen. The foundry he hired was owned by Ferdinand Barbedienne, and casts from this period were stamped with the letters, FB. However, he did not make a lot of money from his work because he was such a perfectionist that often he would not sell his work because he thought it was not 'quite right'. In 1848, he declared bankruptcy, and his molds and plaster casts were sold along with the copyrights. Bayre's specialty was aroused, angry seeming wild game such as lions and tigers and elephants, but he also did equestrian groups and mythology figures. In order to do realistic depictions of animal anatomy, he spent much time at the Jardin de Plantes in Paris. His early training was as an apprentice to a metal engraver, but being drafted in the army in 1812, ended that education. In 1832, he had established his own studio, and unique at that time was his method of cold stamping his bronze casts, so that each one had a special number. He had his first entry, The Milo of Croton...

Albert-Ernest Carrier-Belleuse (French, 1824-1887) "Leda and the Swan" c .1858 Bronze w/Gold Patina 18 x 24 x 14 Signed "A. Carrier" Based upon a c...

Pierre-Jules Mene "The Hunter and Hound" (Le Valet de Limier) 1879 Bronze approx. 19 x 8 x 14 inches Signed PIERRE JULES MENE (1810-1879) Pierre...

Hans Guradze (German, 1861-1922) "Jockey On Horseback" Bronze Approx. 19.5 x 17 x 6 inches Signed "H. Guradze Berlin" on Base