Abstract Photography

The background of this photo is an homage to Ľudovít Winter the creator of the famous Spa Piešťany in Slovakia in the beginning of the 20th Century. A statue sitting on bank on a bri...

"White Sands" In this award-winning image, the delicate contours and the organic shapes of two sand dunes are featured. The print series Dunes: Landscapes Evolving documents the ...

Flux 1 - Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered by ...

I am a Passenger #12 by Javier Rey From the series "I am a Passenger" Archival pigment print Image size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "...

"Old Room, New Room" - Minimalist Interior Photograph Minimalist photograph of a red wall with a tile floor by Shirley McWilliams (American, 20th ...

Print/ photography, Bugatti seen on the street ( one of the 12 existing in the world), signed, limited 1/5. Photographed during a city walk in Bratislava.

Dilation #29, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 1...

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

I am a Passenger #8 by Javier Rey From the series "I am a Passenger" Archival pigment print Image size: 110 cm H x 73 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "i...

I am a Passenger #14 by Javier Rey From the series "I am a Passenger" Archival pigment print Image size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "...

I am a Passenger #13 by Javier Rey From the series "I am a Passenger" Archival pigment print Image size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "...

I am a Passenger #11 by Javier Rey From the series "I am a Passenger" Archival pigment print Image size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "...

This work contains various photographs of the external view of hundreds of residential buildings in New York.

Paolo Consorti Ending G, E, B, 2019 Medium: Painting Oil on canvas Unique 150 x 140 cm Not framed Series “Ending” This artwork includes a certificate of...

Sonntags im Museum (9) Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her spe...

I am a Passenger #10 by Javier Rey From the series "I am a Passenger" Archival pigment print Image size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "...

I am a Passenger #9 by Javier Rey From the series "I am a Passenger" Archival pigment print Image size: 110 cm H x 73 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "i...

I am a Passenger #15 by Javier Rey From the series "I am a Passenger" Archival pigment print Image size: 43 cm H x 65 cm W. Edition of 7 + 2AP Unframed All prices are quoted as "i...

I am a Passenger #1 by Javier Rey From the series "I am a Passenger" Archival pigment print Medium size: 110 cm H x 73 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "...

I am a Passenger #5 by Javier Rey From the series "I am a Passenger" Archival pigment print Medium size: 110 cm H x 73 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "...

When she is traveling and away from her painting studio, Parr uses a camera as her way of ‘painting’ whilst on the move, Often mistaken as reproductions of her paintings, her photographs are in fact Original Limited Edition pieces. Habana Series Cuba 2016 was produced, whilst the Artist scoured each street of Old Havana, Cuba in January 2016. Photographed because of their inherent illusion of horizon and form, these chance marks, stains, colours and textures on walls and other surfaces, some of which have partly been laid down by others by accident or with previous intent, become chimerical worlds and fictional places. The photographs, which Parr has named after where they were taken, further confirm things not being as they seem, a pictured utopia found in the still squalid but reforming streets of Havana, Cuba. Discover original abstract paintings by Gina Parr online with Wychwood Art and in their Oxfordshire Art Gallery. Gina Parr works predominantly in the medium of painting, but also photographs when traveling: her way of painting whilst on the move. Her work is driven by autobiographical themes and natural reference, exploring the human condition through connections to place, time, space and memory. She has exhibited widely in galleries and art fairs in the UK and completed commissions in The Middle East, Belguim and London. Her works are held in collections Worldwide including Keble College Oxford, Director of Jestico + Whiles Architects London, President of the Boston's Children's Museum USA, and Goldman Sachs Senior Economist, London. Originally trained as a Fine Artist, graduating with a First Class BA Honours Degree, she went on to Chelsea College of Art to study Set...

Photography / fine art print, limited 1/5, signed by the author.

I am a Passenger #4 by Javier Rey From the series "I am a Passenger" Archival pigment print Medium size: 110 cm H x 73 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "...

I am a Passenger #3 by Javier Rey From the series "I am a Passenger" Archival pigment print Medium size: 165 cm H x 110 cm W. Edition of 2 + 1AP Unframed All prices are quoted as ...

I am a Passenger #2 by Javier Rey From the series "I am a Passenger" Archival pigment print Medium size: 110 cm H x 73 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "...

Laminariales XIII, 2022 by Paola Davila From the series Bosque Cyanotype on 300 gr cotton paper Image size: 160 cm H x 38 cm W Signed by the artist Unique The title of each piece ...

Manipulated, Colour Photography Feminist Art and Contemporary feminist This artwork includes a certificate of authenticity In perfect condition

This piece reflects the magical beauty of Mount Edgecumbe Country Park in Cornwall, where Katy Brown lives and paints. In particular, it is about the Englis...

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. Rectangular symmetry of an ascending stair case, ...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Vintage Mint Condition Platinum Photograph Fabulous image in the true style of Uelsmann

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Born 1959, Geneva, Switzerland Vanna Karamaounas aka Iseult Labote – Lives and works in Geneva and Berlin. Born in Geneva of mixed Greek and Swiss heritage, Labote studied art his...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

José Yalenti, (1895-1967) Brazilian Photographer "Beiras" (Sides) Photo, numbered 5/15, circa 1950, (printed later) on premium luster photo paper with ultrachrome ink. Art: 15" H x 11" W; Frame: 20 1/4" H x 14 1/4" W. Provenance: Dickinson Roundell Gallery José Yalenti’s Architecture photos seem at first disorienting, abstract black & white and grey surfaces, cut through by startlingly straight lines and a variety of surface textures. Much of his work is of mid-century Latin American architecture, by the likes of Oscar Niemeyer and Roberto Burle Marx. José Yalenti was born in São Paulo, Brazil in 1895. On April 28, 1939, a group of photography aficionados, including Yalenti, formed the Foto Clube Bandeirante, later changed to Foto Cine Clube Bandeirante, or FCCB. Starting in the late 1940s, a contingent of FCCB photographers began creating photographs of abstracted architectural motifs (as in Architecture or Twilight), and eventually became known as the Escola Paulista, or “Paulista School.” Yalenti was among the members of the unofficial Paulista School. Between 1945 and 1960, the Paulista School photographers explored the rapidly changing formal qualities of São Paulo. By photographing skyscrapers and stairways at steep angles, creating closely cropped compositions from found geometric motifs, and capturing the flattening effects of shadows, Paulista School photographers investigated the new physical perspectives emerging in the urban environment. They created a distinctively Modern aesthetic that used strong contrasts of light and dark, geometric forms, linear compositions, and collapsed space to assert photography’s status as an artistic medium. As part of their pursuit of photographic Modernism, Yalenti and his fellow Brazilians adapted the stylistic innovations of U.S. and European photographers such as f.64, New Objectivity, Dada, Surrealism, and the Bauhaus, to the Brazilian context. Along with his FCCB compatriots—Thomaz Farkas, Geraldo de Barros, and German Lorca, among others—Yalenti explored the formal properties of black-and-white image-making. Yalenti and the Paulista’s School’s abstract photographs responded to the new trends in Brazilian Modernist architecture being developed by young architects in São Paulo and Rio de Janeiro. In 1939, Lúcio Costa, Oscar Niemeyer, and Affonso Reidy broke ground on the Ministry of Education and Health Building (MES), the building that would define Brazilian architectural modernism. The Rio-based team combined elements of Le Corbusier’s undecorated structural purity with Brazilian regional design to produce a more organic and “tropical” Modernism that responded to the local culture and climate. The sinuous and sensuous curves of Yalenti’s photograph are directly influenced by stylistic developments in architecture at the MES, including the building’s covered entry and its organically abstract contours. By 1957, when Yalenti created Architecture or Twilight, Brazil was globally recognized as an architectural leader. MoMA in New York City organized a popular exhibition of Brazilian architecture in 1943 (“Brazil Builds”), and highlighted the country again in its survey show "Latin American Architecture since 1945," that ran from 1955–56. Brazilian photography...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series of Halo 2017 Lambda print Sheet 50 x 75 cm (19 5/8 x 29 1/2 in.) Edition of 3 (#1/3) Kawauchi burst on the international scene in 2001 when she was awarded the Kimura-Ihei-Prize, Japan’s most important emerging talent photography prize, shortly followed by the simultaneous publication of three beautiful books, Utatane (Catnap), Hanabi (Fireworks), and Hanako, her very personal study of a young girl of the same name. Met with great critical acclaim, these “visual essays” demonstrate her finesse and skill of telling a photographic tale. Since this triple-debut, the artist has gone to publish another eleven books, the newest of which are Illuminance and Ametsuchi. Kawauchi, currently one of the most famed contemporary female Asian artists...

'Bubbles' London, United Kingdom 2020 Limited edition of 20.

"Echoes No.07" Abstract Photography 40" x 40" in Edition of 20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Printed on fujifl...

Born 1959, Geneva, Switzerland Vanna Karamaounas aka Iseult Labote – Lives and works in Geneva and Berlin. Born in Geneva of mixed Greek and Swiss heritage, Labote studied art his...

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. Rainy day reflections along the back streets of Rome, Italy.

Mika Rottenberg Hand, 2008 C-print 27 x 20 inches (image and sheet) 28 x 21 inches (frame) Unsigned

Photography - print, limited of 15, signed by the author. The item is a lamp, which evoked to me a button (which I hate in principle).

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and...

Flowing 2 - Large scale photograph by Michael Banks -Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editi...

Hand printed photograph by artist Print Date 2005 Mint Condition

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Well known artist, film maker in Australia. His work is thought provoking and interesting. Beautiful hand made platinum photograph.

large scale monochromatic abstract observation of geometric architectural elements, from Raymond Meier's series Renderings Red Window (Renderings 05) by Ra...