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Mark SinkAndy in LA Dots, 2015 Andy Warhol2015
2015
$850
£639.13
€742.19
CA$1,187.01
A$1,316.48
CHF 691.35
MX$16,167.30
NOK 8,751.84
SEK 8,253.10
DKK 5,537.53
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About the Item
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, July 17th from 6pm - 8 PM, the show will be on view until September 22, 2019.
Rice has brought together the works of 60 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.”
Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic.
Color, Portrait, Man, Glasses, Andy Warhol, 1980s, 80s NYC, Warhol portrait, black and white, figuative
- Creator:Mark Sink (1958, American)
- Creation Year:2015
- Dimensions:Height: 10 in (25.4 cm)Width: 8 in (20.32 cm)
- More Editions & Sizes:11x14Price: $1,00016x20Price: $1,20020x24Price: $1,50030x40Price: $2,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU114572381
Mark Sink, a Denver-based photographer, had a formative experience in the 1980s working alongside several influential artists in New York City. During this period, he collaborated with Robert Mapplethorpe, known for his bold and intimate portraits, whose work deeply influenced Sink's approach to human subjects. He also worked with Keith Haring, whose vibrant, socially engaged art inspired Sink’s exploration of color and dynamic space in photography. Additionally, Sink was exposed to the creative atmosphere of Andy Warhol's Factory, where he absorbed Warhol’s unique approach to celebrity culture and mass production, shaping his understanding of the art-world persona. Sink also collaborated with Cindy Sherman, whose conceptual photography focused on identity and self-representation, influencing Sink's own exploration of these themes in portraiture. Sink’s collaborations with these and other prominent artists like Jean-Michel Basquiat and Laurie Anderson provided him with a rich artistic foundation. Their innovative work encouraged Sink to experiment with different photographic techniques and to blend fine art, performance, and conceptual photography, a direction that would define much of his career. These experiences in New York City helped shape Sink’s artistic vision, which continues to push the boundaries of traditional photography while exploring identity, memory, and the human experience.

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View AllAndy in LA Dots
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience.
As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way.
This year’s invitational image, “Surf Club” by Silvia Lareo-Vasquez, features a woman in a vintage sun hat reclining in the pool with a drink. The black and white image evokes an extreme sense of nostalgia in its cinematic portraiture and supple texture. Though the figure of the woman is tauntingly beautiful, the drink is the darkest tone, nearing black, and is centered in the frame. With this, we are reminded of the refreshing notes of summer and the utter serenity of taking the day off to relax.
The show’s imagery is evocative of all eras of summer, thus any viewer can relate or connect to one of the images. As Rice likes to say, “There’s something for everyone.” One image by Benjamin Heller details a strong owl flying...
Category
21st Century and Contemporary Black and White Photography
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Andy in LA Dots
Located in Hudson, NY
Edition 1 of 5.
CURRENT EXHIBITION - runs through October 29th, 2017. Any framed photographs purchased during the show will be available after October 29th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.”
ABOUT
In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work.
On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...
Category
2010s Black and White Photography
Materials
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Andy and Dots signed, 1982
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
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1980s Contemporary Color Photography
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Polka Dot, 1994
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Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1 of 20
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Archival Pigment
"David", New York, NY, 1996
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
1990s Contemporary Abstract Photography
Materials
Photographic Paper
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By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco.
The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model.
Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery.
The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints.
Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
Category
21st Century and Contemporary Modern Black and White Photography
Materials
Archival Pigment
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