Abstract Photography

Picture done during a city walk, evoking intensity, could be interesting in a modern interior. This one is framed. Limited edition of 50.

Future city 3 Large scale photograph by Michael Banks - Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbere...

Unique silver gelatin print (photogram made sans enlarger - with snow, ice, sand, flowers, and more). Cameraless ice-rubbing photogram. Alt process landscape print. I began making c...

Architectonic 4 Large scale photograph by Michael Banks - Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Edi...

This one-of-a-kind cameraless photograph is actually a baby photogram, initially made for a submission that requested specific small sized prints. All of my images are about what som...

Artist Commentary: extension from the un·i·den·ti·fi·a·ble series – process was to go into the file's data and alter the dimensions of the picture, causing it to distort differently ...

Unique silver gelatin print (Printed while working with a remote photograms student). Triple exposure with flowers, sand, and glitter. This 8x10 mixed process multiple exposure photogram was printed on Fomatone MG 133 - (The Chamois surface is quite beautiful, but doesn't translate super well digitally.) Before covid, I specialized in what I refer to as gelatin silver "spiritual landscapes...

"Composition with Gold and Yellow", photography by the artist Anna Golovanova. Abstract digital compositions. Extravagant play with form and colour. Country of Origin: Russia. Sign...

Artist Commentary: the inevitable continuation of pain Keywords: landscape, eyes, targets, surreal, surrealism, stare, ocean, clouds Artist Biography: Daniel DeRosato is a freelan...

This unique abstract "sparkler-o-gram" (photogram exposed via sparkler!) was made in June 2020, very soon after I had begun my foray into cameraless alt process silver gelatin based ...

Unique silver gelatin print (Printed while working with a remote photograms student). Triple exposure with flowers, sand, and glitter. This 8x10 mixed process multiple exposure photogram was printed on Fomatone MG 133 - (The Chamois surface is quite beautiful, but doesn't translate super well digitally.) Before covid, I specialized in what I refer to as gelatin silver "spiritual landscapes...

This is an archival photograph printed with Epson Ultra Chrome Pigmented Ink on Hahnemuhle Fine Art Rag paper with a 2 inch white border. It is part of the "Refracted World" series, and is from an edition of 50 prints. It is signed on the back.. Diane Lachman’s photographic pandemic project began in March 2020, when Covid 19 forced us to shelter at home. After a year of experimentation with the refraction of natural light through prisms, she created complex and vibrant images that reflect our experiences during these tumultuous times. By observing the change of the position and quality of light and shadow each day, she developed a new sense of the passage of time. Her photographs reflect the desolate days of this period as well as the bright days when we experienced hope. The dark, somber colors in "Heartbroken" convey Lachman's reaction to George Floyd’s death and the resulting world wide protests. Lachman’s inventive abstract paintings and photographs emphasize the expressive power of color. Her work has been the subject of twelve solo shows. Most recently, an exhibition of her pandemic photography project: “Refracted World” was shown in July 2021 at Muse Gallery in Philadelphia. She participates in many juried and invitational group shows. Currently, Lachman is the acting director of Muse Gallery in Philadelphia where she has been a member since 2010. Her paintings are represented in numerous private and corporate collections, including Temple University School of Medicine, the Howard Gittis Student Center Art Collection at Temple, the Art Collection at Park Towne Place in Philadelphia, and the Lankenau Medical Center. Lachman studied at Rhode Island School of Design and the Cleveland Institute of Art. She earned her BFA and MFA degrees at the University of Pennsylvania, where she taught drawing and color theory from 1993 to 2013. Her intuitive approach to her work complements her years of teaching Josef Albers’ “Interaction of Color.”