Bob Cornelis

Carta I, G

#00145 Polygonum pensylvanicum, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. P...

#00128 Spiraea alb, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing inclu...

#00138 Polygonum sagittatum, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pric...

#00146 Onoclea sensibilis, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricin...

#00142 Leersia oryzoides, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing...

#00135 Hypericum mutillum, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing...

Hand Printed Platinum Photograph Australian Artist Beautiful Blacks and Creamy Whites

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Ten archival pigment prints (Edition of 3) Each print signed and numbered, verso 4 x 16 feet, overall 20 x 16 inches, each print This artwork is offered by ClampArt, located in New...

In 2015 I while on assignment for National Geographic for a story centered around Montana Culture, I was offered a chance to accompany a family of ranchers to photograph them relocating a herd of 125 horses from Winter to Summer pasture. Throughout the winter, this herd had been moved to lower elevation, some 50 miles south where they were mostly left to themselves to graze at their leisure. During this 6 month period of time the horses become somewhat feral, unruly and less willing to take direction, making for a long hard day or all involved. On horse back of their own, the cowboys drive the horses to higher elevation along a 50 mile network of trails and dirt road "getting out that winter energy" as it was described. I shot this motion panned photograph here as a small portion of the herd ran by thunderously. I could feel the ground quaking under their powerful hooves, even at my stance some 50 feet away. It was one of my favorite images from the assignment and I'm pleased to now offer this as a limited edition print in 3 different sizes. Printed at my studio in Boulder Colorado...