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Bob Cornelis
Geometria 17

2019

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  • Detroit House 2
    Located in Sante Fe, NM
    Lauren Davis project titled "Industry Unraveled” presents images of abandoned Rust Belt manufacturing locations produced via a cell phone camera and digital processes derived from th...
    Category

    2010s Contemporary Abstract Photography

    Materials

    Tapestry

  • Construction Site, Tucker, Georgia
    By Peter Essick
    Located in Sante Fe, NM
    Construction Sites are areas of rapid change to the environment. Forest, farms, old structures or empty lots are converted to new buildings with larg...
    Category

    2010s Contemporary Abstract Photography

    Materials

    Archival Pigment

  • Glenlivet 162, limited edition color photograph, signed and numbered
    By Ernie Button
    Located in Sante Fe, NM
    Glenlivet 162, limited edition color photograph, signed and numbered For much of my adult life, photography has provided me a forum to communicate my past & present, my humor & con...
    Category

    21st Century and Contemporary Contemporary Color Photography

    Materials

    Archival Pigment

  • Earth Remains #45
    Located in Sante Fe, NM
    This photograph is representative of two related series of mine that deal with humanity's impact on and relationship with the earth. This relationship is not sustainable. Lately, I have begun to dream of our tortured earth with the remains of our hubris drifting through space, mined to extinction. This work is an attempt to tear through the ugliness of the world we have made, through the blindness of our voracious appetite to the vastness beyond, where beauty cares not for our perception of it. As Robinson Jeffers wrote: “The beauty of things was born before eyes and sufficient to itself; the heartbreaking beauty/ Will remain when there is no heart to break for it.” -- William Lesch
    Category

    2010s Contemporary Color Photography

    Materials

    Copper

  • Leaf No. 7C3
    By Edward Bateman
    Located in Sante Fe, NM
    Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...
    Category

    2010s Contemporary Abstract Photography

    Materials

    Archival Pigment

  • Salt 04040 (Fractured I)
    By Christine Lorenz
    Located in Sante Fe, NM
    Salt is the commonest of common things. Essential as it is to human lives, salt finds its place in countless metaphors. As a mineral in the world, it has a sort of life of its own. L...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Archival Pigment

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    Corner 2018 No.1, No.2, No.3 The origin of “space”  20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...
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    By Kenji Aoki
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    Corner 2018 No.1, No.2, No.3 The origin of “space”  20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...
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    2010s Abstract Black and White Photography

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    By Kenji Aoki
    Located in New York, NY
    Corner 2018 No.1, No.2, No.3 The origin of “space”  20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...
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  • Rangelands Australia Platinum Photograph
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