Casey Williams

"Untitled" Green and Metallic Abstract Photograph

1988

Metallic photograph of interior space with a bed. The photograph is layered and in black and white. The work is signed and titled by the artist. It is framed in a black frame.

Dark toned photograph of the ocean with piles of wooden debris floating on top. The photograph is framed in a grey wooden frame with a white matte. The photograph is signed by Barer and it might apart of her series titled "When the Ice Melts...

Contemporary hand-tinted photography of a young woman by Houston, TX artist, Jim Reitz. Signed by the artist at the bottom left. Framed and matted in a natur...

Color wildlife photograph from 1991 by photojournalist Thomas Mangelsen. The work features a herd of zebras gathered around a watering hole. Signed, dated, and editioned 33/950 along lower from margin. Currently hung a complementary black frame with a cream matting. Dimensions Without Frame: H 24.5 in. x W 35 in. Artist Biography: A Nebraska native, Mangelsen’s love of nature, his life outdoors and business success were heavily influenced by his father. An avid sportsman, Harold Mangelsen took his sons to favorite blinds along the Platte River in Nebraska to observe the great flocks of ducks, geese and cranes that migrate through the valley. From these adventures, Mangelsen learned important lessons for photographing in the field, most notably patience and understanding animal behavior. In 1965, Mangelsen began studying business at the University of Nebraska. In 1967, Tom transferred to Doane College in Crete, Nebraska, where he changed his major and graduated with a bachelor’s degree in biology. Tom continued postgraduate study in zoology and wildlife biology at the University of Nebraska and Colorado State University. In 1970 Mangelsen moved to Nederland, Colorado. He spent two years living in the Rocky Mountains in an old mining shack without electricity or running water with his English setter, black lab and raccoon. Tom continued to work on his photography and studied arctic alpine ecology at the University of Colorado’s Mountain Research Station near Nederland. There he met Bert Kempers, a CU film producer, who later hired Tom as cinematographer and film editor for his company Westwind Productions, making educational and nature documentaries. Tom longed to make a documentary about the Platte River and its great wildlife resource. He returned to the Platte each spring to film the great crane migration. These experiences led to Tom traveling to the cranes’ nesting grounds in Alaska and their wintering areas in Texas. National Geographic television wanted to produce a documentary, which would chronicle the plight of the endangered whooping crane...

Vestiges of a bygone era, a funky old original neon sign acts as a beacon to the thirsty. Chromogenic archival print. Signed and dated on lower r...

Pillow II. photography belongs to a concept of three photographies done on a sole bank in a park. Will be signed.

Mohamad does not use titles for his photographs. Such naming or framing can constrain or shape a viewer’s engagement with an image. Without such titles, his imagery conjures imagi...

Blue in Grey is a part from an originally bigger picture. I like the pattern. Photography will be signed and could be adjusted also in a frame.