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Richard HeepsMotel Entrance II, Salton Sea, California - Mid-Century Architecture Color Photo2003
2003
$252.24
£180
€213.94
CA$343.32
A$384.02
CHF 199.85
MX$4,727.47
NOK 2,542.48
SEK 2,385.35
DKK 1,596.24
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About the Item
Motel Entrance II, photograph from Richard Heeps Salton Sea series.
Classic mid-century architecture in this artwork from the Salton Sea California. Rich blues, palm trees with pops of orange create the perfect palette with the Agfa Ultra film rebate.
This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, it is presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse and accompanied by a certificate of authenticity.
Handmade to order.
This artwork is available in other sizes and pairs well with Richard Heeps' other artworks in our 1stdibs store.
Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interiors, still life, portrait or landscape. His distinctive style pushes the limits of lens-based photography. He runs his own darkrooms in Cambridge (UK) where he makes his master prints. His work has been exhibited in Museums and Public Galleries around England and he has participated in Art Fairs around the world and his work is now part of many international collections.
- Creator:Richard Heeps (1965, British)
- Creation Year:2003
- Dimensions:Height: 18.51 in (47 cm)Width: 15.75 in (40 cm)Depth: 1.38 in (3.5 cm)
- More Editions & Sizes:27.5" x 23.5" Edition of 25Price: $43430" x 26.5" Edition of 25Price: $65239.5" x 33.5" Edition of 25Price: $98145" x 38.5" Edition of 10Price: $1,815
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Cambridge, GB
- Reference Number:1stDibs: LU689315033602
Richard Heeps
Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interiors, still life, portrait or landscape. His distinctive style pushes the limits of lens-based photography without the need for digital manipulation. He runs his own darkrooms in Cambridge (UK) where he hand prints his colour photography. His work has been exhibited in Museums and Public Galleries around England, and he has participated in Art Fairs around the world, and his work is now part of many international collections.
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