Unframed Abstract Photography

Home Movies - Wie du mir, so ich dir, USA 1979, Cast: Theresa Saldana, Keith Gordon, Lobby Card. The lobby cards would have been displayed inside the cinem...

Home Movies - Wie du mir, so ich dir, USA 1979, Cast: Keith Gordon, Nancy Allen. The lobby cards would have been displayed inside the cinemas at the time ...

Chance/Fall (11), 2010 (Abstract photography) C print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with o...

Meta Road, Individuate, California Hwy 1 (Abstract Photography) Photograph Acrylic Paint on wood mount - Unframed Artwork exclusive to IdeelArt. Artworks are of the highest archival...

Home Movies - Wie du mir, so ich dir, USA 1979, Cast: Keith Gordon, Nancy Allen. The lobby cards would have been displayed inside the cinemas at the time ...

Intersect # 201603 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangin...

Syd # 33.85S_151.16E (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab woman or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab woman or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

This is a unique original collage, decoupage style of Jiri Kolar, This is an exceptional artwork which was part of a collaboration between Hyman Bloom and fellow artist and his very ...

A one of a kind 18" x 24" Surreal Watercolor on Cyanotype executed by artist Annalise Neil. A certificate of authenticity will be provided upon its...

This abstract floral landscape photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century...

Bleed # 202041 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, co...

Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, concrete, acrylic, enamel and pigments (5...

V: Dogmatic thinking (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Bra...

Gravity - Liquid 83 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Liquid series, Janiak creates visual representations of the idea that form cannot exist wi...

Intersect # 201603 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangin...

Be Becoming (Abstract Photography) Photography/painting, mixed media - Unframed. Artwork exclusive to IdeelArt. Artworks are of the highest archival standards. Wood supports are s...

With an upward zoom and a slow exposure, Photographer Mitchell Funk reimagines one of the world's most iconic landmarks. The photograph is a lyrical evocation of a normally cold stre...

Angel Heart, USA 1987, Director: Alan Parker, Cast: Robert de Niro, Mickey Rourke, The lobby cards would have been displayed inside the cinemas at the time of the film's release. An...

A Fine Pair, Italy 1968, Director: Francesco Maselli, Cast: Rock Hudson, Claudia Cardinale,. The lobby cards would have been displayed inside the cinemas at the time of the film's re...

My work uses the Japanese and Chinese calligraphic characters that I have practiced since childhood. I take a line from one character, and when that brushstroke is made it tells me w...

Photon 04 (Abstract Photography) Chromogenic print. Edition 2/5. In his Photon series, Janiak explores the intrinsic duality of light. The photons we interpret as light exist in a ...

The Magic Voyage of Sinbad, USA 1961, Cast: Edward Stolar, Ann Larion. The lobby cards would have been displayed inside the cinemas at the time of the film's release. The film was ...

Angel Heart, USA 1987, Director: Alan Parker, Cast: Robert de Niro. The lobby cards would have been displayed inside the cinemas at the time of the film's release. Angel Heart is a...

Bleed # 202021 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request 5-6 week turnaround. Edition: 1/3. Paul Snell combines tra...

Linseed Fields by Eleanor Woolley. Original and hand signed by the artist Oil on board sold unframed Image size: H:80cm x W:80cm Complete size of unframed work: H:80cm x W:80cm x D...

"Unforgotten Series No 2" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract urban inspired artwork. ...

Imitation of Life, USA 1959, Director: Douglas Sirk, Cast: John Gavin, Lana Turner. The lobby cards would have been displayed inside the cinemas at the time of the film's release. ...

Feel, Canyon Road (Abstract photography) Photography and paint on wood - Unframed. Artwork exclusive to IdeelArt. Artworks are of the highest archival s...

VIII: The Unselfconsciousness Of Eros (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichot...

This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Table Top" ...

This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Table Top" series, which is one of t...

VII: Istinto Primordiale (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human...

Morphogenetic field - Dandelion (Pissenlit) (Abstract Photography) Chromogenic print. Edition 1/5. In his Morphogenetic fields series, Janiak examines the visible manifestation of ...

Gravity - Liquid 02 (Large) (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity, Liquid series, Janiak creates visual representations of the idea that form cannot...

"Modernismo M28" Photography 48"x48" in Edition of 12 by Giuliano Bekor Title of artwork: M28 Year: 2012 Printed on a high-quality museum-grade archival photo paper. Not framed. Pri...

Shibui 2595 is a limited edition color photograph and is signed and numbered by the artist Focusing on subjects grand and mundane, Ernie Button takes color photographs of cities an...

Planet Meiyo 17.3600 is a limited edition color photograph and is signed and numbered. Focusing on subjects grand and mundane, Ernie Button takes color photographs of cities and si...

Shibui 2619 is a limited edition color photograph, signed and numbered by the artist. Focusing on subjects grand and mundane, Ernie Button takes color photographs of cities and sigh...

Aviation Old Tom Gin 2882, limited edition color photograph, signed. Focusing on subjects grand and mundane, Ernie Button takes color photographs of cities and sights on his travel...

Aviation Old Tom Gin 2210, limited edition color photograph, signed and numbered. Focusing on subjects grand and mundane, Ernie Button takes color photographs of cities and sights o...

Aviation Old Tom Gin 2373, limited edition color photograph, signed and numbered. Focusing on subjects grand and mundane, Ernie Button takes color photographs of cities and sights o...

Triumph of Void (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neurosis brings togeth...

Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in ...

C Print - Unframed For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define space and structure, and achieving a superb r...

Panel B - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...

Panel B - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...

Shifting the frame 101 (Abstract photography) Photography - Unframed. Artwork exclusive to IdeelArt. Edition of 10 +2 AP - Artworks are printed by the artist on Hahnemühle Fine Ar...

C print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with overlapping and drifting layers of shimmering co...

Ink 1 - Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered by ar...

Magnetic radiation 02 (Abstract Photography) Chromogenic print. Edition 1/5. In his Magnetic radiation series, Janiak reveals the hidden world of magnetism by photographing ferrofl...

These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful. Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf. Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude California State University, Northridge, 1968-1970 SELECTED ONE AND TWO-PERSON EXHIBITIONS Griffin Museum of Photography, Winchester, MA, From Lead Into Gold Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration. Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration Cypress College, Paris Polaroids: Art In The City Of Lights Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space (20-year survey with catalogue) Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue) Richard Green Gallery...

Chance/Fall (6) 2010 (Abstract Photography) C print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with over...

Panel A - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...

Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...

Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...

Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...

Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...

Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...