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Jeffrey Rothstein
Blue Burst - Fine Art Photograph - Contemporary Abstract

2007

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Hudson River - Limited Edition Contemporary Urban Photograph - Abstract
By Elliott Kaufman
Located in New York, NY
Hudson River is a limited edition contemporary urban photograph by artist Elliott Kaufman. Kaufman describes New York City as “a laboratory in constan...
Category

2010s Contemporary Color Photography

Materials

Digital, Archival Pigment

Red Sun - Limited Edition Abstract Color Photograph - Fine Art Digital Print
By Susan Daboll
Located in New York, NY
Red Sun is an abstract limited edition fine art color print by photographer and graphic artist Susan Daboll. This colorful square digital print ships safely in tube. Print Size is ...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Luster, Paper, Digital

Pink Dark Sun - Black Wood Framed Abstract Photograph - Digital Print- In Stock
By Susan Daboll
Located in New York, NY
Pink Dark Sun is an abstract limited edition fine art color print by photographer and graphic artist Susan Daboll. This minimal square print is framed in a thin black wood frame and ...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Luster, Paper, Digital, Wood

Pink Sun - Limited Edition Abstract Color Photograph - Square Digital Print
By Susan Daboll
Located in New York, NY
Pink Sun is an abstract limited edition fine art color print by photographer and graphic artist Susan Daboll. This colorful square digital print ships safely in tube. Print Size is...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Digital, Luster, Paper

Survey 4 - Abstract Drawing - Colored Pencils on Archival Paper - Contemporary
By Margaret Neill
Located in New York, NY
Survey 4 is an original abstract drawing by artist Margaret Neill. It features multicolored curves in colored pencil on white archival paper for a contemporary feel. MARGARET NEIL...
Category

21st Century and Contemporary Abstract Drawings and Watercolor Paintings

Materials

Archival Paper, Color Pencil

Lacawac #49 - Colorful ink on paper edition with Archival Pigment Print
By Elizabeth Gilfilen
Located in New York, NY
Archival Pigment Print of rich abstraction by Artist Elizabeth Gilfilen. Edition of 20 Paper Size: 20 in x 24 in Frame Size: 23.5in x 27.5 in Artwork priced unframed. Please contac...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Paper, Archival Pigment

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Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)
By Birgit Blyth
Located in Hudson, NY
Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...
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Grid. No 5 (Contemporary Framed Abstract Grid in Black & Coffee)
By Birgit Blyth
Located in Hudson, NY
unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...
Category

2010s Abstract Abstract Photography

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Grid. No 11 (Contemporary Framed Abstract Grid in Black & Coffee)
By Birgit Blyth
Located in Hudson, NY
unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...
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2010s Abstract Abstract Photography

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Backlit Image - Fashion Week Paris 2016
By Kristy Sparrow
Located in Soquel, CA
Spectators in silhouette viewing an immense display of vintage camera flash accessories. By Kristy Sparrow, an American, Paris-based photographer. Signed and numbered by the artist. Presented in a black wood frame. Image, 20"H x 30"W. Kristy Sparow has had a lifelong love affair with photography. After many years developing her career in Los Angeles, she made the move to Paris in 2009 where she has been consistently working at the top of her trade in fashion, music, and entertainment, with images regularly seen in major media around the world. She has worked the runway for most major designer brands, including the CBS live Victoria’s Secret Fashion Show, and on behalf of the Arab Fashion Council, she was the solo photographer at the end of Saudi Arabia’s first-ever 2018 fashion show in Riyadh. Chanel, Estée Lauder, Justin Timberlake and The Leonardo DiCaprio Foundation are among those on her client list. Kristy has received many Best Of acknowledgements for her work, and feels fortunate for the opportunities to travel and to be a part of many memorable moments—including a weekend in Switzerland photographing...
Category

2010s Abstract Abstract Photography

Materials

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No. 5, Cubes (Abstract Cameraless Photograph in Black and Neutral, Framed)
By Birgit Blyth
Located in Hudson, NY
Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...
Category

Early 2000s Abstract Abstract Photography

Materials

Photographic Paper, Digital

Grid No. 202 (Modern, Abstract Gestural Photo in Light Coral, Brown, & Mocha)
By Birgit Blyth
Located in Hudson, NY
20 x 16 inches Unique chromoskedasic monoprint on black and white photo paper with gloss finish This contemporary, abstract style chromoskedasic monoprint was created by experimenta...
Category

2010s Abstract Abstract Photography

Materials

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