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Koyo TamakiUntitled (0322-11), Silver Gelatin Print, 20112011
2011
About the Item
Artist Commentary:
Koyo creates an elegant, intricate composition with deep grays against soft, hazy white in this photograph of plants against a window.
Keywords: photography, nature
Artist Biography:
Koyo Tamaki was born in Nagoya, Japan. When he was nine years old, his family moved to Pakistan where they spent the next three years. In 1988, Koyo began taking photographs while finishing his degree in architecture. After graduation, he began working as an architectural engineer for the Japanese government. In 1992, after a trip to Pakistan, Koyo began to consider photography as a career. Shortly thereafter, he moved to New York City to study at the Pratt Institute, where he earned an M.F.A. in photography. In his work, Koyo attempts to rediscover the world through his own eyes and technique. When taking a photograph, Koyo considers the four lines of picture frame, light intensity, tonal density, contrast, texture, and -most importantly-how it looks. Without his experiences, persistence, intuition, and open mind, he could not have made it this far.
- Creator:Koyo Tamaki (1967, Japanese)
- Creation Year:2011
- Dimensions:Height: 12 in (30.48 cm)Width: 8 in (20.32 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Boston, MA
- Reference Number:
Koyo Tamaki
Koyo Tamaki was born in Nagoya, Japan. When he was nine years old, his family moved to Pakistan where they spent the next three years. In 1988, Koyo began taking photographs while finishing his degree in architecture. After graduation, he began working as an architectural engineer for the Japanese government. In 1992, after a trip to Pakistan, Koyo began to consider photography as a career. Shortly thereafter, he moved to New York City to study at the Pratt Institute, where he earned an M.F.A. in photography. In his work, Koyo attempts to rediscover the world through his own eyes and technique. When taking a photograph, Koyo considers the four lines of picture frame, light intensity, tonal density, contrast, texture, and -most importantly-how it looks. Without his experiences, persistence, intuition, and open mind, he could not have made it this far.
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