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Laurent LamarcheEmbryon 62016
2016
About the Item
Laurent Lamarche’s objects strike a scientific chord in contrast to an art world overwrought with digital spectacles and ominous critique. Lamarche’s work bares a rigorous formalism imbued with indexes to-wards the ever difficult area of art and technology. Developing an art so rooted in the bio-political that is primarily formalistic is a difficult task indeed. We must also concern ourselves that the art object as object of knowledge is a pressing concern. It is our duty to use objects such as those found in Lamarche’s oeuvre as prompts to develop new critical epistemologies.
Many of his work displayed in bell jars have a distinct ambience recalling cyber-hybrid developments. In other works one examines amoeba-like structures threaded through with mechanical skeleton, they appear as nu-cryptophyte algae, all done from the vantage-point of a microscopic lens peering into a petri dish. In some pieces we find prosthetics, again instilling a sense of the hybrid. All against a backdrop of the clini-cally white, artificially reduced.
The bio-technological force at work in these objects bears significance in the infrastructure surrounding their content. Collectively his works indicates to us that it has become necessary to read into objects as indexes of wider cultural and cognitive processes within newly emerging paradigms of a technologically complex world. In discussing these works as objects there can be a reinterpretation of radical technologies that separate humans and machines that realises that agency is not a property of an entity, but produced through objects that generate discursive practices.
- Creator:Laurent Lamarche (1977, Canadian)
- Creation Year:2016
- Dimensions:Height: 17 in (43.18 cm)Diameter: 17 in (43.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montreal, CA
- Reference Number:1stDibs: LU4761510943
Laurent Lamarche
Laurent Lamarche's works embody a reflection situated at an intersection between the scientific laboratory, the cabinet of curiosity, and the museum of natural history. Their artistic analysis is rooted in the potential for transformation of matter, objects, and beings, allowing for them to uncover connections between humanity, nature, and instrumentation. One of the artist's primary challenges is exploring the modeling of natural phenomena through the use of ideas and images. They aim to strike a balance between low-tech and high-tech, crafting fictional universes that have a futuristic and technological feel to them. The artworks feature organisms and phenomena that evolve and grow, allowing for a deeper exploration of the porosity of boundaries between art and science, and between nature and artifice. Laurent Lamarche holds a master's degree in visual arts (2012) from the Université du Québec à Montréal. He works in sculpture and photography as well as in installation and multimedia. His works have been presented in group and solo exhibitions in Quebec and abroad. They are part of numerous private and public collections, including those of the Musée national des Beaux-Arts du Québec, the Cirque du Soleil, Loto-Québec, Tourisme Montréal and the University of California at Berkeley. Laurent Lamarche has created more than a dozen public artworks in Quebec, as part of the Politique d'intégration de l'art à l'architecture.
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