Unknown

Blue Cyanotype Photogram of Woman's Garments

Late 20th Century

Black and white close up photograph of a flower. This photograph showcases the Sabbttier process or the results of solarization. The photograph is not framed. Artist Biography: Pat ...

Modern black and white off-centered film negative of a photograph of a tree. The 24th image on the strip of film, the skewed composition creates an air ...

Color laser print photograph by contemporary photographer Casey Williams. The piece features a close up shot of the reflection of a red boat in the Houston ship channel. Signed, titl...

Dark toned photograph of the ocean with piles of wooden debris floating on top. The photograph is framed in a grey wooden frame with a white matte. The photograph is signed by Barer and it might apart of her series titled "When the Ice Melts...

Metallic photograph of interior space with a bed. The photograph is layered and in black and white. The work is signed and titled by the artist. It is framed in a black frame.

Photograph documenting daily life in Havana, Cuba by renowned photojournalist Rick Hunter. This work features a closeup shot of graffiti stating "Don't Let...

'Sandstill no. 6' 32x40cm limited edition of 20. Photograph is printed on heavyweight German Etching fine art paper. Photograph is signed and stamped by the artist from and back,...

'Sandstil no.5' 32x40cm limited edition of 20. Photograph is printed on heavyweight German Etching fine art paper. Photograph is signed and stamped by the artist from and back, w...

Black-and-white abstract microcosm of brain coral. Limited Editions Series of 30. Photographic metal print. Mid-gloss finish. Metal prints are mounted on 2mm black Styrene with bl...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. The Wollemi Pine, thought to be extinct, was known only from 200-million-year-old fossils until 1994, when the 100 ft trees were discovered living happily in the impenetrable forests of New South Wales. The personification of longevity and adaptability, this beautiful tree is critically endangered. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Ferns are some of the oldest plants on earth. Ferns embody resilience. Many forms have come and gone since they first appeared on the planet; 10,000 species exist today, in tropical, temperate and arctic regions. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Blue Gum trees, native to Australia, have survived for millennia by adapting and thriving in a climate where wildfires are common. Now invasive in many parts of the world, this 'gasoline tree' is a dangerous fire hazard, especially in the face of climate change, which is expected to make wildfires more common. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...