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Matthieu VenotUntitled XI by Matthieu Venot - Abstract photography, architecture, urban, city2015
2015
$1,281.16
£970.51
€1,100
CA$1,774.88
A$1,990.64
CHF 1,042.47
MX$24,188.23
NOK 13,237.60
SEK 12,550.18
DKK 8,375.14
About the Item
Untitled XI, Urban Nautilus series, is a limited-edition photograph by contemporary artist Matthieu Venot.
This photograph is sold unframed as a print only. It is available in 3 dimensions:
*30 cm x 30 cm (11.8" × 11.8"), edition of 8 copies
*50 cm x 50 cm (19.7" × 19.7"), edition of 10 copies
*110 cm x 110 cm (43.3" × 43.3"), edition of 8 copies
All prints are signed and numbered.
Contact us regarding framing options.
This series is primarily about popular locations in Brest, especially the port. There's the lighthouse, shipping containers, the station and the aquarium "Oceanopolis".
Matthieu Venot focus his lens on architectural details and adopting fairly constructivist angles, the artist succeeds in creating abstract geometric images. He only photographs when the weather is incredibly good and thus Matthieu uses the immaculate sky like the background in a studio. Thus, he maintains, is his way of not disturbing, the composition of his pictures : simple and graphic. The blue sky background also enhances the colours. Colour is, in fact, of the utmost importance in Matthieu Venot’s photography.
- Creator:Matthieu Venot (1979, French)
- Creation Year:2015
- Dimensions:Height: 19.69 in (50 cm)Width: 19.69 in (50 cm)
- More Editions & Sizes:30 cm x 30 cm (11.8" × 11.8"), edition of 8Price: $582110 cm x 110 cm (43.3" × 43.3"), edition of 8Price: $2,795
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803114360672
Matthieu Venot
Focusing his lens on architectural details and adopting fairly constructivist angles, Matthieu Venot succeeds in creating abstract geometric images. Born in Brest in Brittany, he started his photographic work with the desire to reveal his city from a different perspective. He only takes photographs when the weather is incredibly good. The photographer uses the immaculate sky like the background in a studio. Lines cross over and overlap, shapes stand out from this blue background and have us forgetting what we are observing: a roof, a wall, a balcony. “My photographs are full of colour, there’s a beautiful blue sky, so when you look at the picture you feel good. [...] It’s an optimistic vision of reality!”
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