Mitchell Funk

Red Wall Lower Manhattan Street Scene - Early Color Photography

1970

An observing black dog is captured against a yellow and red Coca-Cola sign in Guaymas, Mexico. Shot in 1970, Mitchell Funk was innovating in color photography, which is what many col...

Bright reds, yellows, blue and green stripes adorn a wall in lower Manhattan. Chairs of the same color scheme line the street and have an older woman with a scarf covering her face. ...

Street photographer Mithcell Funk celebrates the colorfully painted Victorians in Alamo Square with a color photograph that reveals the true character of the architecture. It's a jo...

A marquee for an Art Deco Movie theater in Denton, Texas is photographed with meticulous precision by street photographer Mitchell Funk. Funk's approach...

“Private Pool” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of mas...

Large scale original art photography from a series of dramatic cloud atlas and abstract sky scapes observations above the Pacific Ocean Cloud Study VII by Frank Schott 40 x 32 inc...

CREATURE II by Christian Stoll from a series of still life photographs capturing fantastical creatures made of found objects and organic materials ( 48 x 68" / 122 x 173cm ) editio...

Joy of Color, 2002 by Yasuhiro Ishimoto is a contemporary color photograph from an extensive documentary photography series of Japan that Nagano shot on assignment. The image is hand-signed on recto (front left margin) by the photographer. This is an archival pigment print on Hahnemule Fine Art paper printed 2005 under the direction of the photographer. The 19" x 13" work is from the portfolio "Masters of Modern Photography. Japan," Tokyo. Edition available: 87/100. Provenance: Private Collector *** Artist’s Bio: Yasuhiro Ishimoto a Japanese photographer was born in 1921. His work was chosen by Edward Steichen to appear in the Family of Man exhibition and catalogue at the Museum of Modern Art in 1955, and Steichen also selected his work for a three-person exhibition in 1961. From 1973-1993 Ishimoto produced a number of in-camera color abstractions that appeared as covers for a Japanese magazine. Ishimoto's exhibitions, include New Japanese Photography at the Museum of Modern Art in 1974, solo shows in 1960 and 1999 at the Art Institute of Chicago, a retrospective in 1989–1990 at Seibu Museum of Art in Tokyo, and an exhibition at the National Museum of Modern Art, Tokyo, in 1996. His later photography addressed the transitory nature of life as shown in photographs of clouds...