Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Mitchell Funk
Two Boots and an Umbrella - Red and Black Color Field Photography

2022

About the Item

Street Photography: Literally. A downward view of a wet monochromatic Manhattan street references color-field painting. Flat geometric sections of color are accented by an alternating red and black diamond-patterned umbrella. On close inspection, two black boots peek out from under the umbrella and punctuate the composition. Signed, dated and numbered, 3/15 recto, unframed, printed later, other sizes available. This work is printed on fine art Hahnemuhle paper. Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur" . 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color ! American Photography Transformed. Amon Carter Museum . He has had more than 50 Photography Magazine Covers and has had covers on Newsweek and Life Magazine
More From This SellerView All
  • Deck Chair Casual Abstraction with Raking Light and Shadows
    By Mitchell Funk
    Located in Miami, FL
    Deck chairs randomly positioned on an Upper East Side balcony are captured by Photographer Mitchell Funk. Raking light produces abstract long shadows giving the overall arrangement of elements a casual abstract look. In the center of the composition is a yellow and green chair with colors...
    Category

    2010s Abstract Geometric Abstract Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

  • Urban Art Bus Driver and Graffiti, Street Photography by Mitchell Funk
    By Mitchell Funk
    Located in Miami, FL
    Street art comes to the intersection of street photography. Signed dated and numbered 3/15 lower right recto, other sizes available, unframed, printed later. Printed on Hahnemühle Fi...
    Category

    2010s Abstract Geometric Abstract Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment, Photographic Paper

  • Vintage Las Vegas- Fremont Street Neon Signs, The Mint, Old Las Vegas
    By Mitchell Funk
    Located in Miami, FL
    The neon signs of Fremont Street's casinos are more than just documented by photographer Mitchell Funk. They are carefully composed as if it were a studio still life with each elemen...
    Category

    1970s Abstract Geometric Color Photography

    Materials

    Archival Ink, Archival Paper

  • Warby Parker Prescriptions Manhattan, Color Photography, Abstract Photography
    By Mitchell Funk
    Located in Miami, FL
    In Manhattan, a vintage turquoise sign pops out from a dark background and creates a powerful graphic composition. The fine art photograph is Signed, dated and numbered lower right...
    Category

    2010s Abstract Geometric Color Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment, Photographic Paper

  • Sydney Opera House, Modern Photography Cover , Abstract Photography
    By Mitchell Funk
    Located in Miami, FL
    Modern Photography Cover, February, 1987 Triple exposure of silhouetted men on a hill, against plexiglass colored shapes echoing the bold iconic architectural curves of the opera h...
    Category

    1980s Abstract Geometric Color Photography

    Materials

    Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

  • New York City Abstraction - Street Photography: Literally
    By Mitchell Funk
    Located in Miami, FL
    Street Photography: Literally. From an elevated vantage point, Street Photographer Mitchell Funk shoots down on a busy midtown Manhattan street and composes the image so that it's as...
    Category

    2010s Abstract Geometric Abstract Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

You May Also Like
  • W.T.C: Concrete Abstract#11
    By Shai Kremer
    Located in New York, NY
    Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...
    Category

    2010s Abstract Color Photography

    Materials

    Archival Paper, Archival Pigment, Archival Ink

  • W.T.C: Concrete Abstract#13
    By Shai Kremer
    Located in New York, NY
    Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...
    Category

    2010s Abstract Abstract Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

  • W.T.C: Concrete Abstract#12
    By Shai Kremer
    Located in New York, NY
    Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...
    Category

    2010s Abstract Abstract Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

  • W.T.C: Concrete Abstract#14
    By Shai Kremer
    Located in New York, NY
    Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. 9/11 Memorial & Museum W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...
    Category

    2010s Abstract Abstract Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

  • Red Window (artist framed) - large scale abstract monochromatic photograph
    Located in San Francisco, CA
    large scale monochromatic abstract observation of geometric architectural elements, from Raymond Meier's series Renderings Red Window (Renderings 05) by Ra...
    Category

    21st Century and Contemporary Abstract Color Photography

    Materials

    Archival Pigment, Giclée, Archival Ink, Archival Paper

  • W.T.C: Concrete Abstract#10 (panorama)
    By Shai Kremer
    Located in New York, NY
    Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...
    Category

    2010s Abstract Abstract Photography

    Materials

    Archival Pigment, Archival Ink, Archival Paper

Recently Viewed

View All