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Paul SnellBleed # 202481 (Abstract Photography)2024
2024
About the Item
Bleed # 202481 (Abstract Photography)
Chromogenic Print Face-mounted 3mm Matte Plexiglas — Unframed.
Work can be hung with either the WallCleat system (support bar supplied) or the screw-eye system if it needs support from wire or above.
Available in 4-5 weeks turnaround.
Snell creates small production runs, printing each unique work in an edition of one to three.
His process begins by capturing a location or an object. He then digitally “decodes” the visual information present in that image. After reducing and simplifying the colors and forms, he begins an intensive “re-coding” process, during which the reduced formal elements of the work evolve their self-referential relationships within a new composition. This process blurs the boundary between “taking” and “making” a photograph. When the digital composition is complete, Snell converts it into a Chromogenic print using the Fujiflex printing system, which allows luminous, vibrant, colorful photographic printing onto metallic paper. The print is then mounted onto Plexiglass.
Paul Snell combines traditional and digital techniques to explore the possibilities of abstraction and minimalism in contemporary photo media. Paul Snell’s recent works lure the viewer into a meditation on image saturation. The title of this exhibition, Visceral, brings the body back into the equation – not just the eye and brain, but the gut. These new works have emerged instinctively out of the artist’s process, and consequently, they grab the viewer viscerally, harnessing the senses and luring them around the composition into voids and points of tension. He lives and works in Launceston, Tasmania.
- Creator:Paul Snell (1968, Australian)
- Creation Year:2024
- Dimensions:Height: 72.84 in (185 cm)Width: 47.25 in (120 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU659315250712
Paul Snell
Paul Snell combines traditional and digital techniques to explore the possibilities of abstraction and minimalism in contemporary photo-media. Snell earned his Bachelor of Fine Arts at the University of Tasmania in 1989, his BFA (Honors) from the University of Tasmania in 1995, and his Masters of Contemporary Arts from the University of Tasmania in 2011. Snell has exhibited his work extensively throughout Australia and Tasmania, and selectively in the United States.
His work is included in numerous public and private collections, including that of ArtBank, the Devonport Regional Gallery, the Burnie Regional Gallery, and the Justin House Museum. Snell creates small production runs, printing each unique work in an edition of one to three. His process begins by capturing a location or an object on film with a traditional camera. He then digitally “decodes” the visual information present in that image. After reducing and simplifying the colors and forms, he begins an intensive “re-coding” process, during which the reduced formal elements of the work evolve their own self-referential relationships within a new composition. This process blurs the boundary between “taking” and “making” a photograph. When the digital composition is complete, Snell converts it into a Chromogenic print using the Lambda printing system, which allows luminous, vibrant, colorful photographic printing onto metallic paper. The print is then mounted onto Plexiglass.
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- ShippingRetrieving quote...Shipping from: Launceston, Australia
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