Sandra Salamonová

BIG DOT Photography Fine Art Print Limited Edition

Pillow I. is a special pillow - made from stone, located in a park. I liked the pattern, signed photography.

Photography, signed. Inspiration was a glass candy from around 1932-1930 probably Czech provenience. I liked the contrast between the heavy wooden ornamental frame and the fragility ...

The idea behind was a 10 KG Dictionary from 1991 which nobody wanted. According to me a special piece. At the present when AI is to be a subject of discussion I wanted to point out t...

Print, limited edition of 15. Photographed in Bratislava a detail of a technical building-architect Jurkovic. Signed by the author.

Women in from of Basquiat like wall . This was shot in New York City Signed , dated lower right and numbered verso 3 /15, Unframed, Other sizes available. printed later, Printed on ...

Signature: signed dated lower right signed dated and numbered verso 2 /15 Powerful and unexpected graphic shows that street photography does not have to be gritty or about social is...

Haight-Ashbury in full bloom. I single Hippie like figure is framed perfectly in the doorway to give this beautiful urban graphic scale. Signed and dated on lower right, numbered ...

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...