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Sandra SalamonováHole 1 - Abstract, limited, signed, print/photography2023
2023
About the Item
Print/Photography, abstract, limited 1/5, signed by the author.
- Creator:Sandra Salamonová (1965, Slovak)
- Creation Year:2023
- Dimensions:Height: 27.56 in (70 cm)Width: 19.69 in (50 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Slovak Republic, SK
- Reference Number:1stDibs: LU1334112194082
Sandra Salamonová
Sandra Salamonová, coming from an artistic family and milieu. She likes to make photographs and react to objects of our everyday life. In 2012 she earned a Certificate from the Sothebys Institute of Art, exhibitions mainly in Bratislava e.g. Jewish Museum.
About the Seller
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- ShippingRetrieving quote...Shipping from: Bratislava, Slovakia
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Located in Slovak Republic, SK
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Hole 2 - Abstract, limited, signed, fine art print
By Sandra Salamonová
Located in Slovak Republic, SK
Photography/ fine art print, limited 1/5, signed by the author.
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Hole 3 - Abstract, limited, signed, print/photography
By Sandra Salamonová
Located in Slovak Republic, SK
Photography / art print, limited 1/5, signed by the author.
Category
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White Mood
By Sandra Salamonová
Located in Slovak Republic, SK
Photography / fine art print, limited 1/5, signed by the author.
Category
21st Century and Contemporary Abstract Abstract Photography
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Photographic Paper, Digital
Letters
By Sandra Salamonová
Located in Slovak Republic, SK
Picture done during a city walk, evoking intensity, could be interesting in a modern interior. This one is framed. Limited edition of 50.
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
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Rainbow on the Wall/ Print/ Signed
By Sandra Salamonová
Located in Slovak Republic, SK
Print / photography, signed by the author, limited to 5. Rainbow a symbol taken so often, but I hope that the picture evoke curiosity, hope and well-being and it is really a reflect...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
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The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
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