Sasha Bezzubov and Jessica Sucher

"Beatles 27" 40"x50" large format photogaraph, limited edition of 5

2006

18"x24", signed, editioned color photograph. The rose pink textured wall of the distressed background in this photograph complements pinkish reds of the road depicted in the rural town landscape painting, which was selected and placed by the artist to have this interaction. The red tones in horizontal stripes of the exposed wood lathing strips on the wall that the painting is hung, add to the visual texture with the white paint under the peeling pink paint. Time and age have created an image of beautiful decay with the cracked and peeling paint, which creates an amazing visual backdrop to the painting. The pairing of the two in this photograph compliment each other on a sensory level and bring out thoughts of nostalgia and longing. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. He is arguably the first to coin the neologism “modern ruins”. His photographs published in “Woody Guthrie’s Wardy Forty,” have won numerous awards, documenting the singer/songwriter/activist’s life at Greystone Park Psychiatric. He received his BA at Rutgers University and his MFA in photography at School of Visual Arts. Phillip Buehler has been featured in Art in America, The New York Times, Art News, The Art Newspaper, Wall Street Journal, American Photo Magazine, The Huffington Post, Hyperallergic, Gothamist, Art F City, The Sun, ABC, CNN, and numerous other publications. Phillip Buehler Church Dome...

40"x50" photograph edition of 5, signed on the reverse. Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Sasha Bezzubov uses a large format camera to photograph the people and the land in diverse series including, The Gringo Project, Expats and Natives, Things Fall Apart, The Searchers, Albedo Zone, Facts on the Ground and most recently, Republic of Dust. Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work has been included in numerous solo and group exhibitions including International Biennial of Photography and Visual Arts (Liege, Belgium); Tucson Museum of Art; Museum Belvedere (The Netherlands); Herter Art Gallery (University of Massachusetts); Wavehill (New York); New Orleans Museum of Art; and Noorderlicht Photography Festival (The Netherlands). In 2009 Nazraelli Press published Bezzubov’s monograph Wildfire (introduction by Bill McKibben). In 2011 Daniel Cooney Fine Arts published Facts on the Ground (introduction by Lucy Lippard) to accompany the exhibition. His work is in permanent collections of the Metropolitan Museum of Art, the Museum of the City of New York, and the Joy of Giving Something Foundation. Bezzubov’s work has appeared in the New York Times Magazine, Harper’s, The Telegraph Magazine, Esquire, Newsweek, Time, Art & Auction, and Details; and has received critical acclaim in The New Yorker, Freeze, The Village Voice, The Brooklyn Rail and Print. In 2012, The Sylvia Bongo Foundation invited Sasha Bezzubov to Gabon, Central Africa. Republic of Dust, the series of photographs that resulted from this experience was exhibited at Front Room Gallery ( 48 Hester Street...

These photographs are printed on archival pigment paper and encased in resin. They are part of a diptych, and are placed in a white float frame, placed two inches apart. They are a ...

“Salsa” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...