Stuart Möller

Composition With Pink - Signed Limited Edition

2010

'Dark Wave I' by Stuart Möller Beautiful capture of a single wave at dusk. Seascape, abstract landscape. An exquisite SIGNED Limited Edition C Print. * Edition Size 10 only this ...

'Dark Wave I' by Stuart Möller Beautiful capture of a single wave at dusk. Seascape, abstract landscape. An exquisite SIGNED Limited Edition C Print. * Edition Size 25 only this ...

'It's In The Trees I' by Stuart Möller Abstract capture of a trees in a wood.Abstract landscape. An exquisite Limited Edition Archival Pigment Print. Edition Size 3 only this siz...

'Ice, Rock & Sea' Archival Pigment Print Amundsen Gulf sea ice coverage, June 2015. Satellite image showing sea ice edge in the Amundsen Gulf, between Victoria Island and mainland Canada. This Archival Pigment print is a LARGE 30 30" inches / 76 x 76 cm's (30x40" paper size) and printed on beautiful Hahnemühle photorag art paper. Gloriously vivid colours and fine detail - this abstract-like photograph is a breathtaking image of our word taken from above. Science Photo Archives, London. EDGE PRINTS...

Since its construction, Mitchell Funk has been chronicling the Twin Towers, of the World Trade Center. More specifically, he has been recording how light affects and transforms the two giant monoliths. Like us all, Mitchell was inspired by the formidable presence of the two buildings. Living in Brooklyn Heights with great views of lower Manhattan gave him a special advantage and opportunity to assemble some of the most iconic Twin Tower images ever taken. To Mitchell Funk, the Twin Towers, of the World Trade Center were the perfect synthesis of commerce and art. Most modern architecture is simply functional. Minoru Yamasaki's Twin Towers were in fact something quite radical. They were a steel and glass expression of Minimalism on the grandest scale in human history. Everything in the towers was stripped down to its essential quality with nothing extraneous added ….. except light. The way the buildings reflected light made them unique and inspired Mitchell to record them in color for 32 years. Although, the exterior was actually made of a very reflective blue/grey stainless steel the warm light of daybreak and sunset could change their color and transform them from buildings into and mystical monumental sculptures. With the help of the sun as a key player, Mitchell’s images of the Twin Towers progress from the mystical to the spiritual as they reflect the sun’s intense golden energy. Under these conditions, one could argue, that the Twin Tower housed the same type of divine energy as the adjacent churches. In the wake of the 9/11 tragedy, one could interpret Twin Tower sunset images differently. A sunset can be a symbol for the end of the day or simply The End. The 1969 image “Dead End” is a visual prognostication. The North Tower is under construction in the background and in the foreground, Mitchell has framed it between two street signs that read Dead End. In Mitchell’s Twin Tower photographs, he is not taking a tourist picture that says “here I am on the Brooklyn Heights Promenade...

' Untitled ' SIGNED Limited Edition Oversize print by Stuart Möller Beautiful large print abstract image of a natural chasm in a cornfield. 40 x 30" inches paper size - signed an...

Signed, numbered and dated lower right 3/15 . unframed, other sizes available. Printed on Hahnemühle Fine Art paper Robert Funk is a painter, advertising art director and photogra...

Signed, numbered and dated lower right 3/15 . unframed, other sizes available. printed later Printed on Hahnemühle Fine Art paper Robert Funk is a painter, advertising art directo...