Shoe Abstract Photography

Concrete by Frank Schott monochromatic details of architecture 48 x 72 inches / 122cm x 183cm edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival fine ...

Black and White Fine Art landscape photography. Architecture detail from the tower of the Brooklyn Bridge, New York City, USA. Archival pigment ink print, edition of 9. Signed, title...

“Bryant Park” New York, Giclee Print, Limited Edition Creator: Hatice Besun Creation year: 2021 Dimension: 42 x 28 External Dimension( with white border) : Height: 43.6 inch Weigh...

Black and white, nature, trees, grainy, film, sky, nature, B&W, black and white photography, tree, Todd Burris, outdoors. Listing is for UNFRAMED print. Inquire within for framing. ...

WAVE II by Christian Stoll large scale abstract photograph of soothing mesmerizing fluid liquid waterscape 58 x 58 inches (147 x 147cm) edition of 7 signed 48 x 48 inches (122 ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 44 x 65" unframed (112cm x 165cm) 2022 Edition 1/8 *Shou...

Dubawi, 'Stripped’, 2001 by John Reardon Edition of 15 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piec...

King's Best, ‘Neck’, 2001 by John Reardon Edition of 7 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of : (after) Whist...

Diamond 11 - Limited edition pigment print Limited Editions of 5, unframed Signed + numbered by artist, with certificate of authenticity This is an Archival Pigment print on fiber ...

Abstract Dancers, Dark Blue 4, 2019 Archival Pigment Print in this size of 50cm x 50cm in an edition of 15 Please contact the gallery for further details on the oversize print of 1...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...