Thomas Demand

Thomas Demand, Five Drafts (Simulator): Suite of 5 Photographs, Signed Prints

2004

John Baldessari (American, 1931-2020) Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973 Medium: Complete set of twelve offset lithographs i...

John Baldessari (American, 1931-2020) Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973 Medium: Complete set of twelve offset lithographs i...

Thomas Demand (German, born 1964) Grotto (from Catalogue Serpentine Gallery, Collector’s Edition), 2006/2009 Medium: Set of 2 cibachrome prints, exhibition catalogue Dimensions: each...

Thomas Ruff (German, b. 1958) PHG.S.01, 2020 Medium: Chromogenic print Dimensions: 11 4/5 × 9 2/5 in (30 × 24 cm) Edition of 100: Hand signed and numbered, verso Condition: Mint

Wolfgang Tillmans (German, born 1968) Freedom From the Known, 2006 Medium: Xerox print on heavy paper Dimensions: 42 x 29.8 cm Edition of 20 + 10 A.P.: Hand-signed and numbered Condi...

Damien Hirst (British, born 1965) Forever, 2020 Medium: Laminated Giclee print on aluminium composite panel Dimensions: 39 x 39 cm Edition of 2573: Printed signature and edition numb...

Fu Wenjun, 1955, is a famous Chinese contemporary artist. He creates principally through the art media of photography, installation, sculpture and oil painting, and has put forward t...

Phosphene #20, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 28.75" ...

Pupil #1, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Edition 2 and 3 are unfra...

Kalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...

Kalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...

Kalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...