Items Similar to Pupil #1, 2022, digitally made print, edition of 3, signed
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Gary CruzPupil #1, 2022, digitally made print, edition of 3, signed2022
2022
About the Item
Pupil #1, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Edition 2 and 3 are unframed. Framing is recommended before shipping.
All work is shipped flat, not rolled.
In this recent work, the artist has focused on the production of abstract painterly images using a variety of digital methods and processes. These new images are at, what he calls, the “Center of Seeing” - closeups of a moment in time and space from the center of his digitally made kaleidoscopic videos. These captured images contain circle, star, or other primal geometric shapes – some resembling mandalas or flowers of a new interior space. Spiritual, psychological, with an emanating quality of light, they are vaguely familiar yet new.
Mr. Cruz is a recipient of the Pollock-Krasner Grant. His first solo show was at White Columns, New York City in 2003. His last solo show “I’ll Take you There” was at the Olympia Project, Bushwick, in 2020. His studio is located in the Flower District in Manhattan.
- Creator:Gary Cruz (1961)
- Creation Year:2022
- Dimensions:Height: 30 in (76.2 cm)Width: 18 in (45.72 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU2014210395172
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1999
1stDibs seller since 2022
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Phosphene #20, 2022, digitally handmade print, edition of 3, signedBy Gary CruzLocated in New York, NYPhosphene #20, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 28.75" ...Category
2010s Contemporary Abstract Prints
MaterialsArchival Pigment
- Dilation #4, 2022, digitally made print, edition of 3, signedBy Gary CruzLocated in New York, NYDilation #4, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 16...Category
2010s Abstract Abstract Prints
MaterialsArchival Pigment
- Pupil #10, 2022, digitally made print, edition of 3, signedBy Gary CruzLocated in New York, NYPupil #10, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image and paper size is ...Category
2010s Abstract Abstract Prints
MaterialsArchival Pigment
- Iris Eye #13, 2022, digitally made print, edition of 2, signedBy Gary CruzLocated in New York, NYIris Eye #13, an edition of 2, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 57" x 32...Category
2010s Abstract Abstract Prints
MaterialsArchival Pigment
- On the Periphery #3, 2022, digitally made print, edition of 3, signedBy Gary CruzLocated in New York, NYOn the Periphery #3, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 4...Category
2010s Abstract Abstract Prints
MaterialsArchival Pigment
- Dilation #11, 2022, digitally made print, edition of 3, signedBy Gary CruzLocated in New York, NYDilation #11, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 1...Category
2010s Abstract Abstract Prints
MaterialsArchival Pigment
You May Also Like
- Botanical Scribble, Contemporary Digital, Abstract Wood FrameBy Kalee Appleton (American)Located in Austin, TXKalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...Category
2010s Contemporary Abstract Prints
MaterialsArchival Pigment, Wood
- Clematis, Contemporary Digital, Abstract Wood FrameBy Kalee Appleton (American)Located in Austin, TXKalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...Category
2010s Contemporary Abstract Prints
MaterialsWood, Archival Pigment
- Curvy Curves, Contemporary Digital, Abstract Wood FrameBy Kalee Appleton (American)Located in Austin, TXKalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...Category
2010s Contemporary Abstract Prints
MaterialsWood, Archival Pigment
- Moon Dream (Pink & Blue), Contemporary Digital, Abstract Wood FrameBy Kalee Appleton (American)Located in Austin, TXKalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...Category
2010s Contemporary Abstract Prints
MaterialsArchival Pigment, Wood
- High Mountains (Blue & Orange), Contemporary Digital, Abstract Wood FrameBy Kalee Appleton (American)Located in Austin, TXKalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...Category
2010s Contemporary Abstract Prints
MaterialsWood, Archival Pigment
- 17 Waterfalls, Contemporary Digital, Abstract Wood FrameBy Kalee Appleton (American)Located in Austin, TXKalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...Category
2010s Contemporary Abstract Prints
MaterialsArchival Pigment, Wood
Recently Viewed
View AllMore Ways To Browse
Signed Print Flowers
Columns Prints
Maple Frame Print
Europe Screen
Original Silkscreens
Red And Pink Print
Lithograph 1975
Art By Kandinsky
Op Art Signed
Miro Numbered Signed
Multiples Geometric Artwork
Signed And Numbered Miro
Joan Miro Lithographs
Joan Miro After
Joan Miro Numbered
Pencil Serigraphs
Digital Giclee Prints
Contemporary Monotype