Allan Tannenbaum

The Cure gets caught on Columbus Ave., NYC

1980

'James Brown Jumps on Broadway, New York City,' 1979 by famed American photographer, Allan Tannenbaum. Archival pigment print, 15 x 10 inch photo on 20 x 16 inch on the finest satin ...

'Jack Nicholson on the sofa in his room at the Carlyle Hotel,' 1981 by famed American photographer, Allan Tannenbaum. Archival pigment print. 10 x 15 inch photo on 17 x 22 inch on th...

'Bruce Springsteen at the Palladium,' 1976 by famed American photographer, Allan Tannenbaum. Archival pigment print, 10 x 15 in. (image) on 17 x 22 in. (paper), Ed. of 50. This black and white photograph captures musician Bruce Springsteen leaning back on fans from railing, between audience and pit, at a performance at The Palladium in NYC on October, 1976. From the artists' 4th hardcover book 'Grit and Glamour: The Street Style, High Fashion, and Legendary Music of the 1970s,' published in 2016. This image was taken during Tannenbaum's tenure at The SoHo Weekly News in New York City from 1973 to 1982 where he served as Chief Photographer and Photo Editor. Allan Tannenbaum's career in photography spans more than four decades. Born in Passaic, New Jersey, in 1945, he received a B.A. in Art from Rutgers University in 1967, where he photographed for The Targum – the campus newspaper – and made films for his art courses. Gravitating to the nascent art scene in the SoHo district of Manhattan in 1972, Tannenbaum worked as a taxi driver and bartender while looking for work as a photographer. In 1973, when the SoHo Weekly News commenced publication, Tannenbaum became the Photo Editor and Chief Photographer. The newspaper started out as an eight-page free paper, but soon became a popular newsstand seller that rivaled the established Village Voice. Tannenbaum relentlessly covered the art world, music scene, politics, show business, and nightlife until 1982 when the SoHo News folded. Tannenbaum has also done documentary and feature photography in places like Thailand, Indonesia, Palau, Jordan, Bahrain, Mozambique, Zimbabwe, Namibia, Brazil, Israel, Iceland, and Mexico. He has covered numerous political campaigns, nominating conventions and news stories in the U.S. such as the Oklahoma City bombing and the Columbine massacre. His work has appeared in many photo books and exhibitions, as well as appearing regularly in NEWSWEEK, TIME, LIFE, ROLLING STONE, PARIS MATCH, and STERN. His photographs have graced the covers of TIME three times, and NEWSWEEK five times. He now works as an international photojournalist contributing to various noted publications including Time, Life, and Newsweek. He is the author of three books of his photography, including New York in the 70s (Feierabend, 2003), New York (Feierabend, 2004), and John and Yoko: A New York Love Story...

Studio 54 Logo/Crowds, 1978 by famed American photographer, Allan Tannenbaum. Archival pigment print. 10 x 15 inch photo on 17 x 22 inch on the finest satin photo paper, Ed. of 50. T...

Reka Nyari’s erotically charged photographs engage cultural narratives surrounding gender and sexuality. A master at the art of storytelling, Nyari’s newest series, GEISHA INK, documents Ginzilla, a dramatically-posed young woman whose naked body is lavishly-adorned with tattoos. A champion of feminine fortitude, Nyari has long been fascinated with the art of capturing women without pretense. Recognizing strength in the vulnerability of the nude female form, she chooses most often to photograph women...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...