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Benjamin HellerCloud Horse2014
2014
$3,000
£2,284.83
€2,633.60
CA$4,196.98
A$4,717.13
CHF 2,456.56
MX$57,371.94
NOK 31,434.64
SEK 29,809.30
DKK 19,655.42
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About the Item
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 5.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Every year, the gallery owner curates the show to best exemplify the 56 exhibited artists’ strengths and aesthetics, remaining cohesively linked by Robin’s extensive knowledge of her artists and of photography. “This is my favorite exhibit, even though it takes months to curate and a week to install,” says Robin. “It is my curatorial showcase.” From floor to ceiling, the walls of the gallery rooms are a mosaic of nearly a hundred photographs, their various sizes, color schemes and subject matter expertly laid out to fit together like the pieces of an eclectic puzzle.
This year’s invitational image, “Beach Samba” by Patricia Heal, is a portrait of a woman in a large, orange-red sunhat, whose downward gaze obscures her face entirely. Blurring the line between photography and painting, the color palette and uniquely large grain pattern of the photograph is reminiscent of Georges Seurat’s pointillism technique, a result of Heal’s signature in-camera developing technique.
One of the most exciting parts of the summertime salon is the introduction of new artists and of new work by existing artists. One such piece, “Cloud Horse” by Benjamin Heller, depicts a horse powerfully rearing its head into the sky above, its dark mane propelled by its movement against the wind. The large, white markings on the horsehide emulate the clouds in the backdrop, while the photographer’s angle creates the illusion of life in the man-made horse.
Suspended from the gallery ceiling are two surfboards displaying images by artist Steve Miller, whose current work is an expansion of his previous solo show depicting various objects under an x-ray machine. The usable, hand-made surfboards display silk-screens and digital prints of the skeletal structures of Brazilian wildlife; the two surfboards used in the summertime salon display an iguana and an alligator, respectively.
Black and White, Animal, Horse, Equestrian, Spotted
- Creator:
- Creation Year:2014
- Dimensions:Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)
- More Editions & Sizes:11 x 14Price: $1,00016 x 20Price: $1,20020 x 24Price: $1,50030 x 40Price: $2,500
- Medium:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU11112794

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Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will be after December 31st. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph.
ABOUT
The idyllic and playful world of The Peconic Bay in Southampton, NY dances to life in Luciana Pampalone’s first solo exhibition. Each location was scouted by Pampalone and transformed into a vintage 1930s setting by the use of her models and props. A Graphlex camera, aviator goggles, parasols, retro bathing suits and games of croquet, (just to name a few) subtly tamper with the past, breathing life back into the 1930s. Moment by moment, Pampalone encapsulates the ephemeral quality of life, bending and blending human subjects within the natural landscape.
Never has a world of black and white looked so colorful. In the gallery installation, a red accent wall will emphasize the spirit and energy evoked by Pampalone’s black and white photographs. The strong compositions and delicate imagery of each photograph come together to transport us into a world of amusement and joy.
“Smile”, the invitational image, let us in on the surreptitious but not-so-secret powers of Pampalone as director. The woman wielding the artist’s personal ‘30s Graphlex camera confronts the male model, embodying strength, poise and an engaging sense of playfulness. Her commanding presence draws him in until he is physically leaning towards her and becomes her subject. Strong and confident, the heroine radiates the eternal spirit of adventure.
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