Chris McCaw

Sunburned GSP #172

2007

Chris McCaw’s ongoing project ‘Sunburn’ has caught fire in recent years, and McCaw’s work exhibits internationally, including: the Getty museum in LA, the Somerset House Trust in Lon...

Chris McCaw’s ongoing project ‘Sunburn’ has caught fire in recent years, and McCaw’s work exhibits internationally, including: the Getty museum in LA, the Somerset House Trust in Lon...

Chris McCaw’s ongoing project ‘Sunburn’ has caught fire in recent years, and McCaw’s work exhibits internationally, including: the Getty museum in LA, the Somerset House Trust in Lon...

Chris McCaw’s ongoing project ‘Sunburn’ has caught fire in recent years, and McCaw’s work exhibits internationally, including: the Getty museum in LA, the Somerset House Trust in Lon...

In this process the sun burns its path onto the light sensitive negative. After hours of exposure, the sky, as a result of the extremely intense light exposure, reacts in an effect c...

Chris McCaw builds his own large-format cameras and outfits them with powerful lenses for his "Sunburned" series. Instead of film, McCaw inserts expired vintage, fiber-based gelatin ...

Sunburned GSP#871 (Great Salt Lake, Utah), 2015 Gelatin Silver Paper Negative Unique 12" x 20" (30.5 x 51 cm) Framed: 15 5/16" x 23 15/16" (39 x 59 cm) Chris McCaw builds his own large-format cameras and outfits them with powerful lenses typically used for military surveillance and aerial reconnaissance. Instead of film, McCaw inserts expired fiber-based gelatin silver photo paper directly into the camera. Pointing the lens at the sun, McCaw makes recordings ranging from thirty seconds to as long as 36 hours. The sun, intensified by the lens, scorches its path across the paper while creating a solarized image of the landscape or seascape below – a “direct positive” image made in-camera, without an intervening negative. These burned lines and holes are tangible traces of the act of making each photograph: marking time, recording location, mapping weather conditions and channeling light.

This silver gelatin contact print with margins (4 x 4 7/8 in) is signed in ink and numbered '7' in pencil on the front of the mount. Credited, titled and dated on gallery label affix...