David Yarrow
Circle Of Life II
2015

About the Item

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 67 x 94 inches *Please inquire for availability of standard size* All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Amboseli on the Kenyan/Tanzanian border is one of the best canvases to work with in the world. I must have visited 15 times over the last five years and I almost always return to Nairobi with something. The amphitheater has an elemental starkness that suits my clean, ground up style of photography – the backdrops are rarely that busy in this arid dustbowl. The name Amboseli means ‘place of dust’ and that is instructive. To most lovers of East Africa, the ecosystem lacks the beauty and the glamour of other National parks such as the Serengeti and the Mara. Amboseli is just a flat and raw terrain albeit nestling below the towering Mount Kilimanjaro. The range of animals in Amboseli also lacks breath – there are just a handful of cheetahs and lions, no leopards or rhinos, and there are no crocodiles because there are no rivers. However, what Amboseli does have is the best elephant viewing in the world. I go to Amboseli for one principal purpose – to work close to elephants as they cross the dry Lake Amboseli in search of water in the park. When a big herd crosses, it is as serene a spectacle in the natural world as I have ever come across. That is why Amboseli holds such a special place in my heart. It offers the chance to capture evocative imagery of elephants in a barren and remote wilderness. These are also not small elephants, they are some of the biggest tuskers in Africa. 10 years ago, lake crossings of large herds were common, especially at the end of the summer dry season when the surface water was scarce and the elephants traveled from the Kilimanjaro foothills across the lake for the remaining sources of water. There is no greater friend to a wildlife photographer than repeat or predictable animal behaviour and late October tended to offer the best opportunity for this. With the first rains arriving there were rarely tourists around and it often felt as if I had exclusive access to write the stories for the ‘daily elephant news’. The evening skies would often have a menacing dark countenance, which compliments the scorched earth below. But recently the elephant behaviour in Amboseli has been affected by the growing number of Masai moving to the area with their cattle. This has impinged on the elephant’s way of life as cattle come with human tenders and also attract more lion. We were told as kids that elephants have great power of memory and increasingly there must be a disconnect between their memories and the current habitat. They are unsettled by change and Amboseli is changing. Cattle now dominate Amboseli and this is a story repeated throughout many of the parks in Kenya. The Masai are a powerful landowner in the country whose own needs along with their cattle are the prevailing variable in much of rural Southern Kenya. For 3 years I had not seen a big herd cross the lake and my regular guide has started to greet me at the landings strip with eyes of resignation. He knows what I want and this means working out of the jeep, on the ground on the dry lake with a big elephant herd approaching. Since 2013, I had not had the privilege of seeing this and I have certainly put the hours in. There have been special vignettes with giraffes, zebras, wildebeest and small elephant groups but no big elephant crossings. Until October 2015, in the middle of the day, my ‘look out’ scout saw something that had the shape of a big herd starting to cross the lake – they may have been 5 miles from his vantage point, but through his binoculars his premise was confirmed – and the herd numbered over 25 – the biggest group the locals had seen for sometime. Being outside normal filming time, I was sitting writing at my camp when the news quickly came back to me while I was only wearing loafers and casual clothes. There was no time to change and I picked up my cameras and we drove the 7 miles in record time. As we sped to the west side of the dry lake, I was emotionally focused but equally aware that the light was patchy with the sky dominated by localised rain cloud. I knew that this could compliment any ground content perfectly – much better to have threatening clouds at midday than a high sun. Those 20 minutes I spent that Sunday with the herd were spectacular and it was not hard to take something good. But one image ‘The Circle of Life’ stood out and the reaction from those I quickly showed it to homed in on the image’s grace and serenity. The composition has spirituality to it and in retrospect I made good quick decisions on both camera bodies and lenses. The photograph has a very good chance of passing the test of time. The detail is very pleasing and the composition is a gift that perhaps the hours of persistence deserved." -David Yarrow

Creator:
David Yarrow (1966, Scottish)
Creation Year:
2015
Dimensions:
Height: 67 in (170.18 cm)Width: 94 in (238.76 cm)
Medium:
Archival Pigment
Movement & Style:
Contemporary
Period:
21st Century
Condition:
Gallery Location:
Chicago, IL
Reference Number:
1stDibs: LU38831626743
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David Yarrow

David Yarrow, born 1966 in Scotland, took up photography at an early age, as a 20-year-old he found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, he took the sensationalized picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other high profile sporting events.

Many years later, Yarrow established himself as a fine art photographer by documenting the natural world from new perspectives and recent years have been career-defining for his mark on the world of contemporary fine art photography.

Yarrow’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following among art collectors and celebrities. His distinct large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. Yarrow is now recognized as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.

In September 2019, Rizzoli published their second book by Yarrow, with a personal foreword written by global NFL star Tom Brady and thoughtful afterword written by American cultural icon and supermodel Cindy Crawford. All royalties from the book have been donated to conservation charities Tusk in the UK and WildAid in the US.

Yarrow's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. He is an ambassador for WildArk and The Kevin Richardson Foundation and is the European ambassador for Nikon. Yarrow has been integral to Nikon's most anticipated camera release of the last decade. In December 2017, he shot LVMH’s latest “Don’t Crack Under Pressure” campaign with Cara Delevingne. In January 2019, he was appointed as a global ambassador for UBS. In the spring of 2020, Yarrow was appointed a global ambassador for Best Buddies – one of America’s most established children’s charities.

Yarrow became an ambassador for the African Community and Conservation Foundation and presented his work in the Endangered Rangers virtual fundraiser. At the start of 2020, Yarrow was in Australia documenting the devastating bush fires that have destroyed communities, wildlife and wildlands. Using the striking images that he captured of the effects of the fire, he launched the #KoalaComeback Campaign to support the recovery efforts in Australia. The campaign raised over $1.4 million, and as Yarrow continues to work for humanitarian causes, his steadfast determination continues to make positive change for the benefit of global awareness. Currently, Yarrow continues to create stunning imagery with lasting global impact and archival quality that speaks to his reverence for the art of photography in capturing the wonders of the world.

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